The first band I was ever in, I played guitar. We did Gary Glitter and Green Day covers at the time. We were called Fizz. I have no idea why we picked that. We were, like, 12 years old.
I was born in ’71, so I remember bits of glam rock on ‘Top of the Pops’ toward the late ’70s, but I had no idea what kind of world it was. I didn’t like the music, either.
I never thought I’d be doing records a year after I started – I had no idea it would last as long as it did.
I’m not really a runner. It does not bring me joy. The runner’s high thing – I have no idea about that! I especially hate it on a treadmill.
I have no idea what advantages I truly get, but I know people talk to me and give me time of day because they like how I look.
Really, I have no idea how I’m perceived in the industry.
The Florida peninsula is, in fact, an emerging plateau, honeycombed with voids and vents, caves and underground waterways. Travelers on Interstate Highway I-75 have no idea that, beneath them, are cave labyrinths still being mapped by speleologists – ‘cavers,’ they prefer to be called.
I swam across Skaneateles Lake, about a mile, when I was 11 years old. I remember feeling when I was in the middle of the lake that I would be there forever, and having no idea where on shore I’d end up. I made it, and I’m proud of the determination and persistence that took.
I don’t get it. If you’re saying, Tommy Lee, you don’t fit the image of the East Coast, social elitist wealthy people who comprise Harvard, the only thing I can say is you have no idea what comprises Harvard.
The whole thing about the way I approach work is to be surprised by an opportunity when it comes up. So I have no idea what I will be doing next, and I kind of like that.
You know, if you are kind of rich, the best thing is that you don’t have to think about money. The best thing you can buy with money is freedom, time. I don’t know how much I earn a year. I have no idea. I don’t know how much I pay in taxes.
My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except, ‘FX makes the show that I see on my computer.’ So it’s harder to get a show on the air, but at the same time, there are a lot of terrific shows.
There’s always been a lot of pressure and tension on the line. If ‘Pi’ didn’t work out, I have no idea what my career would be. I don’t think I would have gotten another shot at it. If ‘Requiem for a Dream’ didn’t work out, they would have called me a ‘one-hit wonder with a sophomore slump’.
Often in films, you have no idea where you’re going to be six months from now. And I grew very weary of that. And television, although it wasn’t necessarily as creatively diverse as filmmaking can be, it was the lifestyle choice that I needed to make.
I knew what I wanted to be, but I didn’t know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
I think I get credit for my timing because most of the time, I really have no idea where I’m going with it.
I always assume I look better than I actually do. I’ll feel pretty good about myself when I leave the house, then I’ll see a picture and think, ‘Crap, I had no idea that’s what I was looking like.’
I always want to abandon myself to my characters, and I never knew if I was actually abandoning myself to Lady Macbeth. I was scared to enter the darkness. Almost every day, I would go back home and be like, ‘Oh my God, what am I doing?’ I had no idea.
I was surprised to hear that I would receive an MBE and have no idea where the nomination originated but I’m incredibly grateful.
Since I never get on a scale, I have no idea how much weight I’ve lost!
When I first started writing, I did mostly short fiction, and I’d work on a short story and get near to being done and have no idea what I’d work on next, and then I’d panic.
I grew up Jewish. I am Jewish. I went to an Episcopal high school. I went to a Baptist college. I’ve taken every comparative-religion course that was available. God? I have no idea.
Being at a film festival reminds me of the power of film. The power that we have in our hands. Telling specific stories about personal matters can start the debate that is needed today, and that connect you with realities that you had no idea were connected.
Once in high school, I completely over plucked my left eyebrow all the way up to where you’re not supposed to. I had no idea what I was doing and it looked terrible! My mom was like ‘What did you do to yourself?’ I was so embarrassed.
When I wrote the first Betsy book, ‘Undead and Unwed,’ I had no idea, none, that it would be a career-defining, genre-defining book, the first of over a dozen in the series, the first of over 70 published books, the first on my road to the best-seller list, the first on my road to being published in 15 countries.
You know what I want? The answer is, I truly don’t know what I want. I don’t want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.
Every time there was a shiny car, my mum must have worried it was the welfare people coming for her kids. We had no idea.
It’s hard to talk about love because most of the time, we have no idea what we’re talking about.
I had no idea about nutrition. I thought by eating salads you’ll stay skinny.
What makes Johnny Depp so brilliant is you truly have no idea what kind of character he’s going to play next.
Who do I think Jack The Ripper was? Do you know, I’ve got no idea who Jack The Ripper was. No idea.
You know, you become crazy. I had done a story for ’60 Minutes’ on depression previously, but I had no idea that I was now experiencing it. Finally, I collapsed and just went to bed.
You have no idea how fragile an actor’s self-worth is.
So from an actor’s perspective, you really have no idea how you’re acting.
Most writers have no idea how to make a film. It’s a totally different skill set. Nor is it just to translate exactly what’s on the page directly on to the screen – because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story.
At school, when it came to being social, I had no idea how to do it.
I have no idea why a guy would bring a jar of peanut butter to a concert.
I have no idea what readership is of written editorials, but it doesn’t come anywhere close to the readership of editorial cartoons.
I usually know where I want to end up when I begin, but I have no idea how I’m going to get there… I don’t write with an outline, and surprises happen on the way, and sometimes it changes.
Fame really drove me into my house. I was very paranoid. I didn’t like going out. I had no idea how to be comfortable with the press. I was very young. It was really hard for me.
I had no idea until I joined the games industry and met some of the power players, particularly those running large public companies, that much of this world is run by complete clowns.
When I start writing a novel, I have no sense of direction, no idea, really nothing.
That’s a great feeling to know that I’m going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It’s just really nice to work with people that you feel that way about.
Twittering and blogging and all that is fine, but there is no idea of how to phrase something beautifully; how to use language to create an emotion. It’s just passing information and sometimes very superficial information.
One funny thing I realized is how many people had no idea that I was gay because they don’t bother to look it up or ask.
I have no idea what my draw is for science fiction. I hope they come to me because they like complicated women. But I’ve never played the Bionic Woman. In ‘Sarah Connor’ and ‘Lost,’ I am not the orchestrator of what happens. I’ve played quite peripheral people.
I have no idea how I got COVID-19.
I remember being with my mum eating marmalade on toast watching ‘Inspector Gadget,’ ‘Sharky and George,’ ‘The Pink Panther,’ and ‘Thundercats,’ stuff like that. Those were the days – no idea how brutal the world is.
I hadn’t lived in the U.S. for my entire adult life, so a lot of U.S. news agencies, I just had no idea.
When you have so many things, and you have no idea why, you think, ‘Maybe I’m supposed to do things for other people.’
The future is going to require really smart people. What we think are crises today probably will be no big deal, and we have no idea what will really be crises in the future.
I’ve never been willing to commit to more than one at a time, because I just don’t know – I don’t plan the books out ahead of time. So I have no idea how much ground we’ll cover.
When I first read ‘Boyz,’ I cried. It could have been about some kids in Warsaw, Poland. I knew it was good, but I had no idea what it would do to me.
As athletes, just looking at it from an outside perspective, it’s really remarkable, the impact you could have on somebody that you have no idea.
I am actually incredibly contented and jolly. But, and I have no idea why this is, I have a really strong empathy with all kinds of warped and destructive modes of thinking. I don’t know why, but those things co-exist.
