Words matter. These are the best Heroines Quotes from famous people such as Karen Robards, Sherlyn Chopra, Leigh Michaels, Gail Collins, Rani Mukerji, and they’re great for sharing with your friends.
I love ‘The Guardian’ series. Bianca St. Ives is one of my favorite heroines ever, and the combination of action, suspense, and romance makes her story pure fun to write.
None of the Bollywood heroines have butts like Salma Hayek and J Lo.
Romantic heroes and heroines are a bit different from the sort of people we run into every day.
Some of our national heroines were defined by the fact that they never nested – they were peripatetic crusaders like Susan B. Anthony, Clara Barton, Sojourner Truth, Dorothy Dix.
The one person whom I would like to be is Meryl Streep. Even at her age, she sits alongside the younger heroines at the Oscars with her name in the nominee list, and others around her wonder whether they still stand a chance.
Nowadays heroines are doing everything from acting to item songs. They are jumping into the territory of item girls.
I really like writing heroes who aren’t necessarily ‘Hollywood handsome.’ Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive – and my heroines tend to think that, too!
My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.
Actors like Pran Sahab, Jagdeep, Asrani established their identities by doing specialized roles but today acting is more general. Actors used to be image conscious then but now heroines are also playing negatives, it is a notable change.
My heroines, more often than not, are the ones who are troubled and resistant.
Lisbeth Salander is one of the most compelling heroines of 21st century crime literature, and I am thrilled to see readers have welcomed her return.
I was never career-oriented, not in the way other heroines are. Of course, I took my work seriously. But I never solicited work and never sought fame or money.
I have had unattractive heroes – broken noses, scars, crooked teeth. You want to give them something that is human. My heroines struggle with being too short or fat or old. Some are older than the heroes. You try to cover all spectrums.
Thirty years ago, this promise, this allure of democracy, drove hundreds of thousands of people in East Germany onto the streets. What courage they showed! It was these brave people, these peaceful heroes and heroines, who brought the Wall tumbling down.
Whenever the hero and heroines met, they couldn’t go beyond a point. They would just hold hands and consummation or kissing would be two flowers meeting or a bumblebee hovering over a flower. In ‘Kaagaz Ke Phool,’ even though their love was strong, the couple never touched.
The Tamil industry, while being better than all the other film industries when it comes to treating female actors, is still dominated by men. So, I can only work within the space offered to heroines, and I think I am doing that.
Ravi Babu’s films are known to have its heroines playing prominent roles. Further, all the heroines he has cast in his films are well-established, known faces. I consider myself lucky to have been considered by him to play Mohini.
I don’t think about how many times how many heroines have said ‘I love you’ to how many heroes on screen and that I am also doing the same. It is how differently I can say the same thing in my own style or how I can bring a new element into it.
No doubt, much of the joy of a great romance is the moment when these stoic heroes crack open and reveal themselves to their heroines – the only women strong enough to match them.
Nowadays, all actresses wear gowns and trot all over the place. However, our sarees would look more elegant, and yet so appealing. So, my advice to all heroines is: start wearing sarees as well, to look more beautiful!
At the heart of every successful romance novel lies the evolution of its characters. Through love, heroes and heroines grow not only into a perfect match, but into stronger, better, more admirable people.
There are no heroes and heroines in ‘Naan.’ All of us play different characters, and have equally important roles.
I always found the witches and wicked stepmothers far more interesting than the ‘heroines’ – at least they actually did something.
Boring heroines are, in my opinion, the most common romance mistake. We loathe hanging out with women who define themselves purely through their relationships… why would we want to read about them?
I was never interested in roles where I would have to dance and romance heroines.
I stand on the shoulders of heroines who never sought public acclaim but served as inspirations to the generations that came after them.
Young action heroines feel in service of male gaze, rather than being the full complexity of a human being.
You need not go back four thousand years for heroines. The world is filled with them today. They do not belong to any nation, nor to any religion, nor exclusively to any race. Wherever woman is found, they are found.
She doesn’t do the things heroines are supposed to. Which is rather Jane Austen’s point – Fanny is her subversive heroine. She is gentle and self-doubting and utterly feminine; and given the right circumstances, she would defy an army.
Red Sonja, she was a hellraiser before Buffy, Xena, and Ripley even existed. When so many heroines in comics were all hung up on romance and the bizarre gender politics of comics at the time, Sonja was out cutting off the heads of dragons and pirates.
I have a connection with Bengali heroines. I have worked with Tanushree Dutta and Bipasha Basu.
If you’re a woman doing classic theater, the big roles are often destroyers. I’ve played Hedda Gabler, Lady Macbeth, some of the Chekhovian heroines, Electra, Phaedra – they’re all powerful women, but they’re forces of negativity.
I don’t understand when people say character actors. You either have the protagonist or the antagonist and I’ve played both. It’s an actor’s role to play a character. Does that mean that main stream heroes and heroines are characterless?
Some heroines look very glamorous in bikini.
We aren’t always comfortable witnessing real frailty or vulnerability in our heroines, but I like characters who struggle, and doubt, and who don’t always do the wise thing.
I think heroines would be pretty boring if they were perfect all the time.
Great battles can make great heroes and heroines.
I am always naturally drawn to heroines that have human flaws because I enjoy people that have lived their life with courage and make big successes and big failures.
The heroines in ‘That’s What She Said’ are flawed, messy, damaged, hilarious and culpable and not really concerned about being acceptable to the audience in any traditional sense, which for me is what makes them all the more gorgeous. And the fearless truth of that is what makes it funny.
Most mainstream male fiction is littered with heroines, and female characters are basically so great, you want to fall in love with them.
Many of the heroines from outside Karnataka have worked in my films, but the attitude and adjusting nature of top South Indian actress Nayantara is outstanding.
Powerful messages that defend life and celebrate true heroines can’t be contained, not even by the best efforts of some of the most powerful liberals on the planet.
Item song dancers like Silk Smitha and Jayamalini have become irrelevant. The heroines are doing those dances themselves.
I have been very selective in the South because I was always offered the biggest films. In Bollywood, things are different because multi-starrers are a norm. All big heroines are happy to be part of a big movie.
I’ve always thought that, as a romance writer, I had the best job in the world. I sit around all day making up emotion-drenched, conflict-laden stories that push my heroes and heroines to the edge of sanity. Then I give them a happy ending.
Heroes and heroines don’t commit adultery.
They want younger girls, not old ones like me, as heroines. This is the tragedy of Bollywood. It is male dominated.
It’s difficult for a young girl like me. Because there’s a certain time for young actresses, which is like a really juicy period when all the parts are love interests and young heroines. Of course, there’s always work for men whatever age they are.
In books by women and for women, it should come as no surprise that heroines are the heroes of the action, finding themselves, their power and their future through love.
Hindi film heroes never age but Hindi film heroines age fast.
A lot of heroines ask me to make the dance steps easier.
Iris Johansen’s lovers weathered the sack of city states and the vagaries of the French Revolution; Judith McNaught’s heroines endured amnesia, social ostracism and misunderstandings so big they deserved their own ZIP code.
Plot is a framework on which to drape other things. So once that’s working, I can just let it go and do all the stuff that I love – ‘Trojan horse’ it. There are so many great YA heroines, and that’s fantastic, but what about the emotionally complex boy out there? That’s who I tend to write about.
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