Words matter. These are the best T. C. Boyle Quotes, and they’re great for sharing with your friends.

I’m just kind of fascinated by how we can deny that we are animals and what our impact on the other animals is like, and how quixotic we can be in trying to assess what we’ve done in trying to correct it.
I’ve always written about heroes and wondered who they are.
Sometimes if something is entertaining and amusing, people tend to think that it doesn’t have the depth of something that’s dramatic. I don’t think that’s true.
If we lose sight of the fact that writing is entertainment, then writing is doomed.
I like to live in my own mind, regardless of everyone and everything, working out the intimate puzzles that are my stories and novels.
The compulsively readable events of my life occurred mainly in infancy, and it’s been pretty humdrum ever since.
As humans, we all want our own island. Of course, the truth is, we’re never going to get it.
This is the beauty of fiction. We may not like these characters, but we inhabit them.
What higher art does is to invite us in and allow us to make decisions.
One of the reasons I’ve been able to be productive is that I want to do everything.
I’m not looking ahead joyfully to the rest of my life or the future of the human race. I’ve always written about man as an animal species among other animals, competing for limited resources. Our population is exploding. Our environment is dying. Science has debunked God.
What is your identity, and how do you know who you are if you don’t have language?
Art saved me. It may sound corny, but it’s true.
I can’t fathom writers married to writers and musicians married to musicians. There’s your enemy in bed beside you.
Every story is organic, and every story finds its own ending.
I describe myself as an environmentalist not because I’m marching in the street with placards but because I like to be in the woods by myself.
I love performing in front of an audience. I like the questions; I like controversy.
Look at Sam Beckett. Most depressed man who ever lived, but he sure was funny.
I don’t care if the audience is 600 Saul Bellows; I’m going to knock them dead with a comedy routine. I’m out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.
This is why fiction is an art, and life is not – how much more affecting is the lie than the truth.
Books are up against TV and movies and video games and a multimedia society that is so busy that people don’t have contemplative time any more. I worry deeply about this. In fact, I worry about everything all the time. I used to be a punk. All I wanted to do was tear everything down, and that was so much easier.
It’s just my natural way – to be funny. I don’t know why that is. But as I’ve said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
I read widely – for news, the arts, science, for entertainment, and the value of being informed – and, as a fiction writer, I can’t help transposing what I learn into the scenario for a novel or story.
My job is to engage, entertain, work out my life, tell a certain truth.
I hope to stay light on my feet, to work in many modes, to seek inspiration always, and avoid the fatal. But, as we all know, it is the price of life to burn out, both metaphorically and literally.
Now that we all live in a bad ’70s sci-fi movie, I am made to understand the tyranny of the machines every minute of every day.
Of course all novelists are egomaniacs and want to draw everyone to their fold just like any other preacher. The snake-oil peddler, the false prophet, all of this is fascinating to me. But I certainly hope that I’m more humane than that.
Science has killed religion. There’s no hope for the future with seven billion of us on the planet, and the only thing you can do is to laugh in the face of it all.
I think that’s what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
Sometimes, we find common ground; more often, we don’t.
The novel is a seduction; a reader has to be seduced.

I tell jokes, and I have fun, but I tend to worry about everybody and everything throughout the entire world.
I really like the power of stopping the laughter and turning it to horror.