For my art GCSE, I did a screen print of the Queen’s head that was basically an Andy Warhol rip-off, but I didn’t realise.
Maybe I have an affinity for Andy Griffith because we both grew up in North Carolina.
There’s no tradition today except initials, ‘CSI,’ ‘NCIS,’ all the rest. Even with reruns today, people don’t know there was a ‘Dick Van Dyke Show,’ or ‘Andy Griffith,’ or ‘Cheers.’
Andy Reid really dominated the NFC with Donovan McNabb as his best quarterback, got to a Super Bowl. Then he goes to the AFC, wins with Alex Smith. He’s won with five or six quarterbacks.
Andy was not a director and not a writer. He operated the camera a little bit, and he wasn’t even so good at that.
Ever since Marcel Duchamp appropriated mass market objects and pronounced them ‘readymades’ and Andy Warhol elevated the Campbell’s soup can and Brillo Box to art, artists and designers have been blurring the lines between fine art and commerce.
I’m a huge fan of Andy Kaufman. He made his living just being all sorts of characters, and nobody really knowing who the real Andy Kaufman is. And in a sense, I don’t think any of you know who the real Trisha Paytas is either.
I have done only two portraits: one of the artist Francesco Clemente and another of Andy Warhol.
People used to say, ‘Andy Serkis lent his movements to Gollum,’ and now they say, ‘Andy Serkis played Caesar.’ That’s a significant leap.
When I started supporting Man United, Dwight Yorke and Andy Cole were my heroes growing up.
I recognise the pure gold that runs in Andy Hamilton and Guy Jenkin’s work for ‘Outnumbered’ on TV. And on radio, I really enjoy John Finnemore.
Andy Warhol was a good friend of mine. We used to go to the Studio 54 nightclub together with the likes of Liza Minnelli, and we’d dance through the night.
I went by Andy when I was younger.
Even the ‘Negro’ shows like ‘Amos and Andy’ and ‘Beulah’ are written largely by white writers – the better to preserve the stereotypes, I imagine.
Andy Warhol made fame more famous.
When I was a kid in the late ’60s and early ’70s, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra, and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not.
My influences as a comedian and filmmaker are Albert Brooks, Lenny Bruce, Woody Allen, Andy Kaufman and John Cassevettes.
It’s a magpie aesthetic: If something is hideous, that’s interesting. It’s kind of the same sensibility that Andy Warhol had. He was interested in everything and soaked up what he saw like a sponge.
I’ve pretty much been portrayed as every style thing you can be. After Wimbledon you are Andy Everyman, who everybody is rooting for. I think the meat and potatoes of who I am hasn’t been covered yet.
I can’t deal with the ears in ‘Star Trek.’ I only saw the first ‘Star Wars’ movie, and I don’t think I saw an entire ‘Star Trek’ TV show, and I certainly didn’t see the movie. I like ‘Andy Griffith’ and ‘Deadwood.’
Andy Andrews is the best speaker I have ever seen.
I know Andy Roddick’s probably tired about me talking about how many times I beat him when we were kids.
Andy was not a hippie or rebel but more like a mischievous child. He was never out to destroy everything. He became a New Yorker, and New Yorkers know, like the media, what’s going on around them is a fashion thing that will change to something else.
I worked as an artist, played in a band, met Andy Warhol, Christo, Lou Reed, and David Byrne. I had fun.
When I was with Andy Warhol, I thought, ‘God, his wig looks cheaper than mine!’
You can come up with all the gameplans that you want but the guys in the middle have to execute those plans. If Jimmy Anderson or Stuart Broad serves up a leg-stump half-volley, you can’t turn round and blame Andy Flower.
Like Andy Warhol and unlike God Almighty, Larry King does not presume to judge; all celebrities are equal in his eyes, saints and sinners alike sharing the same ‘Love Boat’ voyage into the dark beyond, a former sitcom star as deserving of pious send-off as Princess Diana.
After Andy Warhol died, it left a dark cloud over N.Y.C. nightlife.
If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it.
I have a high opinion of Andy Dalton. Going back to 2010, I think I watched every single snap he played at TCU his senior year when I was at Texas A&M.
