Words matter. These are the best Roddy Doyle Quotes, and they’re great for sharing with your friends.
I’m going to sound like an old man but at my age, it’s lovely doing something that you’ve never done before.
I wouldn’t go out of my way to experience the indignity of middle-age just because it might be good meat for a story.
If you are a writer you’re at home, which means you’re out of touch. You have to make excuses to get out there and look at how the world is changing.
My novels come from within me; they are things I feel I want to do.
I do enjoy Gothic fiction or books about zombies if they are well written and I like vampires.
Some of the people who look the most normal are probably the maddest people trying to look normal.
When you grow up on an island, what matters is how you stand to the sea.
It’s great meeting children because you never know what they will say.
No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn’t yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.
My parents were sixty years married.
When I’m writing I just think there’s only the page and me and nobody else.
I’ve been asked why does Ireland produce so many great musicians, and the answer is it doesn’t. When you count the great musicians Ireland has given the world in the last 20 years, you can do it on one hand.
Ulysses could have done with a good editor. You know people are always putting Ulysses in the top 10 books ever written but I doubt that any of those people were really moved by it.
I see people in terms of dialogue and I believe that people are their talk.
Most working days I can be at my desk for nine hours a day.
I’m not recognised that much. I’m just a bald man in glasses and there’s a rash of them in Dublin. It’d be different if I had a mohican.
I tend to plan as I write. And I want to leave myself open and the character open to keep on going until it seems to be the time to stop.
Sometimes adults seem as though they have cut a chord from being a child.
It’s hard for me to measure them, or to assess my books because I’m so close to them.
The problem with being Irish… is having ‘Riverdance’ on your back. It’s a burden at times.
I like naming characters.
When I started writing full time I had not long stopped being a teacher and when at last I had a full day to write, I would put music on and wonder to myself – am I allowed to do this? Then I thought: ‘I am control of this and no one is telling me what I can do.’
I write short stories when a little idea occurs to me, that I know isn’t a part of a novel that will stand by itself and should be concentrated.
It’s a big con job. We have sold the myth of Dublin as a sexy place incredibly well; because it is a dreary little dump most of the time.
I don’t work to any commissions. I do what I want to do.
