Top 121 Vogue Quotes

It’s fun to sniff and slather on beauty products, but the end goal is finding what appeals most to ‘Teen Vogue’ readers and reporting on it in the most compelling way.

I recognized a lot of Vogue in me and vice versa. We fit, we were very compatible together – even my mum thinks we’re similar!

‘Vogue’ is a very beautiful magazine, an institution, and I learned so much working there.

I want ‘Vogue’ to feel like a shop that you’re not scared to walk into, one that’s quite welcoming.

I made a big family when I was working at ‘Vogue’ for ten years, and I’m still friends with a lot of them.

When I was 14, I entered British Vogue’s annual talent contest and got a special mention. I went up to London to meet the editors and wrote about it in my high school magazine.

Within two months I made the grand slam: covers of ‘American Vogue’, ‘Italian Vogue’, ‘British Vogue’, and ‘French Vogue’.

Most people know no other way of judging men’s worth but by the vogue they are in, or the fortunes they have met with.

I’m not going to all of a sudden start wearing a snazzy suit and putting a scarf around my neck, which seemed to be vogue for about 20 minutes at one point.

I first thought about doing a project about Anna Wintour and ‘Vogue’ when I read an article in ‘New York Magazine’ about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn’t help but be compelled.

The evolution at ‘Teen Vogue’ is not a result of dinosaurs in a board room coming up with a strategy to reach the kids.

I didn’t lie that I read Vogue’ every day or that I grew up loving fashion, but I did know how to roll up my sleeves and do whatever it took to learn it.

Liberman said to me, ‘I must cut back on the work you do for Vogue. The editors don’t like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman.

French ‘Vogue’ was always a photographer’s magazine.

I am thrilled to become international ‘Vogue’ editor at Conde Nast International, which has a real commitment to journalistic excellence, and to have the opportunity to write for a wider global audience through the ‘Vogue’ websites.

There are so many startups out there raising money. I don’t think this is a bad thing. It’s a good thing. Entrepreneurship is in vogue. Innovators are innovating. Makers are making.

‘Vogue’ is a fashion magazine, and a fashion magazine is about change.

My mother, all of her sisters and my siblings all went through a stage from the age of about 15 to 19 where they widened and then lengthened. Had I not been modelling, that would have been a phase that was in a family photo album rather than in Vogue.

If I were ever to grace the pages of ‘Vogue,’ I would want my image retouched because the audience is so vast. There is great vulnerability in being exposed to that many judging eyes. I feel no small amount of guilt over this willingness to surrender my ideals.

I don’t know if this is too weird to say, but this is completely surreal for me. Bizarre. The cover of ‘Teen Vogue’ has been on my bucket list forever.

It was all about flying round the world, working hard, being on the cover of Vogue, making money. It wasn’t fun. It was exhausting, but I was young and convinced I knew best.

People often ask us if we had direct influences. Honestly, just a lot of different music – not necessarily individual people. We listen to anything from Bob Dylan to Massive Attack to Aerosmith to En Vogue. We very much enjoy all that music.

In those parts of the world where learning and science has prevailed, miracles have ceased; but in those parts of it as are barbarous and ignorant, miracles are still in vogue.

My dream jobs would be Italian ‘Vogue’ and anything with Chanel!

I was asked to be in Vogue but I said no. I didn’t want to advertise make-up. I didn’t want to be seen as a sex symbol.

After being at Vogue’ for two years in PR, I decided to bring all events in-house. That’s how I became the director of events.

I was successful very quickly. I was on the cover of ‘Vogue’ before I knew it.

I grew up reading ‘British Vogue’ – I am so honoured and humbled to be taking up the mantle of editor.

People ask me ‘Why you want to do another magazine – 10 years at ‘Vogue,’ a great magazine? Why do you want to make a new one? It’s so difficult and there’s already so many.’ I wanted to do something new, bring a new vision.

When I started in 1992, I really thought the ‘Vogue’ fashion department was one of the most frightening places on the planet.

No woman or girl is going to want to spend time looking at pretty dresses on the Internet. Vogue is going to be around for a long time to come.

‘Vogue’ is a very specific world. You are ‘Vogue,’ or not ‘Vogue.’

In my 10 years, I never put a girl that was too skinny in French ‘Vogue.’

Part of the pleasure of editing ‘Vogue,’ one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

My ‘Vogue’ is about being inclusive; it’s about diversity. Showing different women, different body shapes, different races, class. To be tackling gender.

At school, a careers adviser asked me what I wanted to be, and I said ‘fashion journalist,’ so writing for ‘Vogue’ has provided me with the opportunity to fulfill a dream.

I think there’s much more fashion competition in the more junior levels of the fashion department. And that’s exciting and stimulating to see, because it’s ‘Vogue;’ it’s great to see people dressed originally and with great style and panache. It wouldn’t be ‘Vogue’ otherwise.

But I was always just having fun and out and about and working, doing whatever. But when I met Vogue is when something went off in my mind and I became a far more serious person. She makes me a much better version of myself.

I got an offer at ‘Vogue.’ And I desperately wanted to work in magazines. My interest wasn’t in fashion, but when you get an offer right out of college for a magazine that big – I decided that it was probably better to start at a big name magazine, even if I wasn’t necessarily fascinated with the subject.

When ‘Teen Vogue’ started out, ‘Teen Vogue’ was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to ‘Vogue.’ And over the years, we’ve realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.

I wake up and I say to myself ‘How can I delight Vogue?’ and usually I succeed pretty quickly.

‘The September Issue’ is really a film about Anna Wintour’s relationship with long time ‘Vogue’ Creative Director Grace Coddington. The two of them have been working together for two decades, and the extraordinary symbiosis between them has left an indelible mark on the fashion industry.

You can’t put yourself into competition with a magazine like ‘Vogue.’ You have to create something new, something different.

I feel it would be a huge mistake for ‘Vogue’ always to be completely tasteful, completely perfect. I think it’s very important for us to also rock the boat.

We always had ‘Vogue’ in our house. But, when I was around 12, my Mom finally took me seriously about modeling and put a stack of magazines in front of me, then told me to study all the poses. The ones I loved the most were in ‘Vogue.’

It is hard finding clothes that fit. At the German Vogue shoot most of the clothes were undone at the back.

I agree cars become classic with age and you never know which ones are going to be in vogue.

I had very much wanted to be the very first black female editor-in-chief of ‘Vogue.’ Barring that, I wanted to work at ‘Entertainment Weekly.’

Look, on the first day of ‘The Jump’ we shared a ski lift together. We got to the top and Vogue skied off and I said, jokingly at the time: ‘I’m going to marry that girl.’ Turns out, I am.

I started looking at fashion magazines, specifically ‘British Vogue.’ I was reading a lot about Cecil Beaton. Then I thought maybe I should start collecting.

I would love to be in the pages of Vogue.

I can’t imagine life without Vogue at this point. People say, what’s changed? What’s different But it’s just part of growing up, meeting your soulmate and moving on with life.

To be in ‘Vogue’ has to mean something. It’s an endorsement. It’s a validation.

I’ve always known that I’m a little out of vogue.

When I met Melania Knauss in 2003, we were both 32 years old and walking the hallways of Vogue. I was working; she was visiting.

My neighborhood now is all 21-year-old European supermodels. I go to the international newsstand on the corner, and they’re all looking for their pictures in ‘Italian Vogue.’

Many photographers feel their client is the subject. My client is a woman in Kansas who reads Vogue. I’m trying to intrigue, stimulate, feed her. My responsibility is to the reader. The severe portrait that is not the greatest joy in the world to the subject may be enormously interesting to the reader.