Words matter. These are the best Old Ones Quotes from famous people such as John Goodman, Dorothy Hamill, John Maynard Keynes, Marley Dias, Prodigy, and they’re great for sharing with your friends.
When I was a kid, I loved Popeye, but the old ones, the real old ones.
Luckily, I discovered ice skating when I was eight and a half years old. There were two wonderful ponds within walking distance of my house. After all the physical activity the summer provided, I craved movement in the cold of winter. I had no skates, so Mom stuffed socks into my brother’s old ones.
The difficulty lies not so much in developing new ideas as in escaping from old ones.
‘Star Wars’ is my favorite movie series ever. I like the old ones better than the new ones, but I like all of them.
When we first signed to Loud, we had a 20-song demo. So all of those songs we wanted to put on the album. But we started making new ones, and through process of elimination, we wanted all the new ones. We didn’t like the old ones no more.
There are lots of reasons email persists, even as faster and simpler forms of communication proliferate and your personal communications likely have mostly migrated elsewhere. But one big one is that new types of media channels rarely totally kill off old ones, even though everyone predicts they will.
People are very open-minded about new things – as long as they’re exactly like the old ones.
The South: What is this place? What’s different about it? Is it different anymore? Good questions. Old ones, too. People have been asking them for decades. Some of us even make our living by asking them, but we still don’t agree about the answers.
Each new book that comes out kind of pulls up the old ones a little bit. The new releases are always going to bolster the old releases.
If Hollywood is going to keep going, the writers need to be creatively fulfilled by creating their own things. We need to generate new ideas, so we’re not always cannibalizing old ones.
I can’t understand why people are frightened of new ideas. I’m frightened of the old ones.
If you have 100 acres worth of food, and you’ve got 500 animals out there, the young ones and the old ones are going to starve to death because they can’t compete. When they starve, they start to eat things they shouldn’t be eating and spread disease not only to them but to us.
Getting bogged down in old stories stops the flow of learning by censoring our perceptions, making us functionally deaf and blind to new information. Once the replay button gets pushed, we no longer form new ideas or conclusions – the old ones are so cozy.
None are so eager to gain new experience as those who don’t know how to make use of the old ones.
New words can spread like wildfire thanks to social media – you only have to look at ‘mansplaining’ and ‘milkshake duck’ to see language evolution at work – so why not old ones too?
I’ve always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That’s why I’m more interested now in creating new heroes than hooking up jumper cables to old ones.
New links must be forged as old ones rust.
To make a love story, you need a couple of young people, but to reflect on the nature of love, you’re better off with old ones. That is a fact of life and literature – and of the novel ever since it fell in love with love in the 18th century.
The challenge is to keep up with all the new poets at the same time I love the old ones.
I’m excited to bring in a new fan base for ‘Charmed’ and to surprise and shock the old ones as well – bridge the gap between both. Maybe I’ll get some superpowers!
