Although designers continue to dream of ‘transparency’ – technologies that just do their job without making their presence felt – both creators and audiences actually like technologies with ‘personality.’
Many people crave security and stability rather than risk-taking, and that doesn’t make them any less American. They are the workers rather than the job creators, and all societies need both.
Every opportunity I’ve had to work and act with incredibly talented directors, like Dean Holland was on ‘Love,’ and the writers and creators of that show, Judd Apatow, Paul Rust and Leslie Arfin, have been incredible learning experiences that have informed my creative process.
Great research universities around the world are visible not just through their quality graduates but as knowledge creators and technology developers.
The story of Detroit’s bankruptcy was simple enough: Allow capitalism to grow the city, campaign against income inequality, tax the job creators until they flee, increase government spending in order to boost employment, promise generous pension plans to keep people voting for failure. Rinse, wash and repeat.
I wouldn’t necessarily say that ‘Alpha House’ or ‘Betas’ embodied a particular vision of Amazon of the kind of brand or programming they were gonna do. I think those were the first lucky creators who hit it right for them.
I love the idea of creators having leverage and control.
Every new rule, mandate, and regulatory edict is one more obstacle that small business owners, entrepreneurs, and job creators have to swallow.
When I was asked by Pacific Comics for an original creator-owned series, my first choice of those several characters was Ms. Mystic. Since I always try to advance the work of other younger creators, I asked the young Mike Nasser if he’d like to join me in this project. He said yes. Mike created nothing!
The writer, the poet, the novelist, are all creators. This does not mean that they invent language; it means that they use language to create beauty, ideas, images. This is why we cannot do without them.
If the standard for art is the decency of its creators, we’re going to have a lot of empty museums.
Republicans are listening to America’s job creators and working to address their concerns with real solutions.
I love the idea of creators owning their audience data instead of platforms.
I always get a little bit frustrated with Republicans, because we always talk about job creators, and really who we should be talking to is their employees.
Producers are now employees, not creators.
Job creators should be able to focus on their work – not on Washington’s busy-work.
It’s important to debunk the myths of Africa being this benighted continent civilized only when white people arrived. In fact, Africans had been creators of culture for thousands of years before. These were very intelligent, subtle and sophisticated people, with organized societies and great art.
One of the neat things about Gearbox that I love is, we don’t look at our designs as a totalitarian regime and we’re all really happy to let designers and creators within the studio explore in our space.
Every product you have ever loved was a compromise from the ideal vision of its creators to the realities of shipping on time, on budget, and on price point. Anyone who has ever manufactured a physical product that had to be on the shelves for Christmas shopping knows how painful these choices can be.
Yachts are job creators.
As content creators, we’re benefitting YouTube every day. YouTube couldn’t do what they do without us, so do not underestimate your power.
The Kingsway Music Library was sort of a byproduct of all the creation I was doing. As creators, we kind of just create blindly sometimes and I couldn’t physically see every idea through, so I created this ecosystem where I made the ideas available to people to download, to sample and to put their own twist on it.
FX is a network; that’s their whole model, letting creators make the thing they want to make and then marketing it really well.
In terms of intellectual property, so many of the job creators I know are start-ups. In the IP setting, we can meaningfully improve on the status quo, and in so doing, we can help small businesses, large businesses, and those in between.
It’s cool to see wrestling fans that are also comic book creators sort of put their fandom on the page, and then take that fandom and put it on the screen.
America’s private sector job creators need elected leaders to lead and get out of the way.
I mean, how would you like to be fighting coronavirus in a socialist health care environment? A socialist system in which the manufacturers and creators of a vaccine would not be rewarded for their efforts? You think there’d be the same race to find a vaccine? No.
I would not be in comics if it weren’t for independent creators like Kate Beaton, Jess Fink, and Emily Carroll. That’s where I found my start and inspiration, through women who did it themselves and built a career on their own terms.
If the search engines don’t respect the creators, there won’t be anything to search in the future because creators have to make a living too.
Companies that continue to innovate and invest in research and development are the kinds of high-tech job creators we want working with North Carolina.
Artificial intelligence, in fact, is obviously an intelligence transmitted by conscious subjects, an intelligence placed in equipment. It has a clear origin, in fact, in the intelligence of the human creators of such equipment.
We call ourselves creators and we just copy.
All the Vine creators, we knew our home, the place we started on was slowly reaching a plateau.
For content creators, it’s really important to be honest. Your audience will appreciate if you’re stingy with the brands you work with.
A new medium always has a period when it is struggling inside the confining box of an earlier medium. Creators have to unlearn what they knew before they can see the fresh, uncharted vistas stretching before them.
There’s this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
My own belief is that rather than getting involved in trying to change the reality of social-political things, creators can be involved in and express in different ways and be meaningful in different ways, so for me, it’s important to leave messages to people of the future and to be engaged with the people now.
And what could be a hotter ticket than the improbable triumph of ‘The Book of Mormon,’ the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central’s ‘South Park,’ are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
I would love to create a piece of theater that is devised by a company of actors and creators that I’d put together, and I’d love for it to be nonverbal so it’s something that someone with any communication ability can enjoy.
My aunt was Frances Hodges, who in the Fifties was the editor of ‘Seventeen’ and later one of the creators of ‘Mademoiselle.’ She was my Auntie Mame; she loved culture. She was a Quaker, but she became a milliner against all Quaker logic – they feel that fashion and art are vanities – because she loved fashion.
Everyone who has felt alienated by the games industry, both would-be players and creators, needs to rally together and support one another as we create a space for those of us who don’t fit in traditional spaces.
YouTube’s a funny place because so many creators fall into their aesthetics out of necessity and the visuals are driven out of an urge to create. You get a lot of interesting examples of interesting design choices that have roots in practicality as well as an artistic sentiment.
As creators, we feel constant demand for innovation from the world. This puts immense pressure on the creative process and oftentimes can have a dampening effect.
The ability to make new work from old work – especially if that new work is different enough that it doesn’t dent the market for the old work – is something that benefits all creators, since so few can claim not to have a giant or 10 supporting them underneath.
I think the advent of things like YouTube have made it possible for creators to tell stories cheaply and efficiently and to have a built-in audience.
The landscape of professional creation continues to get more complex. Organizations and platforms of all sorts are vying for a slice of the value created by the relationship between creators and their audiences.
Sometimes you just square the ball, and somebody else shoots, but some assists are so nice, and the passing is very important. We creators have a thing with the attackers.
With ‘Scratch,’ we want to let kids to be the creators. We want them to create interesting, dynamic things on the computer.
The greatest creators are as hungry to consume as they are to create.
I believe in nurturing creativity and offering a haven for creators, enabling them to develop their ideas to the fullest. With more and more talented creators being drawn to Cirque in an environment that fulfills them, these are ideal to continue developing great new shows.
