Words matter. These are the best Two-Dimensional Quotes from famous people such as Bryan Konietzko, Brian Greene, Andrew Cohen, Chuck Jones, Amanda Knox, and they’re great for sharing with your friends.
Mike and I are always drawn to the idea that there is light and dark inside every being, rather than the old two-dimensional trope of good versus evil.
We might be the holographic image of a two-dimensional structure.
Men are recognizing that they have been forced to conform to a very narrow and rather two-dimensional picture of maleness and manhood that they have never had the freedom to question.
Painting does what we cannot do – it brings a three-dimensional world into a two-dimensional plane.
It’s almost like living a double life where I’m in a limbo space where Amanda Knox, a real person, exists, ‘Foxy Knoxy,’ an idea of a person, exists, and I’m constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public’s imagination for so long.
Together, the western elites and Gaddafi helped to lead us into a simplistic two-dimensional vision of the world – full of exaggerations and falsehoods. A fake bubble of certainty that has imprisoned us in the West – and is now preventing us from understanding what is really going on in the world outside.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
For the whole history of cinema, we’ve been experiencing movies and television through a two-dimensional, letterboxed window. But once you can start programming entertainment for all the different senses, it becomes a wholly different medium.
People are more than two-dimensional, and again I think the complexities in life, and in one’s makeup, grow as you get older, partly through experience.
‘The Choirboys’ is very much a product of its mid-1970s time, especially in its two-dimensional portrayals of cop groupies Ora Lee and Carolina Moon, but the energy of Wambaugh’s newfound, blackly comedic voice is a revelation, a trap-door opening into all facets of a policeman’s world.
If your characters are two-dimensional and your plot uncompelling, it won’t matter how incredibly detailed and believable your fantasy world might be.
Tina Fey writes crazy, off-color, racist, hilarious stuff for ’30 Rock,’ but it’s always funny because you’re in this almost two-dimensional world where there’s Jenna Maroney and these over-the-top characters. That’s the framework.
Comparing Oceanic art generally with Negro art, it has a livelier, thin flicker, but much of it is more two-dimensional and concerned with pattern making. Yet the carvings of New Ireland have, besides their vicious kind of vitality, a unique spatial sense, a bird-in-a-cage form.
I would say there are three important things about graphene. It’s two-dimensional, which is the best possible number for studying fundamental physics. The second thing is the quality of graphene, which stems from its extremely strong carbon-carbon bonds. And finally, the system is also metallic.
Our universe – it’s three-dimensional, but we can pretend it’s two-dimensional so it’s like this sheet of paper – and we live in Pasadena over here and London is over there, and it’s thousands of miles from Pasadena to London.
The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her.
My fascination has been the space between cloth and the body, and using a two-dimensional element to clothe a three-dimensional form.
I don’t like two-dimensional characters who are obviously villains from the moment they walk on stage.
Carbon has this genius of making a chemically stable, two-dimensional, one-atom-thick membrane in a three-dimensional world. And that, I believe, is going to be very important in the future of chemistry and technology in general.
With a male-centric show, the women are usually very two-dimensional.
I think that two-dimensional film will always be here to stay because it always has its place, but 3D does too.
In my career, which has been fairly two-dimensional, people make decisions based on your persona.
‘I Am Number Four’ definitely borrows from a whole bunch of genres and has a whole bunch of different themes throughout. And I think if it was just one stale two-dimensional thing then it would be kind of boring. And I think they did a fantastic job.
I’ve had emotional experiences in VR that I haven’t been able to have in two-dimensional experiences.
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
