Words matter. These are the best Daniel Libeskind Quotes, and they’re great for sharing with your friends.
It’s a project that touched me as an immigrant and as a New Yorker.
The Spiral Gallery may happen, too. It is not dependent on government funding.
And then, build a bustling wonderful city of the 21st century, with a restoration of a spectacular skyline, which Manhattan, of course, needs. So, that is really the design as a whole.
I studied architecture in New York. So, really I was very moved, like everyone else, to try to contribute something that has that resonance and profundity of it means to all of us.
Well, I think one doesn’t really have to invent this memorial space, because it is already there. And it is speaking with a voice and, you know, 4 million of us came to see the site.
There will be a competition for the memorial. And then it can be developed with trees, with planting. It can become a very beautiful place protected from the streets, because it is below. And it can be something very moving and very private.
When you’re a kid with artistic yearnings brought up in the Bronx, you don’t get fed up too easily.
Life it is not just a series of calculations and a sum total of statistics, it’s about experience, it’s about participation, it is something more complex and more interesting than what is obvious.
Well, I didn’t want to have the reminder sort of in the sky, so that people would forever look at it. I wanted to have – really to create a city from the bottom up. From that foundation, which held, from the democratic power of what the site really is.
We will work with everybody for the good of New York.
Only through acknowledgment of the erasure and void of Jewish life can the history of Berlin and Europe have a human future.
I don’t get to sleep when I’m in New York. Really. I’m living on adrenaline.
Larry wanted us to reposition the tower. We wouldn’t, and won’t. He’s been holding back our fees. We want to get paid. And that’s it. It’ll get solved and we’ll carry on with planning Ground Zero.
To provide meaningful architecture is not to parody history but to articulate it.
We all came to see that site. We all walked around it. It is already sacred.
Winning a competition in architecture is a ticket to oblivion. It’s just an idea. Ninety-nine per cent never get built.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
It’s about how to bring together the seemingly contradictory aspects of the memorial, which is about a tragedy and how it changed the world, but also about creating a vital and beautiful city of the 21st century.
The foreign press seems obsessed with the Freedom Tower, as if it was the only thing going on here. In fact, we’re trying to keep a huge juggling act in balance, with the tower as just one of the many balls in play.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
