Words matter. These are the best Ben Schnetzer Quotes, and they’re great for sharing with your friends.
I left drama school to do ‘The Book Thief’ – it was a real trip going straight from school kind of right into it, but I feel like the momentum of being in school put me in a good mindset as far as going into it as a learning experience.
Life used to be a rite of passage in and of itself. But it’s not our parents’ generation anymore.
You want to bring it every day. But if you have a bad day in the theatre, a couple of hundred people see it. That sucked; we’ll get back to it. You have a bad day on film, it’s just on DVD for the rest of your life.
Every film that comes out that incorporates CGI or performance capture is a little bit ahead of the last film that came out. You’re on the cutting edge for a certain amount of time, and then the new technology comes out.
No matter how cold you are or how hungry you are, you might be warm tomorrow.
I’ve been incredibly lucky. I know what it’s like to be an unemployed actor, to beat the bricks. I’ve been in the right place at the right time.
When we were shooting ‘The Book Thief,’ I was keeping all these journals. And I remember talking to my mom, really trying to verbalize all the experiences I was having. And I remember my mom saying, ‘Ben, reflection is a retroactive process.’ When you’re going through it, that’s the time to just let it wash over you.
I think any job you do is an opportunity to learn and an opportunity to explore and challenge yourself.
I feel really humbled and really grateful to have the opportunities that I’ve had over the past couple of years to work with some amazing people. I think, at this point, I just want to put my head down and grind and do honest work.
A lot of times, when you’re seeing something that you’ve done, you’re thinking about the experience you had making it, not about the experience of the product.
Obviously, as an actor, when you re playing a real person, it is an extra challenge.
I really admire people who concern themselves more with how they perceive the world rather than how the world perceives them. I think, as an artist, it’s very important to do that. You can limit yourself a lot if you spend too much time caring about what people think of you.
If I audition for a job that I don’t get, to be honest with you, I’d rather my friend get it. I think there also has to be an acknowledgement of the fact that, as an actor, being in employment is not the norm.
Most of stuff I audition for is stuff I think is socially relevant.
I didn’t start drama school until I was 20, and I don’t think I would have gotten nearly as much out of it had I gone when I was 18. I didn’t show up there to please anyone. After I was accepted, I wrote, ‘The Audition’s Over’ and put it on the door of my dorm.
The more comfortable men are with dealing with their own vulnerability and their own ideas of masculinity and feeling emasculated, the healthier they are. It’s a healthy thing to deal with.
When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
I didn’t start drama school until I was 20, and I don’t think I would have gotten nearly as much out of it had I gone when I was 18.
It certainly isn’t like I’m reading scripts thinking I need to do something really different. But you want to stretch yourself and challenge yourself; that’s really the major turnon when you’re going into work.
When you’re doing a play, you don’t always have a practical world that you’re working off of. You have to create it for yourself.
I grew up in New York City, and I’m a city boy, born and bred.
A lot of the messed-up stuff that men inflict on women is kind of a symptom of the messed-up stuff that they should be dealing with themselves.
