Words matter. These are the best Shots Quotes from famous people such as Mark Addy, Chuka Umunna, Jason Blum, Dustin Johnson, Kentavious Caldwell-Pope, and they’re great for sharing with your friends.
One of the differences between HBO and other television is that they demand the same coverage that you would have in a feature film. We need to have all the shots in order to make it as rich and as stunning as it looks. We can’t cut any corners.
I spent many hours slaving away, day and night, bleary eyed, on multi-million pound takeovers, mergers and acquisitions, and the rest. It could sound glamorous (especially when it involved overseas travel) but often it wasn’t partly because, as a lawyer, you were not the one calling the shots.
Not all of our movies work, but we take shots, and we’re able to do that because we really stick to low budgets.
It’s just a game. I love it. And yeah, I get frustrated, but I try to not let it get me too upset. I mean, I don’t get upset over bad shots or anything like that.
I just got to be ready to knock down shots.
On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.
I always enjoy when CJ gets rolling because it’s not just the fact that he’s doing it for our team; it’s the way it looks. Smooth. Crossovers. Crafty. Tough shots.
To be a great player and a great scorer, you have to find ways to get yourself open and get shots off. It’s a dog fight.
We just did a show in Providence, Rhode Island, and we got three puppy shots before we even got on the air, which was great. Although sometimes you get flashed by some puppies that you’d rather not see. They’re more like mongrels.
By 2012, my game was shot. You’re sitting on your chair watching players’ leagues below you play shots you can’t. That destroyed me.
I beat Gilbert Melendez, and he got two shots at the title.
Right backs now should be the highest paid players in every team! Strikers just have to score. Midfielders, they pass. Goalkeepers make saves. Full backs have to mark, cover centre backs and midfield, get forward and cross, take shots and provide the link to strikers.
Dealing with LeBron is like a friendship. Coaching, but he understands that I am the boss, and I am going to call the shots, and he is fine with that.
I think there’s a role for everybody. Even a guy who’s not known as a scorer, like a DeAndre Jordan – he sets the best screens, he blocks the most shots, he gets the most rebounds, he’s great for your team, he helps you win games. Like, he helps you win big.
Working with Sturges was like working with a guy who wanted to have a party all the time. He was very serious about his work, but in between shots, he was fun and we would play games.
I love watching Anthony Kim play, but I’m not a fan of the way he grips down a good two inches on his full-swing shots. Choking down lightens the club’s swingweight and effectively makes the shaft stiffer.
There’s times where I could take all the shots every time I touch the ball, but that’s not me. I just play a team game and just take open shots.
Just because you miss shots, you can’t doubt yourself. It’s easier said than done.
I wouldn’t have the experience or the confidence to go on ‘AGT’ without being on ‘Little Big Shots’ because doing ‘Little Big Shots’ was really fun, but it was also really good practice for my appearance on ‘AGT,’ and it was just a great, awesome experience that I will remember always.
Glamour invites us to live in a different world. It has to simultaneously be mysterious, a little bit distant – that’s why, often in these glamour shots, the person is not looking at the audience, it’s why sunglasses are glamorous – but also not so far above us that we can’t identify with the person.
When the others grew tired and went home and there was no one else to play with I used to play my own Test matches on the porch of our house, using a broom handle or a stick as the bat and a marble as the ball. I would arrange the pot plants to represent fielders and try to find the gaps as I played my shots.
To be a great player and a great scorer, you have to find ways to get yourself open and get shots off. It’s a dog fight.
Let’s be real: it’s not always the No. 1 contenders who get the title shots. It’s who they invest money in and who’s kind of a known name. In the lighter weights, just being that I fought seven title fights in a row, I think I’m that guy.
Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.
I was so beautiful when I was young. And I took so few photos because I felt so skinny and ugly. I wish I’d just taken a few more shots.
Everyone tends to measure people on points and shots and not the all-around game.
I have one of the purest shots in the whole entire world, in the league.
Fox is notorious for having a very thick skin about taking shots at themselves.
When we get bad shots, it’s hard to rebound and it’s also harder to come back in transition defense.
Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
After I did ‘Private Benjamin,’ suddenly the reputation was that Goldie Hawn calls her own shots.
I think of all my iron shots as punches – not punch shots, but how much pressure I’m applying to the hit.
I was always trying to get in the paint and get the easiest shots I can.
I’d get 3-4 cheap home runs every year. You know, little ‘wood shots’ down either line. They would be pop flies in any other park. But, goodness me, they didn’t count the number of long outs!
I want to be an offensive player, too. Play low post, midrange, take jump shots, and just be the best I can be.
If we want to win, we’re not going to be able to go out on the court and say, ‘My turn’ or ‘Your turn.’ We’re going to have to play together and sacrifice some shots, some ball touches, some minutes.
In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It’s really just learning when to take a chance at blocking shots, and to get to spots early.
I’m trying to make the right play. Sometimes, I’m going to take contested shots and stuff, but it happens.
I was very fortunate to have a coach when I was young who taught me all the traditional shots and taught me a pretty traditional game style, in a way.
Throughout my career, I’ve always loved hitting deep shots over the top. A lot of times, those plays just come to you. You don’t want to force it.
I love having 30 shots of every scene.
It’s a very funny topic, missing weight and getting title shots. I think the punishments should be more severe, but I don’t know.
I’ve been successful when I have kept things simple – playing cricketing shots that I’m blessed with or I am good at playing.
The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition.
I’m not afraid of taking big shots and things like that. It’s a 50-50 chance. It might go in, it might not, but I’m not scared to take it.
I found out some of the spots on the floor that I like to shoot – do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it’s kind of opened up my 3-point shot.
You try to get the best shots possible, try to find the open teammate.
When shots are going for six and you’re playing well, everyone is trying to big you up. Mis=hit one, get out, all the negative people come out.
After I make some bad shots, it makes me bear down and concentrate more.
As long as I’m at Kentucky, you’ve got to be able to take the shots, or don’t stay at Kentucky. To be the coach at Kentucky and get what I get, you can’t be a 35-year-old coach whose never been fired. I’ve been fired.
I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.
I’ve rung my bells so many times, especially back in the day when chair shots to the head were legal. My goodness, I took so many of those.
Only great players can have two shots for one ball, like Tendulkar does, and a big reason is that he picks the ball very early.
We don’t curse at Shots Studios, and we send a very positive message.
You have T20 and that also plays a part in some of the shots batsmen play. You see guys playing the same shots in T20s and Tests and are sometimes lucky to get away with it.
All of my shots are dunks or are around the rim.
Filmmaking is so heavy: there are so many people and trucks and teamsters and costume people and hair people and makeup people. I try to make it light and as simple as possible. It’s great for actors. It puts the story up front. It’s not about shots and dollies and lighting and sets.
Being quick off the ground helps you block shots.