Top 40 Prints Quotes

No woman can wear prints all the time.

I love prints of skulls and bones and have some taxidermy – a crow and a rabbit – to remind me of home. I like art and have a big portrait of Bjork.

The name Holly Fulton has become synonymous with daring, bold graphic prints which you just know if you wear you’ll have a brilliant time in.

My dad came to Korea one time, and then he pulls out a whole bunch of my headshot prints. He’s like, ‘Amber, you need to sign all of this for me because all of my friends want these.’ I guess that’s when I kind of realized I was ‘famous.’

I’m obsessed with cute gym clothes in bright bold prints, so as soon as Mara Hoffman expanded into activewear, I knew my wallet was in danger.

I live in a small world of gouache and brush and pen and ink. I’d like to explore the world of multiples – etching and prints.

I gravitate toward floral and graphic prints.

I was trying to write an autobiography using prints and patterns that reference emotional, psychological, and personal development in my work, as a person growing up, figuring out who I was. I used fabrics to stand in for occurrences.

My own interest in art was because of my mother. My father didn’t like contemporary art, so he didn’t give her large sums to spend. So, she began buying prints and drawings. During my school days, I remember sitting in on many of the early meetings.

There is – you know, there’s receipts for rented cars and license plates and guns and hand prints and palm prints and fingerprints. You know, I want to wait until I’m in a court.

An editor is someone who separates the wheat from the chaff and then prints the chaff.

My affinity for beef extends into my home life, so you’ll notice canvas prints of cows, a cowhide rug and prints of Smithfield meat market.

The basic idea behind a paper trail is that you take one of these electronic systems and you augment it with a printer that prints out people’s vote as they vote.

We have to remember there is not a big printing press in Washington that continually prints money over and over.

I’m known for color and prints and embroideries.

And friends of mine that had photography class in high school would develop the film and make prints and I’d take them back to the track and give ’em away or try and sell them. Much to my parents’ dismay, I majored in photography in college.

I love floral prints for little girls, and I love mixing prints.

Kindle Singles is publishing on skates. It prints like lightning; our book meets readers in hours. I’ve spent so many years waiting for publishers to consider whether they wanted to print a book of mine, making contracts, taking months to fit it into the Fall list or the Spring list, fitting it into an advertising plan.

Matte digital prints are gorgeous, don’t you agree? But the glossy digital prints, I just can’t stand that paper.

I wear only animal socks. I went to Koreatown and got a hundred packs of panda and money prints.

The drawing of a ‘Pipeline Wave’ started with Billabong as a commission for their 2009 Pipeline Masters campaign. My ‘Pipeline Wave’ drawing later became the start of my ‘Waterworks Collection’ for gallery prints.

In the first gospel, Mark, the risen Christ appears physically to no one, but by the time we come to the last gospel, John, Thomas is invited to feel the nail prints in Christ’s hands and feet and the spear wound in his side.

People are often a bit more adventurous with swimming costume prints; they like the idea of something a bit more jolly.

A trip to the picture framer’s, with a selection of prints, is the most joyous outing I can imagine. I’ve spent more money on framing than on anything else I own.

Fashion comes and goes; prints come and go. Proper camo never really goes away.

I just get the feeling that if Jesse Helms was in charge of art in America, you’d go into a museum and see nothing but prints of dogs playing cards.

I was born in Seoul, South Korea; then I moved to New York City at the age of seventeen. In New York, I studied art and photography. I thought I would be a painter; then I saw Walker Evans when I was in college, and that had a great impact on me. Being in the darkroom making B&W prints was such a magical experience.

I’ve loved Japanese culture for a long, long time, from doing martial arts, to the block prints, to the music. It’s a country that I love, and a culture that I love.

I really have to think of myself as a painter first because sculpture came much, much later. As a student at the Art Institute in Chicago, I simply never became involved in sculpture. I did prints, and I did paintings.

If you want to get an email to Robert Redford, you send it to his assistant, and she prints it out. And then he will write you a letter, which is incredibly rare and incredibly classy. Unfortunately, I can’t be that removed from technology.

I use printers to make prints of the images that I am creating. And I try to have that surface kind of replicated in the painting.

There’s a jean for everyone. And I’m a fan of that. I love a jean, and I love all these spins on them. I love a printed Balmain jean, or a Givenchy, and I love the prints, I love that you can have so much fun with it all, you know, dressing up.

A lot of my friends were mostly working in black-and-white – people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.

I’m staying with film, and with silver prints, and no Photoshop. That’s the way I learned photography: You make your picture in the camera. Now, so much is made in the computer… I’m not anti-digital; I just think, for me, film works better.

‘The Next Wave’ started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.

I would begin by collecting lithographs and etchings. It’s a way of coming in and benefiting from real quality art. Even younger artists make wonderful prints. Prints can become very valuable. That’s how I began collecting.

The resulting prints of ‘History’s Shadow’ make the invisible visible and express through photographic means the shape-shifting nature of time itself and the continuous presence of the past contained within us.

I’m pretty selective. I generally edit the contact sheets and then do work prints. Because I have my own lab and printers, I can afford the luxury of going through the contact sheets for black-and-white, making up work prints, seeing them big, and honing them down.

Colors and prints are part of my style.

I love ‘Victoria’s Secret Sport’ because what they do so well is the fit and how it makes you feel. They sculpt all the right parts of your body. Plus, there’s so much to choose from – colors, prints, and cool details. It’s dangerous – you want everything.