Words matter. These are the best Vinyl Quotes from famous people such as Henry Rollins, Willam Belli, Rick Astley, Robert Smith, Jonny Greenwood, and they’re great for sharing with your friends.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don’t always release their work on vinyl, so I take what they feel like giving me.
My parents let me get my outfit in the gayest place possible, the ‘International Male Catalog.’ They sold mostly speedos and thongs and clubwear, and I was like, I’m getting that sheer shirt with the dragon on it, and then those vinyl patent leather pants and the cheetah platform boots.
I like everything in this iPhone, iPod world where you can do everything all the time. Back in my time, you bought a vinyl record when you were a kid and took it home, and it took a bit of effort to actually get it out of the thing and not scratch it.
I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else’s entertainment, not mine.
If I’m on a train, with headphones, MP3s are great. At home, I prefer CD or vinyl, partly because they sound a little better in a quiet room and partly because they’re finite in length and separate things, unlike the endless days and days of music stored on my laptop.
A great song is a great song, whether it’s on vinyl or CD or cassette or reel to reel or mp3. Then again, that might be an overly optimistic view, but I do think that great music will transcend the medium in which it is delivered.
I think it’s important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.
My favorite song as a boy was definitely ‘Downtown’ recorded by Petula Clark. I still love it! And the original cast recording of ‘Gypsy’; I played my mother’s cast recordings until there was no vinyl left.
To me, there’s a lot more bottom and ‘dirt’ with vinyl. When I say dirt, it’s good dirt. You need that raw sound in the clubs. To me, a CD is too clean.
There was a time when poetry often made its way to vinyl; take a deep dive, for example, into the beat poets’ countercultural albums of the 1950s to ’80s.
CDs are not as good as vinyl, and you buy one in the supermarket along with the yoghurt.
A great song is a great song, whether it’s on vinyl or CD or cassette or reel to reel or mp3. Then again, that might be an overly optimistic view, but I do think that great music will transcend the medium in which it is delivered.
There’s no question that a vinyl record is a lot nicer than a CD. It’s nicer to hold in your hands, you can do more with it.
I love Rebel Rebel in Manhattan’s West Village for vinyl, but record stores are hard to come by these days. I almost don’t even use iTunes. I mostly use music subscription services. But I’ll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side.
Technology has long been the driver of growth in the music business from the invention of lacquers, eight-track players, vinyl, cassettes and CDs.
There’s no question that a vinyl record is a lot nicer than a CD. It’s nicer to hold in your hands, you can do more with it.
I played a lot of acetates at the end of my vinyl period – I used to make tracks and get them pressed in four or five days – but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I collect vintage vinyl records.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.
Somebody brought up the idea of reissuing ‘Tribute To 1’ because it was out of print on vinyl.
It was so exciting to go to the record shop and buy a piece of vinyl and hold it, read the liner notes, look at the pictures. Even the smell of the vinyl.
‘Close to the Edge’ is the album where we first attempted to do the extra-long-form piece of music, having one song taking up the whole side of a piece of vinyl.
Japan is brilliant for vinyl. There’s all this rare stuff that I’ve been looking two years for, and you walk into a store, and you find it straight away.
My mother and father are very involved with music. It’s completely part of their soul. They have an incredible record collection, all vinyl, of some of the best artists, in my eyes, that you can come across.
I grew up with vinyl records and remember the pleasure and the kind of buzz that I got from buying a beautiful vinyl record with the sleeve and the lyrics – all that kind of tactile experience that you could get from an old vinyl record.
Owning vinyl is like having a beautiful painting hanging in your living room. It’s something you can hold, pore over the lyrics, and immerse yourself in the art work.
We have a secret project at Third Man where we want to have the first vinyl record played in outer space. We want to launch a balloon that carries a vinyl record player.
The truth is I got rid of 100% of my vinyl in the ’90s. All the vinyl I have is re-bought.
My dad is a guitar player with huge vinyl record collection. I loved listening to his albums, especially Cream and The Yardbirds.
Whenever I see something that looks like it could be good – whether it’s on vinyl, CD or cassette – if it’s not too expensive, I’ll take a chance.
I don’t know where streaming will go in the future. The analytics that we’re seeing tell us that streaming is the next thing, and downloads are going down. I feel like with the history of this platform, from vinyl to where we are now, it just seems like the next logical step.
My mother had a great vinyl collection, and she was constantly playing female singer-songwriters. I first learned about classic song structures by listening to them, and Laura Nyro particularly stood out. Her voice was outside what you’d usually hear on the radio; that really appealed to me.
The decision about digital or film is going to be made for us. I think the answer is that film is gonna be gone, although I think it’ll make a comeback; it’ll be like vinyl records or something.
I have ‘Purple Rain’ on purple vinyl.
I spent two years living in London – I’d have stayed for ever if I could have got a work visa. It was there I started collecting vinyl and fell in love with the sounds of the 1970s.
Keith Moon was amazing as a drummer, but he was also a nut, and it reflected in his drumming. And the great thing about Who records is that you can almost get hold of the vinyl and feel his heart.
Vinyl is the real deal. I’ve always felt like, until you buy the vinyl record, you don’t really own the album. And it’s not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
I remember when I was a kid, if you had your name on a piece of vinyl, man, you were, like, in the halls of Valhalla; all of sudden, you were hanging out with Odin and being at the table of the gods. You were the real deal; you weren’t some guy struggling in a garage somewhere.
More people seem to know the Van der Graaf Generator material than my solo work – thanks, I suppose, to their parents’ lingering vinyl collections.
There’s a warmth, obviously, with vinyl that you just don’t get with CDs.
I have this old speaker set with amps and a record player from the 1970s. And I’m slowly collecting vinyl again.
I’m a big collector of vinyl – I have a record room in my house – and I’ve always had a huge soundtrack album collection. So what I do, as I’m writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It’s too expensive otherwise.
The four building blocks of the universe are fire, water, gravel and vinyl.
If God drives a car, He’d drive a 1973 Ford LTD Brougham sedan with a claret-colored vinyl roof, with oxblood leather upholstery and an opera window.
As long as those things are on vinyl or tape or what have you, the record companies are going to release them someday.
All vinyl polymers may be regarded as built from monomeric units containing a tertiary carbon atom.
I always go back to old vinyl albums I loved, and that’s sort of the aim I had with ‘Hero’ – just to make it look classic and feel like me, but also timeless in a way.
I wanna buy vinyl and I want to listen to records on it. I want to put on ‘Dark Side of the Moon’ in the dining room while I’m eating pasta or whatever. You know what I mean.
People book me because of the songs I write, not because of the sets that I play, per se… I’m sure I’m going to be moving to a laptop really soon, but I was one of the last guys to let the vinyl go. I was crying. In my room, I still have thousands of records. I still pull them out and play them all the time.