Top 30 Maggie Stiefvater Quotes

I don’t think I could ever give up music. It’s what makes me tick. If there was no music, there would be no writing.

I am an introvert. I should get that out there now.

I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I’m aware of how the subconscious things can pluck at a reader’s emotions, and I love it when filmmakers do the same.

I adore book-to-film adaptations when they’re done well, and I’m more lenient than many readers when it comes to what counts as ‘done well.’ For me, the most important thing is that the film maintains the spirit of the original book.

I saw myself as an outsider as a teen. I was home-schooled and got my G.E.D. when I was 16; I wasn’t interested in high school at all and figured that college might be more entertaining.

Ideas come from all over, but as I write more and more, I find I’m always hunting for mood: I want to write a novel with a pervasive mood that sticks with you after you close the cover.

‘Misty of Chincoteague’, ‘The Black Stallion’, the ‘Saddle Club’ books, I read ’em all. I was horse-crazy.

I love inventing interesting people and then pushing them to their absolute limits – and usually those absolute limits involve homicidal faeries, werewolves, or some other paranormal menace.

I do all of my good thinking at over 65 miles per hour. The speed limit is, luckily, the same speed as my brainstorming speed.

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while ‘Foster the People’ plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

I don’t cry at books or movies. Ever. So imagine my shock and awe when I read ‘The Time Traveler’s Wife’ for the second time, and I knew the ending, and I started to cry.

As teenagers, we all see ourselves as outsiders… and it’s very easy to look at other people who are more popular, who have more pocket money, and it makes you feel even more like an outsider, and it does shape who you become as a person.

In a culture defined by shades of gray, I think the absolute black and white choices in dark young adult novels are incredibly satisfying for readers.

My parents were very permissive when it came to animals. As long as we earned the money to buy them and built whatever structure it was they were going to live in, we could have any kind of pet we wanted. They would have let us have a rhinoceros if we could have afforded it.

I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don’t feel like I’m meeting someone who feels real, I’m not going to be compelled to read further.

A novel is a conversation starter, and if the author isn’t there for the after-party, both the writer and the reader are missing a lot.

The big thing in my family growing up is that everybody had to play a musical instrument. We were like the von Trapps.

Oh, filmmakers, please don’t take my soft book and turn it into a horror, or take my horror and make it soft.

I would like to say that I was inspired to write ‘Shiver’ by some overwhelming belief in true love, but here’s my true confession: I wrote ‘Shiver’ because I like to make people cry.

When I was a teen, I thought I would have to choose between my writing or my music or my art, but it turns out it’s a difficult juggling game but I can do all of them.

I’m very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I’m playing.

When I was a child, I was one of the kids who wore black all the time, and when the kids asked me why I wore black, I said things like, ‘I’m mourning the death of modern society.’ I mean, I was a riot.

In the end, you have to write like you’re not afraid of the critics.

I’m a dirt road out in the country kind of person, but I remember thinking, I could live in Chicago.

Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn’t be escapism.

I really love nature. I grew up in the country. But one of the things about nature is that it is beautiful but it’s also very dangerous.

I feel like I have so many stories basting in my mind, and they come busting out when they’re ready.

Teenagers want to be able to fight for what’s right – but finding out what’s right is now 90 percent of the battle.

I think that whenever a book is not a challenge, I’m telling the wrong story.

As you learn who you are, you can better surround yourself with friends who make you a better person, and that sometimes only happens when you disassemble old relationships.