Words matter. These are the best Conrad Hall Quotes, and they’re great for sharing with your friends.
Photography is a very important part of my life.
Painting and writing are solitary arts.
There are a lot of directors who are knowledgeable about images, and others who aren’t.
In aptitude tests, I scored highest in music.
It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
There is a kind of beauty in imperfection.
Contrast is what makes photography interesting.
It is also difficult to articulate the subtleties in cinema, because there aren’t words or metaphors which describe many of the emotions you are attempting to evoke.
I hope I’m still shooting when I’m 80.
Every once in a while, when the audience is expecting to see one thing, you have to show them something else.
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
That’s why I like fast film. It gives you more freedom to light more naturally.
You have to understand the nature of light.
I can still recall the thrill of shooting my first film.
My first semester, I got a D in creative writing.
With today’s fast films, you can light the way your eye sees the scene. You can abuse the film and create subtleties in contrast with light and exposure, diffusion and filters. That’s what makes it an art.
It’s important to know that if you are dealing with shadows.
The sun is the most parallel light source because it is so far away.
My peers say I have made a difference. That means more to me than winning an Oscar.
Every cinematographer I worked with had his own way of solving problems.
Billions of people have seen and been influenced by movies in the short history of this industry.
I suppose I would still be a communicator, maybe a musician.
It took a while for me to grasp that my colleagues believe I have made an impact on the history of cinema.
I realize that every picture isn’t a work of art.
I think one of the reasons people quit is because they’re afraid they won’t be able to get better and better; that they have to come to a zenith of some kind.
Cinematography is infinite in its possibilities… much more so than music or language.
I don’t think of myself as a director or writer. I think of myself as a filmmaker.
But at heart, I am more than a cinematographer.
I saw Tequila Sunrise as a romantic picture with complex, bigger than life characters.
Dad, wherever you are, you are gone but you will never be forgotten.
Manipulating shadows and tonality is like writing music or a poem.
I want to tell a story and shape it all the way through to the end.
But you know you haven’t done it all because you know everything keeps evolving and changing; and you know you can evolve with it if you grow and develop as a human being.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That’s when you know it worked.
You are always a student, never a master. You have to keep moving forward.
