Words matter. These are the best Retro Quotes from famous people such as Douglas Brinkley, Lights, William Boyd, Marc Newson, Hyuna, and they’re great for sharing with your friends.
Everybody trusted Cronkite because he reminded them of their favorite uncle or trusted family physician. Being square in the age of the Beatles made Cronkite retro cool.
Growing up, I was always blown away by ‘Star Trek’ and ‘Barbarella’ and ‘Logan’s Run.’ The retro sci-fi thing.
I don’t think they’ll ever make a retro Bond.
You know that’s history, that’s why some people say that my stuff is retro, but I don’t agree.
I wasn’t sure if I wanted to try the retro style in the first place, because many musicians have left masterpieces in the genre, and I felt burdened by this.
We have this really retro vibe and style of songwriting and, personally, I wasn’t embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
When I was in college in Philly, there was a lot of post-punks… hardcore… like, rock. Sixties, retro, proto-Strokes kind of bands.
I’m never sloppy, and I never wear jeans. I don’t work one look in particular, but it’s usually retro – I’m a flea-market freak. And detailed – I’m always very done, even at the gym.
Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.
In the late ’80s and early ’90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it’s very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
Vinyl is the real deal. I’ve always felt like, until you buy the vinyl record, you don’t really own the album. And it’s not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
I love Air Force Ones. That’s the shoe I grew up with in Philadelphia. My older brothers got me wearing them and I just stuck with them. Everyone in the neighborhood used to wear them. It’s retro. It’s tradition. That’s me, old school.
I used to be very fascinated by Victorian stuff, and my best-known books, the ‘Mortal Engines’ series, have a sort of retro, Victorian vibe, despite being set in the far future.
I always felt it was weird, that retro thing where guys showed up in zoot suits and tried to talk as if they were from some other time.
I have a retro feel to my work, to my person, but I also have a futuristic view of what’s possible. We can have people in pop that have more diverse looks and attitudes.
Any brand that attempts to live off a retro appeal is only going through a short second life cycle.
In L.A., retro culture is just part of the thing you do. When we were kids, we didn’t have allowances, and it was not cool to wear designer clothes. So it meant that we were into 1920s dresses when we were 13.
What’s good is that my music is different from everyone else’s. It’s got the soul element, like Duffy, but it’s not very retro. It’s a contemporary, pop, fresh sound. That’s what makes it different.
I really like the retro look. My regular clothing, I like to always keep it classy and I like to kind of be more dressed up more of the time. I’m not really someone you see in sweatpants a lot.
A whole trout is the ultimate Sunday table centrepiece to replace a hearty roast. It looks a little retro with the radish and cucumber scales, but this also adds freshness and acidity.
It’s in the vein, somewhere in a cross between The Beatles, Cheap Trick, The Stones, Badfinger, you know, but it’s not retro at all. But it is very pop.
Tween programming is so retro that the shows even have theme songs, something the quest for more commercial time drove out of prime-time television years ago.
It’s not about retro or modern, it’s about this note or that note, which sounds better?
I have a tendency to lean towards a more retro look.
What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that’s period. We didn’t want to do the stereotypical stuff.
The idea of creating a quote-unquote ‘retro’ world isn’t all that appealing to me by itself.
If you look at a lot of the songs I’ve been involved in, there’s always been this retro vibe. I started getting worried that I wasn’t moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
My advice to new artists is to embrace a broader concept of timelessness than vintage or retro.
I think the Olsen twins’ line, The Row, has some cool stuff. And I’m kind of obsessed with a clothing line called Stop Staring. It has a lot of vintage-type dresses that are retro ’40s and ’50s inspired.
I actually hope people don’t react to ‘Impossible’ in a way where they think it’s terribly retro. The plot needed to do what it needed to do. But I’m a little surprised to find myself looking a little bit like an advocate of teen marriage. It takes some exceptional circumstances for that to be a reasonable idea.
I like styling girls that don’t normally dress in vintage clothes and don’t normally wear red lipstick; I like seeing those kind of girls restyled in a retro way.
I am really into color and bright clothing. When I’m wearing heels, I always like to throw some different colors into my outfit, so it doesn’t match. That gives my look a retro and funky feel.
I don’t want to be a reality retro star.