The more projects you do, the more actors you meet, the more people you meet, it’s harder and harder to give your heart and your complete attention or absolute sincerity to that person.
I went from the projects to a real house. It was a big difference.
With the discovery of vast new North American energy resources – thanks to the application of proven technologies like hydraulic fracturing and commonsense regulatory processes on non-federal lands – the U.S. government should no longer be in the business of spending taxpayer dollars on risky, exotic energy projects.
I think there will always be need of trusted voices in the investment community, but what the ICO markets are showing is that the world has incredible demand for future-looking projects!
It’s about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there’s just not enough black projects being made.
In an effort to devote more time, energy and focus to fewer projects, I’ve had to make some tough decisions, and one such decision was ‘retiring’ from ‘Speakeasy.’
I had a bunch of other projects that I worked really hard on after ‘Twilight,’ and the magic just didn’t hit.
I feel like because I’ve done more gay characters, gay scenes, or gay projects than most straight actors, people see it as some sort of mission. It’s more of a case-by-case basis, and just trying to capture figures that I love. I guess that a lot of the figures that I love were gay.
Acting is something I did when I was a kid. I do act sometimes in friends’ projects, but when I do, it’s just for fun. It is actually a hobby for me now. I do still love stage acting, but the day-to-day process of being an actor is so exhausting and so taxing.
Capitalism is a wonderful economic engine, but it assigns little value to long-term projects or societal problems.
I wasn’t trained as a writer-director. And the projects I write are difficult to finish.
People ask me about past projects I’ve worked on, and other things; I’m just really bad at lying. I have a bad poker face, so I just try to tell people how I’m feeling in the moment and really what I was trying to do.
My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I’m in this wonderful position to be able to do that.
For me, life is about experiencing many new things and working with good people, working on good projects, and in general, just having any kind of job.
We have several projects in the pipeline, but one of the rules we set for ourselves is we don’t want to solicit or announce any projects that aren’t ready for publication. I’m personally really tired of reading about titles that never come out.
Let me tell you, if I could pick the project of all projects, it would probably be Kate Gosselin because if I can help Kate find a man? I can help anybody!
If we don’t make sure that Mexico can offer potential investors more input, they’ll stop coming to Mexico. They’ll go to the United States or other places where it is more economically viable to carry out their projects.
Projects meant living with blacks and Puerto Ricans, but that’s what we wanted. Living in the projects, we’ve met so many wonderful, wonderful people.
People enjoy the interaction on the Internet, and the feeling of belonging to a group that does something interesting: that’s how some software projects are born.
Be it cinema or TV, I have always been interested in taking up challenging projects.
Other projects later this year, but I think it’s going to be a very very busy year this year with Star Wars and the re-release, so I’m sort of running about going backwards and forwards to America, Japan, Mexico. So there will be a lot of things to do.
I’m a workaholic, I always try to fill my time with projects.
IMDb only lists specific projects. It doesn’t list theater, commercial, and most non-union work. You also have to pay to upload your reel to most sites, and some places still make you walk your DVD into their physical location.
I like to be asked about the projects I’m working on. I like to be asked about the books I’m reading, the things I’m interested in, what’s exciting me right now, or even politics. Sometimes that’s fun.
If you can help other people understand those truths – and in my mind, the only way I know to do that is with large scale, multi-year research projects, where you start with a question and then very rigorously and comprehensively answer that question.
Disney is a machine, and I’m grateful for it, but I feel like being part of that environment made me crave the reaction from other projects even more.
I like to do projects I feel some connection to.
Recent demonstration projects have shown that with some Federal support, a little funding can go a long way toward ensuring that low-income children have access to good oral health care.
I wait and take on projects that I think can work.
My most important projects have been the building and maintaining of schools and medical clinics for my dear friends in the Himalaya and helping restore their beautiful monasteries, too.
I think change needs to be egoless. It’s not about my leaving my fingerprints or a legacy. It’s more important to be part of a process by rolling up your sleeves, being on the ground, initiating projects, starting campaigns – you know, building stuff.
But most scripts are terrible. Most projects are bad, that’s just kind of the way it is. And I’m not really attracted to those.
I have kept a part of Catalina Productions going, through which I develop a few projects just for me.
I have all this time between projects, and I’m not so sure that’s a healthy thing. It’s scary, because at 36 I’m woefully unqualified for anything else.
I like to do projects that challenge me, and hopefully in turn challenge the audience, or open your eyes to something you’re not aware of.
By failing to keep their end of the bargain, the Bush administration would allow New Jersey projects to deteriorate and make New Jersey highways and bridges less safe.
New Jersey residents deserve to have their tax dollars spent on transportation and infrastructure projects right here in the Garden State instead of being wasted in Washington.
I love the idea that I have the power to look for the projects I can put myself into, but I’m still at that level of just being happy to have a job.
I am prone to get carried away thinking about creative projects.
I try to look at the whole thing and say ‘yes’ to the projects that I cannot stop thinking about. If I read a script and the subject stays with me – then that’s when I want to go to work.
A lot of times you have to dip into the independent world to find the really great projects and the really great scripts. They’re out there – you just have to search hard.
I’m trying to build a brand. I’m not just doing one-off projects.
Now, to describe the process of the Wrapped Reichstag, which went from 1971 to ’95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it’s not written by an art historian.
My faith sometimes burdens me with the responsibility to think very deeply and long and hard about the choices I make creatively. There are projects I turn down because the material is too much a violation of what I believe. But that’s true of anybody.
I’m really not feeling one way or the other with comedy or drama, I’m just sort of doing projects that I’ve been finding really fun to be a part of.
I like involved projects.
The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.
In today’s gig economy, where jobs have been replaced by ‘portfolios of projects,’ most people find themselves doing more things less well for two-thirds of the money.
It’s important to understand that oil and renewables do different things. Wind and solar are for power generation, so they don’t replace oil. About 70% of all oil produced is used for transportation fuel. Renewables are good projects, but they don’t get us off of foreign oil.
I don’t really have a domestic inclination. Even my apartment has a semblance of a storage facility. It’s just stacks, there are no bookshelves, just books and piles of stamp collections and weird little sewing and knitting projects.
My first love is writing and producing. So I sometimes put my own stuff off to work on other people’s projects.
I have this vision of maybe going the way of Bill Kurtis and, I think, Tom Brokaw, to a certain extent – the ability to not be tied to the desk anymore, but to do projects that are meaningful to you.
I’m kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
For years I’ve kept a list of dream projects.
I connect to humor really deeply, so I feel really comfortable just being in funny projects.
But probably for the last ten years or so, I’ve been fitting in animation work into my other projects.
I grew up in the projects in Brooklyn, and I consider myself lucky and blessed to be where I am – just working.
