Words matter. These are the best Cuba Gooding, Jr. Quotes, and they’re great for sharing with your friends.
I’m not a prude. On the set, they called me ‘Butt Naked.’
There are roles I want that my agency might not want me to do because of the subject matter or whatever. Or there are roles that people won’t bring to me because they don’t think I’ll do it. And that is a big strain because an actor wants to act.
Our job as artists is to reflect the ills of society sometimes and to find a truth in that, and I think you can’t start the healing process until you recognize the truth and all of its ugly warts and all.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It’s like watching a masterpiece.
It wears on your soul when you take on the mental state of a dark character.
I was a fan of football. I was more of a Raiders fan, but I knew who O.J. was. I knew The Juice, and I remember the Hertz commercials with him running to the airport and whatnot. So he was a highbrow celebrity in my eyes.
Don’t let people disrespect you. My mom says don’t open the door to the devil. Surround yourself with positive people.
It’s a director’s job to tell a story and he’s very well versed in telling stories with a bit of comedy in them and keeping the pace of the movie right and that’s exactly what he did. He was observant of a world he didn’t understand but he told a wonderful story.
The hardest part was when I was in high school not having a job and always being broke. I had to get to auditions without a car. I either took the bus or walked.
Now, I have big-money offers on three movies, and I have director approval. That’s kind of scary,’ he says. ‘No directors have been attached. That’s a lot of pressure on me.
There’s a lack of diversity amongst executives in the position of greenlighting a film who feel that their stories are being told. If there’s a diversity at the executive level, then we’ll have diversity of the storytelling process.
My wife and I have been together since 1986. I graduated in ’86 and she graduated in ’88. We began dating when she was 17. Actually she turned 18 when we started kissing and stuff.
When you’re watching a movie and find yourself getting emotional, it’s because you’re bringing something personal to the images. It’s the same thing with acting. You’re bringing the essence of your core emotional being to that moment.
It took me a month to get out of the mindset of O.J. But even now, still, I think it might have done something to my vocal chords. I went to see the doctor, and he was like, ‘I don’t see anything. You’re fine.’ But mentally, I might have broke a little bit.
I speak to my agent about great roles, and he’s like, ‘They are all going to Will Smith.’
I was in the wilderness of Hollywood for almost ten years. I was off the studio lists. I wasn’t getting the roles offered to actors that hadn’t done a third of the roles I had done or had the popularity I had.
As an actor, when you’re winning the moment over, there’s a truth to your intention. You might laugh at it or you might cry at it, but I think your visceral reaction to it is a reaction to the truth of the moment.
When you see my performances, even people that you might have known, like Nicky Barnes in ‘American Gangster,’ you have to get over the fact that I look like Cuba Gooding, Jr. But once you find truth in the performance, if I’m doing my job right, you believe everything.
The truth is, you don’t ever decide on a role, not when you first begin. You audition for the role, and you’re lucky to get it.
I have had this interesting love affair with London and England, though I don’t know how London feels about me.
I have never made a decision based on race and never will.
I rewind the TV every two minutes. If someone does something interesting, I have to see it over and over again.
The Academy Awards was an amazing night. I know I kind of lost my mind a little bit. I apologize for that. That night went so fast; I can’t remember what I said or what happened.
When I started in the business, you did television, and then when you got lucky, you got a prestige project of a film.
Before I was an actor I was a break dancer, one of those street performers you see. I guess my introduction into the professional world of performing was a stint as back up dancer for Lionel Richie and I performed at the closing ceremony at the ’84 Olympics.
I am admiring of my fellow peers, black filmmakers and black actors and actresses.
I don’t choose parts. I choose filmmakers. I’m done trying to make a statement with a character. What happens is, I craft a performance from the beginning to the end of the character. Then I release it to the director, and he interprets what I gave him.
At one point, I was greenlighting films and scripts that shouldn’t have been made based on the fact that they had that stamp of approval of an Academy Award winner. And the good news is I got to learn the real process of filmmaking – directing, storyboarding, writing.
I feel I’m a hammer to the construction worker that is the filmmaker.
I think the biggest compliment an actor can have is if people forget who they’re watching and get lost in the character.
