Words matter. These are the best Zack Snyder Quotes, and they’re great for sharing with your friends.
Music has that ability to be a magical thing, and I was like, maybe music is the vehicle that transports us to that other world.
The difference between ‘Watchmen’ and a normal comic book is this: With ‘Batman’s Gotham City,’ you are transported to another world where that superhero makes sense; ‘Watchmen’ comes at it in a different way, it almost superimposes its heroes on your world, which then changes how you view your world through its prism.
The eyes get lost in 3-D. With 3-D, your eyes are looking for the plane of focus, right? And the problem is, when you do quick cuts, your eyes can’t find it.
‘Watchmen’ is like the music you feel is written just for you. ‘That’s my song, no one else gets that but me.’ That’s why the fan base is so rabid, because they feel personal about it.
The problem is, when you’re making an animated movie, the studio has an illusion in their minds – and it’s really not true – that because it’s a drawing, it can be changed at any time.
My mom always encouraged me, it was never weird. She’d look at ‘Heavy Metal’ and go ‘Woo-hoo!’
I believe that pop culture is just, like, so ready for ‘Watchmen.’ We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don’t miss the commentary about them.
To go back, the mistake that Universal Studios made with ‘Dawn of the Dead’ was that they didn’t have enough money or cared enough to make a soundtrack.
I love the irony of movies. I really do. For whatever reason, I’m incredibly intrigued by the irony of reality in a motion picture.
I think that, for me, Superman just seemed to make a lot of sense to me. After doing ‘Watchmen,’ it was – you know that thing, you’ve got to know the rules before you can break them? There was something about that in making ‘Watchmen.’
Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don’t have that stuff, it’s kind of a one dimensional version of it.
I always say, I’m certain I changed ‘Watchmen’ less than the Coen brothers changed ‘No Country for Old Men.’ I’m certain of it. But you don’t hear the Cormac McCarthy fans, like, up in arms about it. They should be. It’s like an amazing Pulitzer Prize-winning book.
We tried to approach this as though there’s never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I’m not about to break them. But it is fun for me to bend them and mess with them.
I think I just have a natural operatic aesthetic. I can’t help it.
I heard one time that the Superman glyph is the second or third most recognizable symbol on Earth after the Christian cross.
We didn’t shoot in 3-D. They’ve talked about doing a conversion and there’s been a lot of talk about us doing ‘Sucker Punch’ in 3-D, but I’m still waiting to see.
We’ve tried to make a Superman movie where he does stuff and you go, ‘Yeah, if I was Superman, that’s what I’d do.’ Even though he’s an alien, he’s more relatable, more human.
It’s interesting now that basically a CG set is the same cost as a real set. So like if you’re going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it’ll cost you $200,000. It’s the same… the relationship is exactly the same.
We do like digital projection. We like shooting on film, finishing digitally, and projection digitally. That’s what I like best. It’s still a movie. It’s not someone’s camcorder and it got projected. That’s mean, I know.
People always come up to me now and say, ‘Watchmen’ is the best superhero movie ever made.’ I’m always saying ‘That’s super cool. That’s nice of you to say.’ But it happens now, more and more and more than it did when it first came out.
The thing about owls is that they do sort of have this facial disc, which is unlike any other bird. They kind of have a face, more than like a dog or a giraffe. They have this weird, alien face that you can actually make expressive.
I mean, it’s weird because people lately have been coming up to me and going, ‘Oh, my God. ‘300’ is huge.’ I’m like, ‘Really? It’s not done yet!’
I mean, like, I can go in a room and say, look, ‘Watchmen’ should be at least 15 minutes longer than ‘Batman.’ I mean, that’s, like, any geek will tell you that.
He’s this amazing ambassador for all superheroes. What we’ve made as a film not only examines that but is also an amazing adventure story. It’s been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
I’m interested in animation. I actually feel like I’ve learned so much about the process how to make an animated movie.
The challenge with ‘Watchmen’ is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It’s one of those things where, over time, it has happened more.
I write in a pretty straightforward way. I kind of sit down at page one and start writing.
When I make a live-action movie, it’s a very physical process. It’s like running a marathon.
It’s difficult to find a movie that feels true to itself. You feel the hand of Hollywood, the moviemaking by committee, on everything.
I understand the rules of Superman – not necessarily better than anyone else – but better than a normal filmmaker would. After doing ‘Watchmen’ and digging that deep into the why of superheroes, when Superman is presented to you, I felt like I was in a unique position to say ‘I get this guy. I know what this is.’