The really big difference is that what you make with a molecular machine can be completely precise, down to the tiniest degree of detail that can exist in the world.
In my early work, our molecular views of telomeres were first focused on the DNA.
Most people don’t really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I’m not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
Pages: 1 2
