When you’re still in the broadcast business, you’re still trying to reach tens of millions. You’re trying to still aim for a broader audience, and I think that’s a more difficult task to spread yourself across that audience, connect with them, as opposed to a very, very small, pinpointed audience. Difficult to do.
You can’t expect that because you find a story and report it out that your newspaper and broadcasting company is going to want to publish and broadcast it – and you’re going to be a hero.
When we say, ‘We’re here for you,’ we mean it to this point – everything we do, everything we preach, every broadcast we come on, everywhere we minister, everything we say and do is prayed, engineered, designed to minister to the people.
We let the show breathe more. We focused on the comedy from a broadcast point. It became more stylized and interactive.
It used to be a given that the talent and the talent agencies would line up around the broadcast pitch season first and then take whatever was still available out to cable. I hate to say it, but it’s just not going down that way anymore. There are things that are bypassing the broadcast networks altogether.
My involvement with the USFL began in the broadcast booth before I ever coached a game in the league.
I’ve anchored my share of live coverage over the years, including car chases. At MSNBC, I often prayed the ‘delay switch’ would actually work as promised. And, I frequently wondered what I would do or say if a violent and graphic incident accidentally aired on my broadcast.
With ‘Broadcast News,’ it became a non-issue, and with ‘The Piano,’ it became a non-issue. Both parts were written for more statuesque women. It was nice to change people’s minds about that, because that’s neither here nor there.
After ‘Broadcast News,’ I could have played that same part, but I didn’t want to. So I didn’t follow it up with a hit.
With syndicated television and broadcast pay-per-view, this is an opportunity for a lot of guys to break into the national mainstream.
I think it’d be great if the evening news broadcast, for instance, were unsponsored and unrated.
I wouldn’t be comfy going toe to toe launching a new scripted show against broadcast.
The right-wingness of Fox is basically the news channel. I don’t think the broadcast network has any politics at all. It’s sub-political at best.
The Broadcast Decency Enforcement Act of 2004 helps address the continuing degradation on the broadcast airwaves and helps send a clear message to the broadcast industry that Alabama families, like the rest of American families, have had enough.
I come from a broadcast background where I just prefer a lighter approach to my performance.
May I share with you my earliest memory of a political row? It was with my mother, about the Queen – classic Freudian stuff, shrinks would say. I was eight, and refusing to watch the Queen’s Christmas Day broadcast.
The idea of a news broadcast once was to find someone with information and broadcast it. The idea now is to find someone with ignorance and spread it around.
I know this might be broadcast broadly. But I’m 52 years old, and I’m going to admit to you that I’ve never had a drop of alcohol.
Everyone has a childhood, everyone had awkward years and weird stages. Mine were broadcast for eight years.
There is no doubt that some in Iran have an unhealthy focus on Bahrain, as some of the broadcast coverage shows.
I went into broadcast journalism. I loved every class I took, I just got anxious because I came to the realization that you’re groomed in high school to get good SAT scores to get into a good college or else you’re done for.
Because journalists of Radio Free Europe and Radio Liberty – the former broadcast into Eastern Europe, the latter into the Soviet Union – accurately depicted daily life in communist Europe, in the local languages, using native journalists, millions of people tuned in to them.
I’ve always liked the Muppets. I watched ‘The Muppet Show’ in England every week as a child. The show was originally broadcast in England.
I think my broadcast partner Mike Gorman said it best. He said there’s a generation of fans who know me as a player and there’s a generation of fans who know me as a coach and now there’s a generation of fans who think I’m Shrek!
Social media isn’t a one-way broadcast; it’s a multiway opportunity for dialogue.
If to live is to progress, if you are lucky, from foolishness to wisdom, then to write novels is to broadcast the various stages of your foolishness.
Imagine what you could do if you had the ability to broadcast live video from anywhere, anytime. It changes the way news is gathered.
A lot of times, I think broadcast commentators can get bogged down with stats and personal agendas.
I know it is the fans that are responsible for me being here. I’ve always tried in each and every broadcast to serve the fans to the best of my ability.
Because of network neutrality rules, activists can turn to the Internet to bypass the discrimination of mainstream cable, broadcast, and print outlets as we organize for change.
Dozens of Democrats appear on Fox News each month. If it were not worth their time and energy to debate, converse and display their experience and governing styles to millions of voters who happen to watch Fox News, wouldn’t they all just line up at others’ broadcast booths on Capitol Hill?
There’s nowhere you can aggregate more people in one fell swoop than a broadcast network; there’s no place you can build a star quicker than you can on a broadcast network.
Who wants to broadcast the news that he’s bought a can of Sprite? And who wants to see that on a News Feed?
I studied journalism at Binghamton University, even interning for NBC’s longtime anchor Carol Jenkins. Before graduation, I told my parents I wanted to pursue broadcast journalism.
At the age of 10 I started writing to the BBC about getting into broadcasting. It went on for years. I was 17 when they finally gave in and offered me a job as a bookings clerk in sport and outside broadcast.
Here’s a news flash: I hate to lose! Just watch any televised poker broadcast and you can see that’s the case.
The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for ‘Woman’s Hour’ and the ‘Classic’ series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
The world is changing, and the Internet is about to become the next broadcast network.
