Words matter. These are the best Vikram Seth Quotes, and they’re great for sharing with your friends.
![I am certainly not allergic to causes - particularly on](/wp-content/uploads/19453-great-sayings.com.jpg)
I am certainly not allergic to causes – particularly on subjects such as religious intolerance.
Good music is good music, but it has to be good.
I think it’s possible to be multi-rooted, rather like a banyan tree, without being deracinated.
I think if something is worth doing, it’s worth doing well. And worth thinking about it as well.
The thing about inspiration is that it takes your mind off everything else.
Fiction basically is a form of gossip where you want to enter other people’s lives, the lives of people you don’t know, and you want to know what’s going to happen to them.
I don’t think anyone should be banned. If you don’t like a book, set it aside.
I’m not sure anyone can understand a whole life, even their own.
I spent many years of my life as an economist and demographer. I was finally distracted by writing my novels and poetry. I’m enormously happy that was the case. I feel that with writing I have found my metier.
I want my books to sell, to be read. I’m not interested in being obscure.
It is exciting to write about the present once one gets beyond the trivia of the moment. As a time to live in, as a time to think about, the present is intriguing.
On the whole, I don’t like reading long books. I’m not a fan of ‘Ulysses.’ And I haven’t quite finished ‘War and Peace.’
I have a reputation for being hermitlike. I’m not. I’m just obsessed with my work.
Of course, a law that is selectively used is in one aspect even worse than a law that is generally used because it puts a lot of power in individuals’ hands and makes government a rule, not of laws, but of people.
If I’m compelled to do something, I don’t shy away from it simply because I haven’t tackled it before.
My main motivation is not to get bored. I’m just hoping I get a vaguely maverick reputation.
I don’t pick and choose subjects or settings; they pick and choose me.
I don’t read as much as people may expect. In fact, sometimes I feel that I should probably read more, but then I do believe that one of the big problems of our times is that there’s too much reading and not enough thinking.
After ‘A Suitable Boy,’ I didn’t write anything, not even a short story. I thought to myself: ‘I ought to start writing.’ But I can never force myself to write.
In general, questions are fine; you can always seize upon the parts of them that interest you and concentrate on answering those. And one has to remember when answering questions that asking questions isn’t easy either, and for someone who’s quite shy to stand up in an audience to speak takes some courage.
Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
Too many trees are killed to print the words of people who may not have all that much to say, and authors and journalists are equally culpable in this regard.
You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally – your ears will know.
If somebody writes clearly, you can pretty much tell immediately if something is shallow or deep, whereas if they write with all this duckweed on the surface, you can’t tell if the stream is one inch deep or a hundred fathoms.
When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of ‘Who am I? Am I a criminal?’ and so on. It took me a long time to come to terms with myself. Those were painful years – painful then and painful to look back on.
If you were to ask me to pick my favourite author, well, there are so many of them, I’d really just have to say the first names that came to mind, and I’m sure that I’ll later think ‘Oh, I should have mentioned that one.’
Those books of mine that are remunerative – I’m not talking about poetry here – take years to write, and I am never sure they’ll be successful. So writing is a risk in more senses than one.
I tend to follow a scattershot approach to reading a lot of very diverse subjects interest me, and I’m quite happy to read stuff on any of them.
In spite of all temptations of belonging to many nations, I’ve remained an Indian.
I need my natural laziness to be counteracted by obsession in order to do anything.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don’t have to bring the characters to life, but you do have to make them more convincing.
![You can talk good ideas out of existence.](/wp-content/uploads/19454-great-sayings.com.jpg)
You can talk good ideas out of existence.
I rarely listen to music while writing. If I don’t like it, it bothers me, and if I like it, it absorbs me so much I can’t write.
I simply seem to drift. But I sort of allow the drift, because it has a kind of check – it forces me to work harder at what I’m interested in.
Do not write if there is no tremendous urge to do so. At the heart, there must be an inspiration or muse or one of those old-fashioned things. Else, why bore yourself, destroy other people’s interest and kill trees?
You get your inspiration – suggestions – wherever you have to, even from your mother.
I love speculating about solutions to problems in mathematics. I have no interest whatever in sudoku. But I do look at chess and bridge problems in newspapers. I find that relaxing.
In a painting, you can’t make out whether the artist painted the left eye before the right eye. In Chinese calligraphy, you can see the progression of the artist’s stroke.
I just love music – by no stretch of the imagination am I professionally competent.
Poetry, I think, intensifies the reader’s experience. If it’s a humorous facet of the story, poetry makes it more exuberant. If it’s a sad facet, poetry can make it more poignant.
I don’t want to talk too much about the nitty-gritty of writing. It’s rather like a pressure cooker with a certain amount of pressure in it – the more you let out, the less you cook.
The problem with too beautiful a view is that it’s alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you’re writing.
Basically, my mother couldn’t hold a tune and when I was a baby, a rather tactless baby, I would ask her not to sing… you can’t get to sleep if someone is singing off key nearby.
The trick to being a novelist is to act like an iceberg. Make it seem as if you’re displaying only one-tenth of what you know, and the other nine-tenths isn’t visible and never mind if that part is pure styrofoam!