Words matter. These are the best Miuccia Prada Quotes, and they’re great for sharing with your friends.
The moment you start being in love with what you’re doing, and thinking it’s beautiful or rich, then you’re in danger.
For me, it’s important to anticipate where fashion is heading.
What you wear is how you present yourself to the world, especially today when human contacts go so fast. Fashion is instant language.
The process of a date, I think, is terrible. Horrible. Because everything is banal and predicted.
I am interested in communicating with the world by selling to many people.
Women often don’t want to admit that they like fashion. And yet fashion enthralls everyone, from the taxi driver to the mega-intellectual. I have often asked myself why this is. I don’t know the answer.
The only way to do something in depth is to work hard.
I’m not interested in how people dress.
I want to make clothes that are beautiful of course, but also clothes that are interesting and considered and intelligent and not out of place.
What people sometimes interpret as quirky is my attempt to subvert the concept of luxury by introducing elements that are considered ordinary or commonplace.
I always wanted to be different. I always wanted to be first.
I always wanted to be different. I always wanted to be first.
Usually my ideas come from what I don’t want to do, or what I find is old.
What interests me most is when a work of art is no longer just an object, but also touches reality and life.
I always loved aesthetics. Not particularly fashion, but an idea of beauty.
You have to always work against what you did before, and even against your taste.
I don’t believe that anyone is not bothered by critics. I think that everybody cares.
In Europe the world of fashion is too conservative, very eighties.
I want to make clothes that are beautiful of course, but also clothes that are interesting and considered and intelligent and not out of place.
Basically I’m trying to make men more sensitive and women stronger.
I was a communist, but being left-wing was fashionable. I was no different from thousands of middle-class kids.
If you ask, do you like strong men or weak men, I’d say, I like who I like.
For me, art is about learning and about living with people. It’s alive.
I wanted to try to push some freedom into the men’s clothes.
Before I had kids, I was out every night of the week.
Every day I’m thinking about change.
I always believe in doing new things and using new materials that I have never used or that I didn’t like for a long time.
What people sometimes interpret as quirky is my attempt to subvert the concept of luxury by introducing elements that are considered ordinary or commonplace.
You have to always work against what you did before, and even against your taste.
It’s horrible when people are only interested in buying labels, because it doesn’t bring them the happiness they think it will.
Talking about the democratization of fashion is just one of the many trite things people say these days.
Fashion fosters cliches of beauty, but I want to tear them apart.
When I design and wonder what the point is, I think of someone having a bad time in their life. Maybe they are sad and they wake up and put on something I have made and it makes them feel just a bit better. So, in that sense, fashion is a little help in the life of a person. But only a little.
My learning process is by eye alone; it’s not at all scientific.
Basically I’m trying to make men more sensitive and women stronger.
One’s life and passion may be elsewhere, but New York is where you prove if what you think in theory makes sense in life.
I wanted to try to push some freedom into the men’s clothes.
Women often don’t want to admit that they like fashion. And yet fashion enthralls everyone, from the taxi driver to the mega-intellectual. I have often asked myself why this is. I don’t know the answer.
I do what I think is right.
What you wear is how you present yourself to the world, especially today when human contacts go so fast. Fashion is instant language.
The process of a date, I think, is terrible. Horrible. Because everything is banal and predicted.
Daring to wear something different takes effort.
I like the irony in my work.
I always believe in doing new things and using new materials that I have never used or that I didn’t like for a long time.
Many of us grew up with a kind of puritanism against shopping. But shopping can be much more than how it is cast. If you are bored or you have problems, it can be a way of lifting your spirits, by doing something light and superficial. Why not?
Before I had kids, I was out every night of the week.
My learning process is by eye alone; it’s not at all scientific.
I had no fun. My family was too serious.
Everybody knows that I don’t have a muse. I’m not interested in that.
I like the irony in my work.
What interests me most is when a work of art is no longer just an object, but also touches reality and life.
For me, it’s important to anticipate where fashion is heading.
For me, art is about learning and about living with people. It’s alive.
I was a communist, but being left-wing was fashionable. I was no different from thousands of middle-class kids.
Many of us grew up with a kind of puritanism against shopping. But shopping can be much more than how it is cast. If you are bored or you have problems, it can be a way of lifting your spirits, by doing something light and superficial. Why not?