Top 66 Bros Quotes

I got a great kick being in the Warner Bros. studios – that was really cool. I kept singing the ‘Looney Tunes’ theme song all day. I’m sure they haven’t heard that one before.

I worked at Warner Bros. for a while. I was the head of the minority talent casting. It was like pre-Spike Lee and post-blaxploitation era.

Tatiana Alvarez, who also became a queen of the wheels of steel in L.A., has now sold her incredible cross-dressing, reverse ‘Tootsie’ story to Warner Bros. in Hollywood, and hotshot producers Mike Medavoy, Brian Medavoy and Erwin More have reunited to turn it into a movie.

I just want to connect with you bros. That’s all I care about, because you bros’ support really means everything to me.

Even bros have depth, complexity, and emotion.

I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.

There are old people in San Francisco because my parents still live there. The young tech bros don’t see old people or children. The Mission district, where they live and work, they don’t see children or old people. That statement revealed, to me, the blinders that the techies are wearing.

We’re going to help DC feel like more of an important priority in Warner Bros.

Think about trailers you see in theaters. If you’re seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

I was looking to explore the theme of good and evil, so what better inspiration than the comics? I’d developed a relationship with DC and Warner Bros. when I donated a sculpture of Catwoman to the ‘We Can Be Heroes’ campaign a few years ago. That’s what started it.

The woeful tales of ‘Super Mario Bros.’ and ‘Street Fighter’ have taught studios that merely slapping a name to a movie is not enough to bring in the fans of the franchise. Also, the way games now unfold their stories more parallels that of a movie, with characters and plot points actually meaning as much as a high score.

We do various kinds of research during the planning stage. We consider the inclusion of characters that feature in games being developed at the same time, are highly requested by users, and are popular within their series. We then think about how they could be unique if they were to appear in ‘Super Smash Bros.’

We play a lot of Nintendo games, a lot of Mario Kart, Super Smash Bros, a few different card games, really just stuff so we can stay loose and get your mind off of swimming before going into the meet with full focus.

Warner Bros. is just this amazing historic studio that does great movies.

When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.

I didn’t grow up with Broadway music. My mother played Perry Como, while I listened to Andy Williams records. Later on it was Cream, Grand Funk Railroad and lots of R&B like the Isley Bros. and Parliament.

Ours is a company that doesn’t do annualized software, and so when we create a ‘Zelda’ game, when we create a ‘Smash Bros.’ game, or a ‘Pokemon’ experience comes on the platform, it needs to be exceptionally compelling because we plan on selling it for a very long time.

My connection to ‘Aquaman’ came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.

I wanted to be the first female, young teenager producer, and it didn’t happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.

When I was super young, I had an Atari and used to play ‘Space Invaders.’ Then I fell in love with ‘Mario Bros.,’ ‘Sonic the Hedgehog’ and ‘Yoshi’ on Super Nintendo. I was quite a bit of a gamer as a kid when I think about it.

Warner Bros. has talked about going out with low-cost DVDs simultaneously in China because piracy is so huge there. It will be a while before bigger movies go out in all formats; in five years, everything will.

When I was a kid, I played ‘Super Mario Bros’ and ‘Megaman 2’ and ‘3’ for hours and hours, trying to convince my mother they were good for me because they helped my hand-eye coordination. They influenced a whole generation of people to make computers what they are now, through problem-solving and so on.

I think back to having had the good fortune of being at Warner Bros. when we were doing ‘Lois & Clark.’ The chemistry between Dean Cain and Teri Hatcher was really wonderful.

I hooked up with Warner Bros, and I was dying to play Ensign Pulver in the ‘Mr. Roberts’ series, and I didn’t get the part. Instead they cast the with Forrest Tucker and Larry Storch in ‘F Troop.’

More than anything, I want to keep working with people of talent like Craig Gillespie, Spike Lee and Clint Eastwood. But there’s also those long-dreamt-of moments: I’d love to host ‘Saturday Night Live,’ I’d love to do a Penguin stand-alone movie at Warner Bros., I’d love to do a Teddy Roosevelt biopic.

What’s interesting about the ‘Smash Bros.’ games, is that the ‘Smash Bros.’ games do not represent the Nintendo characters fighting against one another: they actually represent toys of Nintendo characters getting into an imaginary battle amongst themselves.

Surely there’s a deeper pursuit to music than getting bros to pump their fists in the air.

If ‘Smash Bros.’ were set up to appeal to experts too much and became something like a modern fighter, I think that would raise serious questions about the game’s future.

Bullet for My Valentine, we’re bros. We’ve been in the trenches with those guys.

I watch Dragon Gate, New Japan, NXT, AEW. I love the Lucha Bros, The Young Bucks. Mainly I watch the guys in the shows that I’m on.

I never mentioned my sexuality to Warner Bros. at all, and they never mentioned it to me, thank God.

The first time I was in a ring with William Regal, I called him ‘Bro,’ and from there, everyone just kept saying ‘Bro’ to me. I kept saying ‘Bro,’ and before I knew it, I was deemed The King of Bros.

We’ve played producers almost our entire lives in everything else we’ve created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about – we definitely learned a lot.

For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.

I became merely a pawn used to produce more money for Warner Bros.

My knowledge of video games ends with Nintendo ‘Mario Bros.’

‘The Venture Bros’ are my jam.

There was a time when watching a cartoon was a nurturing experience. You would watch a Warner Bros. cartoon, and at the end of it you could probably win ‘Jeopardy.’

I have felt for the last 10 years I have had this battle; I’ve been fighting so hard to have an education. It’s been this uphill struggle. I was Warner Bros’ pain in the butt. I was their scheduling conflict. I was the one who made life difficult.

I am not a video game guy at all. Once it got past Super Mario Bros. and past two buttons, they lost me. I was like, ‘I do not have the abilities to be able to do this. It doesn’t work.’

We didn’t have that big-label push. We weren’t the kind of band that our label Warner Bros. Records was going to throw all this money at. Their idea was to support us on the road and see what happens. It was a very slow building process.

I think Warner Bros. are probably some of the best people in marketing films in the world.

After leaving school, I got a job in a department store not dissimilar to Grace Bros in ‘Are You Being Served?’

‘Smoke On The Water’ was ignored by everybody to begin with. We only did it in the shows because it was a filler track from ‘Machine Head.’ But then, one radio station picked up on it, and Warner Bros. edited it down to about three and a half minutes. It then started getting played by lots of different radio stations.

I was on Warner Bros. for a minute.

Comments are my main way to communicate with you bros.

This ‘Pighammer’ record is supposed to be a side project. And it just so happens that at the same time I’m recording this record, our contract was up with Warner Bros., so it’s time for Static-X to re-sign.

For us, we’re clear that, in terms of Nintendo-developed games, we want to bring new experiences from our best franchises to Nintendo Switch, and that’s what you see with ‘Smash Bros.’ and ‘Pokemon.’

Trying to convince Warner Bros. to make a $30 million ‘Veronica Mars’ movie just wasn’t going to happen, for understandable reasons.

Warner Bros. never really got behind the solo work. They always kind of drew a blank. I think they always were thinking, ‘Well, this is nice, but let’s get back to what’s really important.’

‘Smash Bros.’ features a slew of modes as well, but we didn’t create them all under the idea that we want gamers to try every single one of them. I think it’s just fine if gamers enjoy the aspects of the game they like. It’s kind of a buffet-style approach.

Our goals were and are to be sure that we set up DC Entertainment to be more integrated and more cooperative within DC as well as in Warner Bros.