Words matter. These are the best Cinema Quotes from famous people such as Mohsin Hamid, Jacques Audiard, Mike Leigh, Sandra Bullock, Alex Winter, and they’re great for sharing with your friends.
I think there’s a growing courage among the younger generation of American writers. Because of the more superficial treatment of characters taking place in cinema, they have had to deal with that by digging deeper into who these people are.
I really believe the form of the film must be in the scenario; cinema is not just added value to the scripting. I believe in it as a totality.
I feel very much ideologically, politically if you like, and emotionally part of the European cinema.
Latinos, Asians, African-Americans, women – we’re all trying to find our place in this world of cinema and television and theater. And the great thing with comedy is that most of the time, you could be orange. It doesn’t matter, as long you’re funny.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
Why did they go to Hollywood? Because they could get access to the American financial sector. The Jews were neither authorized to be bankers or doctors nor lawyers or professors. That’s why they concentrated on something new: cinema.
I began to see cinema as the perfect combination of so many wonderful art forms – painting, photography, music, dance, theater.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero’s role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
I just don’t think there’s a lot of support for the woman’s voice in cinema, and it becomes really difficult to raise that money and start again every time.
I became producer so that I could work with persons like him and to rock the world of Hong Kong Cinema a bit.
Doing cinema is not about watching yourself.
At a very young age I was allowed to go into the cinema and watch adult films.
I want people to leave the cinema feeling that something’s been confirmed for them about life.
I love going to the cinema and thinking you’re seeing something, and you end up on a whole other planet, and you can’t believe it.
Be it cinema or TV, I have always been interested in taking up challenging projects.
I act because I find everything about cinema fun and exciting.
For me, there’s cinema, which I love and would fight for, and then there’s also entertainment, and I see them as very, very different. But sure, I’d love to do a blockbuster. I can’t wait for someone to tell me, ‘Explosion, run!’
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
I don’t mind acting in Hindi films, but the script has to suit me. It has to be a boy-next-door role because that’s the image I have in Tamil cinema.
I think, for an actor, the whole world is a place of work because if you focus on characters and on stories, they are everywhere, so yeah, I feel very privileged to have had this great opportunities in the international cinema and especially in the American cinema.
It’s up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You’re either courageous or not. You have to find a way.
I think people need to understand that with plays and with cinema, when you hear about it, call and get a ticket then or go and see it then. It’s especially with the play, which I can do because it’s a limited run.
The Indian audience is getting exposed to world cinema and realising the power of unique plots and distinct characters.
I felt from time to time that shooting live music is the most purely cinematic thing you can do. Ideally, the cinema is becoming one with the music. There is little artifice involved. There’s no acting. I love it.
At the end of the day, the one commonality that both Hindi cinema and Hollywood share is that they are full of talented and inspirational people. Outside of this, there are many differences, from the scheduling and rehearsal to promotion and directing techniques.
My grandmother would take me to the cinema quite a lot. She’d take me with her and sometimes she’d sneak my sister in, and then we’d sometimes just sit and watch the movie again.
DVDs have their place, but the cinema is a tangible, emotional experience that I would hate my children not to have.
My work is better, maybe all filmmakers are better, for Polanski’s imprint on cinema. He created language for all of us to use, there is no question about that.
The truth is often terrifying, which I think is one of the motifs of Larry and Andrew’s cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo’s choice to know the truth. It’s a beautiful, beautiful story.
I think cinema has this beautiful component. It’s a universal language.
I don’t know anything about life, but everything about cinema.
What’s my dilemma here? Am I making entertainment or am I making art? What am I saying? At the end of the day, cinema is entertainment for millions of people, but for me it’s expression.
The Urdu or Hindustani language we use isn’t popular in theatre these days. It was a language that was being used in cinema from the 1950s until the ’80s. It is a very communicative language.
On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre.
If you want to be in Hollywood, and if you want to make big international movies, you have to be able to make movies that don’t have anything to do with social status or politics. To limit yourself to just do these little small movies and call it black cinema itself is a mistake to me.
It’s hard to imagine anyone interested in film not being a fan of Alfred Hitchcock because he’s such a key influence on the entire history of cinema – it’s hard to escape his shadow.
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
The Indian film industry is very, very vibrant. It is a mix like it is in Hollywood – there is a lot of highly commercial cinema.
As a kid, I was always building things. My father had a shop in the house, and we built things – we were kind of a project family. I started out as a painter, and then painting led to cinema, and in cinema, you get to build so many things, or help build them.
After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
I love challenges, and I believe that the challenge of quality cinema should not be underestimated as an important part of the Italian cultural offer.
Cinema halls must be preserved by us and by the government. That business is in trouble today with monumental maintenance costs of idle machines and empty seats. When the crisis of the pandemic gets over and it is safe for all of us to go back to that experience we must, in hordes.
J.K. Rowling is a talented storyteller, but she has also used the style and technique of modern television and cinema media, which seizes the imagination by pummelling it, bombarding it with powerful stimuli, in a rapid pace, with plenty of emotional rewards.
For me, any kind of thing that has stood for 100 years tells me of the health of that thing. So, cinema completing a hundred years in India just says that it is very healthy.
Cinema is a reflection of society and, in most cases, has the ability to be a mirror and not just show the problems but also give solutions and help them reach a large number of people through faces and voices that matter.
Cinema is a reflection of its own society.
I was never attracted to being a very proficient singer or player. I suppose I was interested in creating a vision; in the same way I was very drawn to tension within cinema.
I don’t go to the cinema often anymore – I’d rather just pop in a disk and get the biggest monitor you’ve got, and if the quality is superb, I can watch a film, and if I don’t like it I can pop it out.
Cinema is a mirror that can change the world.
I go to universities to talk to the students and teach them how to watch movies. Movies have so many elements – acting, music, art direction, costumes. I also tell them not to watch pirated movies. At the cinema, they can enjoy the big screen and the surround sound.
I felt privileged to be a facet of such a jewel in the crown of American cinema.
I actually really love British and European cinema, but you have to go where the work is, and for me, it’s in America.
A message I’ve been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can’t do it as cinema. Otherwise, you better go do it for television, which is more daring now.