Words matter. These are the best Mexico City Quotes from famous people such as Nobu Matsuhisa, Denise Dresser, Michael Nyman, Bret Stephens, Henry Cejudo, and they’re great for sharing with your friends.
![Have you ever been to Mexico City and haggled with the](/wp-content/uploads/30445-great-sayings.com.jpg)
Have you ever been to Mexico City and haggled with the locals over souvenirs? Well, in Peru, you had to negotiate like that to get the freshest fish at the market.
Mexico City is being used as a laboratory to send the message throughout the rest of Mexico that the Left can govern. That here, it can be different, and it can actually get things under control and provide an alternative to the National Action Party and its conservative views.
I feel absolutely no threat or fear in Mexico City.
I grew up in Mexico City at a time when the country was a repressive one-party dictatorship almost wholly dependent on oil revenues.
I would love to fight in Mexico City.
I was born in Mexico because my father was teaching at a school in Mexico City. I was born during the third year he was there. And when I was 16, I returned to Mexico to learn Spanish.
It would be a mistake to view Camacho as the beacon of democracy in Mexico. He has played by the PRI’s rules for more than 15 years. As mayor of Mexico City, he was recognized as a political broker, not as an apostle of substantive political reform.
I backpacked around the world and went to places like Mexico City and Pakistan, where I’m like, ‘Oh. Things aren’t quite as good.’
Really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I’ve always found my way through it in different ways.
I’ve lived in other cities – Rome, Dublin, Mexico City – but I was born in New York City, and I always lived in those other places as a New Yorker.
I think the fact that my wife died in Mexico City makes it very important to me; my life went up in smoke at that moment, the family and the future we were going to have. At that point, I was anchored to the city in a way I’ve never been anchored to a place before.
I started as a model in Mexico – I was traveling, but my base was in Mexico City. And then I studied acting for three years.
Daddy felt that this country was hopeless in its treatment of Negroes. So he became a refugee from America. He bought a house in Polanco, a suburb of Mexico City, and we were planning to move there when he died. I was fourteen at the time.
As megacities like Mexico City and Lagos become increasingly common, we could see a rise of the urban epidemic and a new era of infectious disease threatening global health security.
I finally, you know, moved to Mexico City, where the film industry is. I started working there as a producer, which is a very, very valid thing for women to do, because we always produce for men, right?
I was taken out of school by my dad when I was 11 and lived in Mexico City, then later in Paris. I went with him to excavate in Bolivia and Peru. I never finished high school. I was a straight F student anyway. My father admitted to me later that he’d thought I would come to no good.
We played at a festival in Mexico City, at the same time as another famous artist, and I reckon we had 55,000 people watching New Order; the other had 7,000. I think from that I’ve discovered the secret of success in the music industry: don’t do any promotion.
I was stationed in Turkey, Mexico City, South America, Texas, Arizona, so I do know where the Mexican-U.S. border is.
My grandmother and my mom and my aunt Aurelia, my grandmother Juanita, my mom Lucia – we lived on the outskirts of a barrio in Mexico City called Tepito, and Tepito for many, many decades was the largest barrio in Mexico and perhaps even Latin America.
As a city, it is always compelling. But every day in Mexico City, I give thanks that I am alive.
In ‘Where the Air is Clear’, Carlos Fuentes composed a polyphonic portrait of Mexico City amid the growth and modernization brought on by the economic boom of the 1950s. The novel can be read as a jazz interpretation – free and in a Mexican key – of John Dos Passos’ ‘Manhattan Transfer’.
I love theater. That’s what I did in Mexico City. I did a lot of musical theater, and it’s where my heart is.
It was in 1942 and I flew from St. Louis to Mexico City. I had just gotten married and we were on our honeymoon. I hit .397 and led the Mexican League with 20 home runs and was named the MVP of the league. It’s when I realized I could compete with anyone at any level.
When I was in the navy, I wanted to go to Paris and the Academie Julian. I never did. Mexico City took me instead.
My parents are from Mexico City.
When I was eight, I started what could be considered my first business, performing magic shows in Mexico City.
I’ve always thought Mexico City was incredibly dynamic.
I’ll tell you what makes me feel worthwhile: organizing and solving other people’s problems. It makes me feel good to go to Mexico City and figure out theories on how you can reorganize and reduce crime. To me, it’s one of the more fulfilling ways to spend a day.
My mother was a great storyteller and a great historian in her own way. She only made it to third grade. She came from Mexico City at the tail end of the Mexican Revolution and that kind of turmoil and chaos and frenzy and also excitement.
I attended less than two years of Conservatory in Mexico City.
I love Sam Mendes, but I went to see ‘Spectre’ with my kid, and the opening scene of the Dia de Muertos party, with this kind of tropical music, in downtown Mexico City, with all these people dancing like it’s the Rio de Janeiro carnival… I had to laugh.
![What Mexico City cannot do and my country cannot do is](/wp-content/uploads/30446-great-sayings.com.jpg)
What Mexico City cannot do and my country cannot do is to allow us to be intimidated, the authorities to be intimidated, by organized crime.
Without social media, I wouldn’t have young girls messaging me from Australia or Mexico City or the Midlands, but I do wonder if I’d be on it if it wasn’t part of my job.
Antonio Sanchez is from Mexico City. I met him at a Pat Metheny concert. He did a solo, and I thought, ‘This is an octopus man!’
I’m Chief Executive Officer at Art of the Olympians Museum in Fort Myers, Florida, which was founded by my Mexico City teammate Al Oerter and his wife Cathy in 2005. It shows that Olympians can have another life; we have got art from more than 100 Olympians.
Land degradation, rising sea levels, famine, and conflict will continue to drive people from their homes and towards cities, with megacities like Mexico City and Lagos becoming increasingly common in some of the poorest parts of the world.
A tour of the Mexico City of Diego Rivera and Frieda Kahlo led by Barbara Kingsolver would be nice. And I certainly wouldn’t turn down a tour of Johannes Vermeer’s Delft led by Tracey Chevalier.
I attended elementary school and high school in Mexico City. I was already fascinated by science before entering high school; I still remember my excitement when I first glanced at paramecia and amoebae through a rather primitive toy microscope.
The most that somebody in Mexico City will get paid for a job in construction is 100 pesos a day.
Many Mexican directors are scared to shoot in Mexico City, which is why there are many stories in Mexican cinema about little rural towns, or set a hundred years ago.