Words matter. These are the best Michael Arad Quotes, and they’re great for sharing with your friends.
For two years nobody talked about anything other than the name arrangement. There was no fund-raising and no progress being made on construction and design.
You can just never desist. You have to always push back, whatever the pressures put on you.
I really appreciate artists of the 20th century, and I can see a lot of their influence on my work, but to suggest that my design only fits within an ‘ism’ kind of bothers me.
New York was a place I wanted to live and work all along. If I wasn’t going to live in Israel, I had to live in New York.
When I started this project, I was a young architect. I was very apprehensive about any changes to the design. Whether I wanted to or not, I learned that you can accept some changes to its form without compromising its intent. But it’s a leap of faith that I didn’t want to make initially – to put it mildly.
I pushed the process forward by saying, ‘We should do this, this, and this right now. Please find the budget for me to find a structural engineer, a mechanical engineer, a civil engineer, so we can do the preliminary work.’
As architects we are often involved in the concrete-steel-and-glass aspect of it, but cities are social structures, and to be involved in imagining the future of cities and the type of relationships and the types of places that we’re making is something that intrigues me very much.
I love New York, but I’d felt like an outsider here.
You have to always push back, whatever the pressures put on you.
I think my desire to imagine a future for this site came out of trying to come to terms with the emotions that day aroused.
I have no choice but to fight them every step of the way. I can’t tell you how many other stupid ideas have been proposed over the last two years.
I built a series of supporters that had my back. I never abused that trust. You can’t cry wolf. You have to solve most problems yourself.
It was really a magical moment, to see this idea that’s in your head.
No rendering can really simulate the way the light bounces off the bronze panel. From some angles, it’s almost a mirror, and from others it’s a matte surface.
I hope for the experience of people standing together, turning their backs to the city and facing this, and hearing the leaves rustle. Well, maybe it won’t be as bucolic as at the Brooklyn Navy Yard, but I know you will feel removed from the city.