My heroes, growing up, were people like Andy Kaufman and Groucho Marx and people that very rarely drop the persona.
I was a product of Andy Warhol’s Factory. All I did was sit there and observe these incredibly talented and creative people who were continually making art, and it was impossible not to be affected by that.
We weren’t art students, but we definitely created our own style and were pretty influenced by Andy Warhol and all the stuff we read and saw and made fun of, you know.
Andy always thought that films would be where we’d make money.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there’s no fitting into it now.
I am a big fan of players like Roger Federer, Andy Murray, Novak Djokovic and Leander Paes. I would love to see them play.
The Emmys are in good hands with Andy Samberg. Disgusting, dirty hands.
I went on the Andy Williams show, the Smothers Brothers show, and maybe I shouldn’t have. But regrets – I don’t think I have any.
You know who I was most nervous to meet, probably? Andy Serkis. I am such a huge fan.
I worked at this bike shop called Rockville BMX, and I started going on this summer tour with this one company. One summer, we ended up in California, and I got to hang out with the guys who made ‘Freestylin’ – Andy Jenkins and Mark Lewman.
I was very much aiming to go into movies eventually, like a lot of ‘SNL’ people. But, soon after I arrived, all these really good actors started, like Fred Armisen, Bill Hader, Jason Sudeikis and Andy Samberg, and I thought, ‘If I were casting a movie, I would put all of them in it over me.’
I wholeheartedly believe that Andy Biggs is the right man to take up the legacy that Matt Salmon is leaving behind. I have worked with Andy for a number of years, and I have been impressed by his commitment to the Constitution and the principles of conservatism.
He is the best. Andy Robertson looks like a freak of nature. I watch him play and in every game he gives the same commitment. His consistency levels are extremely high. He is just brilliant.
From Richard Petty to Andy Murstein, everybody at RPM is standing behind me and believing in me on track and also following me through this journey off track and letting me find my way and find my voice in standing up for what’s right.
It’s typical of Andy Barr and his team, taking things out of context.
Andy Chase and I were keyboard players originally, and we became guitarists later. But it’s fun for us to focus more on the keyboard stuff sometimes.
I believe in the ethos of the remix, like Andy Warhol making a painting of a Campbell’s soup label.
Let me be clear: Despite his flaws, I respect Andy Reid as a coach and as a person.
Andy Murray’s already done what is needed for British tennis, which is ignite it. There’s a person, there’s a player that kids want to be like.
I’ve been told that some guy wrote something like, ‘Andy Serkis does everything, animators do nothing.’ Of course I never in a million years said that, wouldn’t ever say that. It’s not within my understanding of filmmaking to ever say anything like that.
I know Andy Hamilton and Guy Jenkin of old, having worked with them for many years on ‘Outnumbered.’
It was scary. I went into that with great apprehension. All you hope is that you don’t hurt it. I had nothing to do with the success of ‘The Andy Griffith Show.’ I just hoped I wouldn’t do anything wrong.
I really enjoyed doing stand-up. Andy Kaufman was a big hero of mine. I tried to do conceptual stuff like he tried to do.
Andy Rourke and I had been playing together from 14 or 15, and we had a very great musical chemistry. Andy’s just a very respected and unusual musician.
One of my best friends, Stephen Sprouse, Bill Dugan, and I worked designing clothes, doing every conceivable thing. New York was a really intoxicating period for me, literally and figuratively. There was a lot of overlap with Andy Warhol, Studio 54, and Halston.
Andy Warhol defined Pop Art.
Track and road cycling are very different things. It is easy to look at them both as cycling but going from the road to the track is like asking Andy Murray to play squash: yes, it’s a racket sport like tennis, but it’s not the same.
I’ve always been a fan of Andy Kaufman.
While it’s a shame that more businessmen like Andy Puzder aren’t helping to form America’s economic policy, at least he’s still on the field fighting the good fight.
Andy Clark has several books you can find on Amazon, including ‘Natural Born Cyborgs’ and ‘Being There.’ I particularly recommend ‘Being There’ to anybody who still thinks the Cartesian separation of mind and body should be taken seriously.
I remember at Man City when you saw people like Andy Cole walk through the door, you start thinking: ‘We can get into Europe.’
