Words matter. These are the best Stage Quotes from famous people such as Passenger, Art Garfunkel, Dylan Moran, Carol Burnett, Y. G. Mahendran, and they’re great for sharing with your friends.
I can play the main stage at the Newport Folk Festival in front of 10,000 people and do all the gigs and stuff I want to do. Then I can go home and get toilet paper on a Sunday morning and not get hassled.
Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don’t like to perform.
The trend now is to get away from stage bound sitcoms.
In ’57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
Generally, I travel with my own cast to stage plays in different countries.
The biggest thing is the heart. If you find the heart in what you do, if it’s stage work, set work, modeling, you find the heart of it, that’s where the truth actually stems from. Our true personality shines from within.
Every three days on average, I am alone on stage, facing the public.
Characters are incredibly important, but I tend to build them around the plot during the outline stage. However, once I’m writing the manuscript, the characters I’m writing dictate how the plot unfolds.
Dessert is probably the most important stage of the meal, since it will be the last thing your guests remember before they pass out all over the table.
I trained as a stage actor and was given a lot of technical tools to play with.
People, when they go on stage, tend to be animated and try to force things out instead of relaxing and bringing it in.
On stage, it’s very naked. There’s a reason you shake your knees. You’re very vulnerable, cos it’s just you, your body is the instrument. But I always had confidence in my voice, if I had the right song, the right words to sing.
I would say that the war correspondent gets more drinks, more girls, better pay, and greater freedom than the soldier, but at this stage of the game, having the freedom to choose his spot and being allowed to be a coward and not be executed for it is his torture.
People never think of entertainers as being human. When you walk out on stage, the audience think, ‘Nothing can go wrong with them.’ We get sick and we have headaches just like they do. When we are cut, we bleed.
I suffer from stage fright, so I blabber on stage and stop midway through my performances. I cannot even write a cheque, as it makes me nervous. Being around people makes me nervous. But I’m very comfortable in front of the camera, and this I realised many films later.
I’m always amazed by the people who work on stage who sing night after night, day after day, week in week out.
I had a toy theater and a magic lantern, and when I was eight I built a stage for theatricals in the attic.
For every fresh stage in our lives we need a fresh education, and there is no stage for which so little educational preparation is made as that which follows the reproductive period.
The powers, aspirations, and mission of man are such as to raise the study of his origin and nature, inevitably and by the very necessity of the case, from the mere physiological to the psychological stage of scientific operations.
Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.
The boomers’ biggest impact will be on eliminating the term ‘retirement’ and inventing a new stage of life… the new career arc.
I love being on stage. I’m completely, totally relaxed. It’s the only time in my life when I know where I am and what’s coming next. The other Robert Powell is probably fairly melancholic. Let’s just say happiness isn’t my default position. There are dark parts. I’m very good at it. I frighten people sometimes.
The one thing about going from the audience to the stage in just three years is that you know how it feels to be down there.
I stand on stage hoping to give good energy to the audience, but if I cannot give good energy anymore, I will have to leave right away.
Humanity should question itself, once more, about the absurd and always unfair phenomenon of war, on whose stage of death and pain only remain standing the negotiating table that could and should have prevented it.
I have been offered obscene amounts to do commercials and stage shows abroad, but as a matter of principle, I am against them.
One night Roger was in a foul mood and he threw his entire bloody drumset across the stage. The thing only just missed me – I might have been killed.
Whatever basic science resolves, at some stage it is of use to society. The problem is we do not know when or where.
I appreciate an audience that reacts to the music, even if they jump on stage and try to beat us up, I think that’s a fantastic reaction. I think that they’re really hearing something then.
The world resembles a stage on which every man is playing a part.
We are pushing the limits on the chassis and the engine sides a lot in order to have a competitive car, and this is why we are winning races, but also, if you push the limits at a certain stage, you find them.
It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.
From what I hear is happening, young Indian boxers have started to do well on the world stage and started to gain the attention of the general audience.
I play the best and have the most fun when the stage is brightest.
I’m like a big 10-year-old when I’m on stage. I just go up there and do whatever I think is cool at the moment.
I have awards right now that I do not remember walking on stage to get.
What I found out about stage is that there is such a camaraderie between the actors.
When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, ‘Oh, wow. I could say this some day on stage.’
Your stage presence is as good as your screen presence.
I love performing outside because it’s as if the heavens are open and the elements become part of the stage show as well – you know, the wind and the rain and the thunder. It’s almost as if there’s a sense of invocation in performance.
I found that if I got up on the stage to entertain the troops I could make them shut up and look.
The me you see on stage is largely a construct, based on me at my worst, my most annoying, my most petty, and my most patronizing.
When you are on stage, you don’t see faces. The lights are in your eyes and you see just this black void out in front of you. And yet you know there is life out there, and you have to get your message across.
People ask me how far I’ve come. And I tell them twelve feet: from the audience to the stage.
Politics, where fat, bald, disagreeable men, unable to be candidates themselves, teach a president how to act on a public stage.
On stage, I am in the dark.
My first acting experience was a non-speaking role as a robot. My costume was a cardboard box covered in tinfoil, but I was so shy I refused to go on stage.
I’ve always avoided publicity. I’ve never been good copy at any stage of my life. I don’t strive for it, because I don’t think it’s important whether I’m good copy or not. The two can go together, if that’s your personality, but every person on this earth is unique.
It’s really fun to be on stage in front of people.
Harlem is a stage. It’s like its own planet, from the way we dress to the swag in the way we walk and talk.
You have to list all your special skills on a form when you get an agent. There’s fencing, stage combat, horse riding, motorbike riding, Spanish, French, German, whatever. I just ticked everything. I talk about 10 languages according to that form. I even ticked the extreme sports box.
My stage show is raw and unpredictable.
One of the great things to pretend is that you’re not only alright, you’re in great shape. Now to have that come true – I’ve actually gone on stage depressed and that’s worked its magic on me, ’cause if I can convince you that I’m alright, then maybe I can convince me.
Before every show, I would call my mother and say, ‘Mummy, I don’t know how I will sing today.’ But that would change as soon as I went on stage and would merge with my music. She is my best ally, and I don’t want to lose her. Nobody other than her would be concerned if I had eaten or had oiled my hair. She is my queen.
I pretty much give both barrels every time I walk on stage.
I don’t think the majority of people – to be quite honest – care. I think they see me as someone who was at one stage of my life in the IRA, but they see me in the round, as someone who was able to make peace.
I don’t like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don’t like to do old stuff. So I do very, very little of it.
I have no problems with my eyes. It was because when I became big, I suddenly I found myself playing on stage with 200,000 people, and that is scary. I remember my manager told me just put on a pair of sunglasses, and that should mitigate the panic. So I tried it, and it worked.