We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.
It’s like I understand images and some people understand poetry.
I love it when a photographer lets me create my own movement and feeling to the images. By that I mean he doesn’t restrict me in his or her own ideas but rather gives me a direction and lets me work within those boundaries freely.
It’s still not easy to find roles that offer more complex images of women.
My two great loves when I’m shooting are working with great actors and composing images.
I got into animals by drawing hair follicles. I liked drawing hair, and from that I got into feathers and fur, then into images of animals. The patterning is the same, but the proportions of the body change from one animal to the next. A lot of it is just geometry and consciousness.
I try to give the media as many confusing images as I can to retain my freedom. What’s real is for my children and the people I live with.
Like many Americans, I am still haunted by images from the last days of the United States’ withdrawal from Vietnam in 1975. Newscasts showed South Vietnamese desperately trying to scale the walls of our embassy in Saigon to board the last helicopter flights out of the country. The fear in their eyes was chilling.
The way we have been thinking about brain science is that people show you pretty pictures, pretty images, and you think that that tells you something about how they behave. It doesn’t.
To make computer science more attractive to women, we might help young women change how they think about themselves and what’s expected of them. But we might also diversify the images of scientists they see in the media, along with the decor in the classrooms and offices in which they might want to study or work.
I’ve always painted or drawn pictures or taken still photographs; now I shoot movies. It’s just about making images, really.
My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.
Whatever I’m thinking about has got to fit into thirty-two pages, the standard picture book size. So that’s something. But the structure and the form for me are almost the most important, because these will express as much as words and images will the content of the work.
When it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images.
Fundamentalism is such a pejorative word and immediately evokes images of angry extremism. In my experience, that’s not usually what it looks like. I was a fundamentalist in high school.
Written and directed by French showman Georges Melies, ‘Le Voyage’ features one of the most indelible images in cinema history: the wounded Man in the Moon bleeding like a particularly runny Brie, grimacing in pain with a space capsule protruding from his right eye.
Sisters, when about their work, should not put on clothing which would make them look like images to frighten the crows from the corn. It is more gratifying to their husbands and children to see them in a becoming, well-fitting, attire, than it can be to merely visitors or strangers.
The best models in the industry are the ones who feel comfortable on the set. If she doesn’t feel comfortable, the images won’t be beautiful.
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa – the economic poverty, the corruption – there’s a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
I think of images as an immune system and a transit system.
I don’t sell anything. So, I have a personal image, but I think that’s because I’m from an art background, and I’m an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
I see no reason why the artistic world can’t absolutely merge with Madison Avenue. Pop art is a move in that direction. Why can’t we have advertisements with beautiful words and beautiful images?
Let come what comes, and accommodate yourself to that, whatever it is. If good mental images arise, that is fine. If bad mental images arise, that is fine, too. Look on all of it as equal, and make yourself comfortable with whatever happens.
In the U.S., oddly, we have images of men as arrogant and aggressive.
At the end of the day, my life isn’t about other people’s work. I’ve got to stop giving stuff away. I’ve got my own stories to tell, and a great need to tell them. I’ve got these images, these thoughts in my head, and I need to find a way to cope with them.
We want people on the Internet to go to Imgur for their viral image fix. And what’s so awesome about images vs. videos is that instant gratification.
In any country, in any city, there will be political influence on what is said, what kind of images are to be projected and, yes, of course artists can be and are influenced by politicians.
In the next couple of years, part of every film’s process is going to be to adjust the images. And it’ll be to change the color of an actor’s tie or change the little smirky thing he’s doing with his mouth. Or you can put in more clouds or move the tree a little bit.
Until the mid-seventies, the traditional or classic lesbian was always a spinster and often a tweedy intellectual, with a stark glamour that titillated men and women alike. This is the woman that feminists destroyed when they pressured the media for ‘positive images’ of lesbians.
Women have been late-in-the-game deciders. They weigh all of the issues, all of the images, and all of the information and make a choice almost at the last minute.
You see the images that the public is demanding. Why more reality-based TV? You’d think that after the first Survivor it would have gone away, but it hasn’t. The public demands it because they get all caught up in the personal stories, and want to see more and more.
When I started university, I didn’t know much about architecture, so I flipped through a lot of magazines, looking at different and exciting images from all over the world. I thought that architecture could be interesting.
They’ve found a way to privately, or within a small family group, share expressions, or other images, drawings, and then gain access to some of the world’s great expressions and images and make them real, make them tangible.
Comics, in a sense, the style, the images – it’s almost like music. They say music is a universal language, but when the eyes behold something, a figure, somebody moving; it’s real, and it cannot be denied.
Videos are more like photography. It’s not as much about trying to tell a story as it is creating images.
The asparagus effect is what happens sometimes when you render 2D images into 3D.
One of the most persistent images in American urbanism is that of the proverbial city on a hill, as first envisioned on these shores by the Puritan John Winthrop, via the Gospel according to Saint Matthew.
I’m a big believer in cinema, you know – what it used to be? Images and sound, and working it out a bit. I find it exciting watching films where I just go into an impressive world.
I’m trying to trick people into thinking about the unthinkable by using pop culture images.
I like my social media space to be somewhere very positive… I like to just be able to just share any images they see, or a piece of art or an item of clothing, and get to share that with the world.
I’ve seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don’t go away, so the more I sit with these images, the more I learn which ones have had the most impact.
Once the object has been constructed, I have a tendency to discover in it, transformed and displaced, images, impressions, facts which have deeply moved me.
It used to be that, in astronomy, a small team of people could look at photos of a few thousand galaxies and classify and catalog them relatively easily. But now, with a new generation of robotic telescopes scanning the skies constantly and producing millions of images, that’s become next to impossible.
One of the Age of Enlightenment’s most hypnotic images is Ledoux’s rendering of his neoclassical theater of 1775 – 1784 in Besancon, surreally reflected in the colossal eye of an unidentified cosmic being.
When I work on a part, one of the things I love to do is to put together a collage of things, stuff I see or stuff that inspires me, images, whatever.
Walt put everything he knew about communication with images into the park, so it was very familiar.
People who might normally have to travel hours to a distant city to see a cardiologist can now do so virtually, through Cisco technology, at their local hospital or health clinic. Clinicians use technology to share patient reports and diagnostic images and collaborate on cases.
Some hypocrites and seeming mortified men, that held down their heads, were like the little images that they place in the very bowing of the vaults of churches, that look as if they held up the church, but are but puppets.
