I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn’t make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.
Everything dies, from the smallest blade of grass to the biggest galaxy.
Temper is a weapon that we hold by the blade.
I wonder if people who see ‘Blade’ will have even seen my other movies. But I don’t want all my movies to be in a vacuum. I need a balance because one pays, and the other doesn’t.
In creating, the only hard thing is to begin: a grass blade’s no easier to make than an oak.
For me, ‘Blade Runner’ is the best science-fiction film ever made.
A city should decide where it doesn’t want to develop, saving at least some of the canyons and hillsides and wetlands from the bulldozer’s blade.
I was a huge fan of ‘Blade Runner.’ That was a pretty formative film for me growing up. It really got my sci-fi juices flowing, as it were.
‘Blade Runner’ was one of several dystopian science-fiction films to tank in the early and middle ’80s. ‘Tron,’ ‘The Dark Crystal,’ ‘The Keep,’ ‘Labyrinth’: none found a large audience.
The set for ‘Blade Runner’ was maybe the hardest set I’ve ever worked on because I think we worked 50 nights in a row, and it was always raining.
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