Words matter. These are the best Images Quotes from famous people such as Galen Rowell, Ari Aster, Teyonah Parris, Salman Rushdie, Shawn Amos, and they’re great for sharing with your friends.
The reason that I keep writing is that all my most powerful messages about the fates of wild places that I care about need to have words as well as images.
When I was 13 years old, I was obsessed with horror films. I even had, like, a binder that I filled with badly copied images from the Internet of, like, ‘Pinhead and Basket Case.’
My dad, bless his heart, always told me I was beautiful, so I was never self-conscious in that way. But when you look at the images on TV, you think you need to look like that in order to be sexy.
Writers and politicians are natural rivals. Both groups try to make the world in their own images; they fight for the same territory.
Fresh content doesn’t exist to game the SEO system. It’s the words, images, and stories that truly engage us, make us want to share with others, and creates a bond between us and a brand.
Thats part of what I love about photography – the images I like are the ones that look the most relaxed, but a lot of skill goes into making them look that that relaxed.
I hadn’t seen ‘Bride of Frankenstein’ until high school or maybe even later than that. It’s really one of the great movie experiences where you think you know what it’s going to be, but it’s so much weirder and so much better than anything you could’ve imagined. It’s so full of these striking, powerful images.
In the mid-1990s, when I stopped having to run from the shows to the film developing lab and first saw digital images, I blessed technology and was convinced that my working life was changing for the better.
What happens is young girls see images of women being objectified, and the more the woman becomes an object the more followers and likes she has – they see that as a role model and try to imitate these women, but they’re not old enough to know what they’re doing.
I think there are things that digital can’t do as well as print thus far. Even an iPad is only 80% the size of a standard comics page, so the images are going to be smaller. You don’t get your big, whopping two-page spreads.
We just kind saw the images and knew the cliches, so to have the opportunity to go there and learn something about Russian music and about Russian people and to see things apart from being a tourist.
Writing is not for me. I completely lose my sense of humor when I write. I become extremely pathetic, very sensational. Images give me possibilities that I don’t have with words.
If someone is making a very expensive purchase decision, they typically have a lot of questions about the fit and about what to wear the item with. In some cases, they’ll ask for additional images or want to contact the designer.
At first the ancient images of the Goddess did not interest me.
Back then people closed their eyes and listened to music. Today there’s a lot of images that go with the music. A lot of music is crap and it’s all commercial and the images are all trying to sell the record.
My mind works like Google for images. You put in a key word; it brings up pictures.
Even tiny children looking at a picture book are using their imaginations, gleaning clues from the images to understand what is happening, and perhaps using the throwaway details which the illustrator includes to add their own elements to the story.
Imagination is a screen onto which the evil spirits can ‘project’ images, temptations presented as stimulating entertainments, offering us pleasurable rewards if we give in to the temptation.
It’s the same with visual arts, you have some really cool, wonderful striking images that make you think and then again you have wonderful striking images that just take you away from the existing world for a second. And I like the latter a bit more.
My feet never touched the ground. Lots of good groups with crazy and unique images. It was wild. I spent all of my time doing gigs, TV appearances, interviews, or recording. I could write a book – and probably will.
Even as Instagram defines our visual moment, we use the app’s filters to travel backwards in time, to make our images resemble the Polaroids of yore by casting them literally in a different, more nostalgic light.
Despite all the silver of Diana and Mercury, their images will be found on the lake. For the sculptor looking for new clay, he and his people will be flooded with gold.
Real talent is mixing realism with bluff. Every great artist I really respect has a certain amount of bluff; sooner or later you have to be a conjurer, and conjure images.
I see plainly how external images influence the image that I call my body: they transmit movement to it.
I have taken taking my music to labels for years, and everyone just thought it was creepy. They thought the images with the music were weird and verging on psychotic.
There are a bunch of images that are thrown in our faces all the time about what we’re supposed to look like at 14, 15, 16. It’s confusing. I think every woman can identify with that struggle.
My memory is basically visual: that’s what I remember, rooms and landscapes. What I do not remember are what the people in these room were telling me. I never see letters or sentences when I write or read, but only the images they produce.
According to tarot historian Gertrude Moakley, the cards’ fanciful images – from the Fool to Death – were inspired by the costumed figures who participated in carnival parades.
I remember how my world expanded in amazing fashion by that magical operation of translating words into images, and images into stories.
A lot of the surreal filmmakers, like David Lynch, Alejandro Jodorowsky, or countless other underground filmmakers… Their sense of explosive images have always dominated their films. It’s a way to shock the senses, to make them open themselves.
In 3-D filmmaking, I can take images and manipulate them infinitely, as opposed to taking still photographs and laying them one after the other. I move things in all directions. It’s such a liberating experience.
That is, we are bombarded by all kinds of images and influences and we have to fend some of them off if we’re to take in any of them, or to carry through just our ordinary day’s work, or really deepen whatever we have to do or say.
I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women.
We should craft our laws to allow images of criminal suspects to be captured in public – but also to make sure that the government does not unduly infringe on the privacy rights of innocent citizens.
Expensive advertising courts us with hints and images. The ordinary kind merely says, Buy.
I didn’t know that there was such a thing as butter carving. But then, I poked around a little bit. A quick Google search will show you 55,000 images of butter carvings, and they’re extraordinary.
Whoever controls the media, the images, controls the culture.
When people hear the phrase ‘risk-taker’, two images come to mind. One is the negative idea of someone who’s reckless and unpredictable, sometimes succeeding and at other times crashing out. The other is a more positive view of a fearless innovator who takes risks when others nervously stand back.
We suffer primarily not from our vices or our weaknesses, but from our illusions. We are haunted, not by reality, but by those images we have put in their place.
This is a culture filled with perfect images of women and perfect images of movie actresses, and most people can’t live up to them.
In my own work, when I start off writing a scene, I don’t know which physical details are going to turn out to be meaningful. But, inevitably, certain images will stand out – you start to decide which ones are important as you go.
I think that we can’t deny the public’s want for balancing out the images that are out there depicting women. Not all of us are 17 and a size two.
What’s difficult to do in books for children is to create funny incidents. Funny images, funny language and any kind of taboo-breaking is not difficult.
Sometimes you write music to a script or while a film is being edited. Sometimes I write without seeing any images, but that’s rare. The approach is often based on practical decisions, but I’m interested in the narrative and physical space that music can occupy in a film or play.
Imagine the power of surfacing what’s happening in the world through images, and potentially other types of media in the future, to each and every person who holds a mobile phone.
There are certain images that always haunt me.
I give the spectator the possibility of participating. The audience completes the film by thinking about it; those who watch must not be just consumers ingesting spoon-fed images.
Having a book censored means something. It means you have deeply offended one or more people who felt they needed to protect unsuspecting readers from your inflammatory words, thoughts, and images.
When I go to galleries in New York, I feel like I’m in school. I know that there’s good contemporary conceptual art, but I have a really hard time caring about it. I’d rather look at images of people and things I can relate to. Then again, I didn’t go to art school.