Top 177 Glamour Quotes

My mum – and my granny and I – would close the curtains, turn on the TV and snuggle up and watch ‘Come Dancing.’ It was actually my granny who was the biggest fan; she loved the show, and she passed on her passion for it to me. I loved the dancing but also the frocks and the glamour.

You go to something like the Golden Globes, and it’s the most glamorous place you could ever be, but then you go home and you’re still like, ‘Urgh, this dress is too tight, I wanna take off these shoes and put on my pyjamas.’ At the end of the night all the glamour goes away and you’re just a human.

I feel like it’s such an exercise in, like, several things to read a ton of ‘Cosmo’s or ‘Glamour’s or whatever, all at once. Because you start realizing how they’re just talking about nothing for many pages, and they sort of lull you into this hypnotic state.

You’re surfing with all this glamour, and a lot of people are talking about Gwyneth, JLo, and Cameron.

I believe in the power of great clothing. It can evoke confidence, beauty, and a sense of glamour.

If it is within limits and forms part of the storyline, I have no hesitation in doing glamour roles.

I’m not a glamour boy, and I never get the girl. I like to play old people, because there’s something to them. Did you ever see anybody under 30 with any real character or expression in his face?

I am a politician but I am also an actress and you do need glamour in politics.

I don’t understand women who try to be glamour queens.

What we learned was that the collective glamour of a specialty store could sell a lot of merchandise.

Your aim will be knowledge and wisdom, not the reflected glamour of fame.

The Fashion Fund celebrates the real passion that underlies the fashion business, not the frothy world of glamour and celebrity that so often surrounds it.

I’m just not the glamour type. Glamour girls are born, not made. And the real ones can be glamorous even if they don’t wear magnificent clothes. I’ll bet Lana Turner would look glamorous in anything.

I did love the glamour of going out and had a couple of years when there was a lot of make-up and false eyelashes.

When we talk about my music, it’s a cross between Tina Turner, Alanis Morrisette, and Diana Ross. It’s the glamour and the showiness of Diana Ross; the ferociousness and pain of Tina Turner; and the vocals of Alanis.

Lots of people, from what I can see, just want to get into the music business for the glamour of it. But there isn’t any, really. It’s so up and down this industry, but if you really love it, nothing can stop you.

I think that fashion, in general, is a world of super-heightened glamour, and when you talk about super-heightened glamour, the first thing that comes to mind is a drag queen.

The glamour of it all! New York! America!

Science is not the glamour that’s portrayed in films. It’s a lot of drudgery work, along with the wonderfully exciting periods when you discover something.

I’m more girly but I also wanted to pull off the vintage, Hollywood glamour slightly circus style.

We don’t have glamour models in Canada at all.

Glamour is something you can’t bear to be without once you’re used to it.

One of the artists I most admire is David Lee Roth. I think his combination of humor, glamour, sex and energy is one of the best there is. He also writes great songs.

Many people want to be a part of this industry only because of its glamour. What they have to understand is that it takes hard work to make it big. Imitation and bootlicking won’t get you through.

Boxing has lost its glamour and excitement. I’m going to bring it back.

The only benefit of my dad being in the film industry was that I got a reality check right from the start. I wasn’t delusional and didn’t want to be an actor just for the glamour.

I use glamour as a tool, almost like armor to confidently take up space, to provoke questions and conversations about society and gender norms.

Remember, acting is not a business of glamour. It is science, craft and an art. Read about acting; don’t do it for the sake of fun. Actors such as Paresh Rawal and Naseeruddin Shah are great examples; they are surviving only because they have read well.

Because of my own insecurities about the way I look, I do sometimes sabotage the looks of my characters by making them as homely as possible. I’ve never done a glamour part. I’d like to some day, though I don’t know if I could pull it off.

The classic hat image was during the Forties and Fifties, and Elizabeth Taylor was the epitome of that; she was the ultimate celebrity of excess and glamour, and she worked major sun hats.

Boxing has lost its glamour and excitement. I’m going to bring it back.

I think glamour is a perception, and I am not against it.

My earlier film ‘Punda’ did not give people a glimpse of what I could do as my role was that of a typical glamour doll that required me to run around trees.

Growing up on stage, I was introduced to makeup at a young age and I will never forget the first time I tried on a L’Oreal Paris iconic lipstick – it was instant glamour and I’ve been hooked ever since.

I wouldn’t play glamour for glamour.

Like charity, I believe glamour should begin at home.

The House of Andrews really invented what we know as polished, glamour drag.

I did not make any specific statement in ‘Madras’ and did what the character demanded. ‘Kanithan’ was an entirely new concept that needed the glamour quotient.

Being in nature is very important to me. I’m not a glamour puss.

Years ago, I worked at a fashion magazine. I was the lowest man on the totem pole, one of the only men on that particular pole: a little brother with a dozen older sisters whose grace and glamour I so admired.

In Santhosh Sethumadhavan’s remake of the yesteryear hit, Chattakkari,’ I was required to wear short skirts and frocks as I play an Anglo-Indian girl in it. But my role as Julie is hardly a show of glamour.

Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read ‘GQ,’ enjoy ‘Fight Club,’ and subscribe to ‘Thrillist,’ while the idea of a guy doing the same with ‘Glamour,’ ’27 Dresses’ and ‘Daily Candy’ is nearly unheard of?

Film buffs who don’t live in Hollywood have a fantasy about what it’s like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it’s not like that. It’s very different. It’s hard work.

As an actress, the joy of being able to play the three sides of any woman, which are the glamour, the pragmatic and the one not to be messed with, is pretty glorious.

I feel our brides are empowered women who know what they want and have a strong sense of their identity. Obviously, they love fashion and glamour.

I’ve done the glamour doll, song-and-dance routine, the works. I’ve reached a stage in my career where I’m ready to experiment.

Boots radiates a unique kind of class – not a glamour, but enough self-respect to not degrade itself with an in-store radio station.

I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba – ‘Lana Del Rey’ reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.

The whole point of movie glamour was – and is – escape.

My music touches on things I am concerned with in my own life – the idea of a woman’s role in society, sexuality, desire, monogamy, fantasy and glamour. That’s what keeps me alive, and if I couldn’t keep creating that, I’d fall into a bit of heap.

I look to women who epitomize old Hollywood glamour, like Rita Hayworth.

Whenever I have to go out or do something, it must be glamour.

I love things that are old and glittery, that come with layers of glamour and past lives.

IPL is pure sport. The glitz and glamour is just 15 per cent. 85% is actually professional, hard cricket.

I think Hefner himself wants to go down in history as a person of sophistication and glamour. But the last person I would want to go down in history as is Hugh Hefner.

I’ve always looked up to Dr. Reita Faria, the first Asian to win the Miss World crown. Despite many offers from the glamour industry, she followed her passion and went on to become a gynaecologist.

In the South America of the forties and fifties, everyone was into beauty and glamour and fashion.

As a kid, we got a lot of American shows – usually a New York or L.A.-based show full of glitz and glamour – and I assumed that that was what life was like in the U.S. So, when I was 17, I decided to go to America.

I am not about glamour, fame and all that comes with it, so now that people know me so much, I think I have a responsibility to give them back and set a good example.

My grandfather Frank Lloyd Wright wore a red sash on his wedding night. That is glamour!

When times are bad, people like to lose themselves in the sheer glamour of another period: beautiful wardrobes, magnificent meals served in elegant settings.