Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.
I like movies that instill passion in the viewer. I like movies that can teach us about who we are as people.
I’m very lucky that I started out as a reader of the comic book and a viewer of the show. And I try to remain that, and make ‘The Walking Dead’ that I love watching. Luckily, I have the source material that I love, and I want to serve that as well.
I think that acting involves doing your job so well that you are able to help the viewer identify with the character.
We want to give deep insight into sports at all levels and bring the viewer inside the journey for an entirely new perspective.
I really liked the script of ‘Alone.’ I thought there were a lot unexpected things in the film, which I would want to watch as a viewer. I did not think like I was doing a horror film; I did not think in terms of genre. I decided on the basis of the script.
I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
The ‘indistinguishable from magic’ thing is highly dependent on where a viewer is looking from and not something intrinsic to any particular sort of tech.
I don’t want to be cosy with the guy who I know isn’t saying the truth to the viewer.
I’ve always been a super-fan of television storytelling. It took me a while to figure that out in a career capacity, but certainly in a life capacity, I’ve been an avid viewer of television for decades.
It’s not necessary that everything needs to be spoon-fed to the viewer for every story.
We provide new programmes, concepts, shows, regardless of what’s on other channels. After all, we command viewer loyalty and we are trustees of public faith.
I’ve always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer.
You finish a film not in the editing, but in the conversations that audiences have with themselves – and in that sense, every viewer is making a slightly different film. And that’s wonderful.
When it comes to viewer’s choice, each film counts. Moreover, it’s important to enjoy the work that I do. Thus, it is important that I am excited about the films I sign.
I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.
As a viewer, I love watching movies. There has to be an emotional connection.
What I learned, a little too late, was that the ‘traditional’ Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.
But I don’t think of any particular viewer in mind other than myself.
What intrigues me is making images that confound and confuse the viewer but that the viewer knows, or suspects, really happened.
I’m a typical 2016 TV viewer: I like short bursts of heavy watching.
‘Doctor Who’ is where my love of science fiction and fantasy started. I was introduced to it when I was 8, and I’m still an avid viewer.
If you give an answer to your viewer, your film will simply finish in the movie theatre. But when you pose questions, your film actually begins after people watch it. In fact, your film will continue inside the viewer.
I don’t want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
I think when your image becomes so big that it’s hard for a viewer to see a character, then I think you’re in danger as an actor of being unable to perform what you should be doing.
The hidden child wants to be able to participate and to co-create in art, rather than being simply an admiring viewer.
The sitcom’s traditional role has been to comfort the viewer who feels burdened by the unreality of American expectations.
If to the viewer’s eyes, my world appears less beautiful than his, I’m to be pitied and the viewer praised.
I’d seen ‘The Sopranos,’ but I wasn’t a faithful viewer because I can’t handle it.
I won’t call ‘Cabin’ an anti-home invasion story, because that’s not exactly true, but the home-invasion subgenre is one I generally don’t gravitate toward as a reader or film viewer.
Part of me isn’t that interested as a person and a viewer in people’s personal lives. I’m much more interested in what people do in the workplace and what goals they set themselves. I guess that’s why I write a lot of precinct drama.
I am just like Dr. Armaan – fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to ‘Dil Mill Gayye.’
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
It is not an aesthetic misstep to make the viewer aware of the paint and the painter’s hand. Such an empathetic awareness lies at the heart of aesthetic appreciation.
When I said yes to host the ‘IPL,’ I wasn’t trying to fill in someone else’s shoes. I wasn’t trying to prove a point. I was only going to lend my style to the show, ask the right questions, get my facts right, keep the viewer informed and basically leave no room for error!
People know I’ll be sensational, not scandalous. There’s a fine-line difference. Sensational means titillating the viewer. Scandalous means being condemned by the viewer for making unfair, uncouth revelations.
Sound creates an intimate effect: the sensation to feel the place. It makes the viewer enter. You have the liberty to hear what you want.
I have realized that the taste of the viewer can constantly change. So you need to sniff out the need for change. Constantly restructuring your own business to cater to changing taste is imperative.
As a viewer, I really want to watch author-backed stories, and there is something amazing about thrillers, the way it captivates your imagination.
The greatest skill that I have is what the viewer has: I listen. I try to listen silently.
It’s interesting because I don’t ever want to ask a better question than I can answer, if that makes sense. I find that frustrating as a viewer. Compelling questions, while not easy, are easier than compelling answers.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience.
As a viewer of TV shows, I always like shows more when I just feel like the people in charge have a plan. You can just tell sometimes, ‘Oh, there’s a plan there. They have an idea for how this is going to unfold.’
I am not the most objective viewer of my own work. So I have different thoughts about my work.
The story I get the biggest kick out of is when my name and e-mail appeared on ‘Jeopardy’ a couple of years ago. My mother was a faithful viewer, and she said she was happy that they finally had an answer she knew the question to.
I want to break into the acting industry. It’s something I have a great deal of respect for; it’s a passion of mine. It’s so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that’s pretty cool.
A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you’re a viewer and you miss a week you don’t know what’s going on.
A still image attracts the viewer with an overall impact, then reveals smaller details upon further study.
When I told my dad about my decision to take up acting, he supported me in every possible way. He’s very proud of me. Mom’s happy because, as an avid TV viewer, she loves seeing me up there.
As a writer, I’ve tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.
