Top 66 Visuals Quotes

I love to perform not only music, but to make performances extremely visual, and create almost a magical fantasy. It’s really an uplifting style of art that combines visuals and music in very dreamlike ways.

I find a lot of inspiration through visuals. When I was 12, I saw Aurora’s ‘Runaway’ music video. Something inside me clicked, like, ‘That is what I want to do, no matter whether it goes anywhere or not.’

Cinema is a visual medium one has to communicate through visuals, and therefore, dialogues should be less.

For me, I’m not a great wordsmith, and so maybe from lack of great dialogue writing, I thought it’s easier and better to express a story through visuals.

In my head, scenes are shot from certain angles; there are camera pans, all of that kind of stuff. Converting those visuals to comic format was mostly a matter of adapting them to the rhythm of paneling.

I don’t want to be entertained. I don’t want visuals or musicals. I don’t want a vacation. I don’t want to quit. I don’t want sympathy. The cry of my heart is ‘Just Give Me Jesus.’

‘Provenance’ is more than a multimedia concert. It’s a journey that unifies cultures through music, theater and beautiful visuals.

The visuals are equally as important as the music. It’s all a complete experience.

I wanted to express myself using visuals and also celebrate the beauty of black women, travel, and have amazing opportunities. I also wanted to be a living example of inspiration for other women and girls.

It’s about the characters, it’s about the film, it’s about the process of making stunning visuals and a huge, epic movie. It doesn’t matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That’s the villain of Chris Nolan’s ‘Batman!’

I came from a background of photography so I look at details and visuals, and I see things in pictures or signs.

If you want to add visuals to your blog posts, presentations or whatever it is, and you’re as bad at drawing as I am, I think tracing photos is a good place to start.

I’m huge on visuals. I love visuals.

We really like to express ourselves artistically with all of the visuals and the theatrical side. It all plays a really important part to us.

I do this sort of thing where, even for my own shows, I like to supply my own fingerprint of creativity. Not just ideas, technical things: offering model data, creating visuals for my stage show myself, babysitting renders, learning that technology as I go. That’s what makes me feel like an artist.

I think songs and visuals are so evocative of each other.

When you make a movie, you know you’re making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.

I like language, and in film, language is diluted by the visuals and the music. Theatre is what I was trained for.

YouTube’s a funny place because so many creators fall into their aesthetics out of necessity and the visuals are driven out of an urge to create. You get a lot of interesting examples of interesting design choices that have roots in practicality as well as an artistic sentiment.

I want everything to build and create a massive artwork composed of different songs, colors, physical art and visuals.

A written word gets preserved in so many forms. But movies which comprise of both audio and visuals have to be done with care and a lot more details.

I just want to be a storyteller, and I think the way to do that is by your lyrics, by your visuals, by your choreography, by your dance. It’s imperative as an artist.

You don’t have to understand Korean to understand the music, the visuals, the vibe.

I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that’s what theatre is, it’s an empty space, and it’s both limited and unlimited because the space is the space, but what you can do with people’s imaginations is really endless.

A part of me wants to rely less and less on comedic visuals and make more substantial standalone music. And get a sitcom on TV where I can let my comedy do the talking there.

The thing is, the better the hardware, the more time we spend to improve the visuals to take advantage of the hardware.

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

I’ve always said if I had to pinpoint what’s more important in a scary movie, the soundscape or the visuals, I’d pick the sound.

In the same way that musicians inspire me, artists and photographers like David LaChapelle influence me with their visuals. A photographer like LaChapelle creates an entirely new and unique visual for their work, and that’s what I’d like to do with the Charli XCX world as well.

Over the years, advertising had become very lazy, very visual. Visuals are important, yes, but as a part of the story.

I love Lady Gaga, Rihanna – all the pop girls like Katy Perry. I think Miley Cyrus is very talented, too. Apart from the visuals, which you may like or not like, but her music is quite good, actually. ‘Wrecking Ball’ is quite a good song, and she sang it really nicely.

I was brought up in a way that was based purely on the senses. Everything in my upbringing was a reaction to growing up on an organic farm or to the emotions of animal cruelty, as well as the visuals of my mum’s and my father’s art – he was also an art collector.

When you’re in a club or a theater or even an arena, yeah, you want visuals, you want a good light show. But Slayer has always been about the sound. We have to sound good. It has to be tight.

I’ll listen to a song so much that ideas start to form out of daydreaming. It’s as if I’m reverse-scoring the track and building visuals around a specific beat or riff that’s grabbed me.

‘Zabriskie Point’ was a time when I was in a lot of change and flux, and these incredible visuals hit me like they had rearranged the organs in my body. The ending and the free-floating debris and everything is an image that burned itself in my consciousness.

I’m a very visually motivated person. Music is always going to be the thing I’m most motivated by, but music and visuals go hand in hand.

I’m sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one – music, fashion, and art. I’m hitting it from all angles.

A film only works when its content works. The visuals can be breathtaking, but if the content is not good, it won’t work.

Since my early childhood, I’ve played drums in visuals as well as sound.

I have learned the art of filling in your lines with your visuals and your movies and your imagination.

‘Junglee’ was a magical journey. When you see the visuals of the film or the song ‘Fakeera,’ it reminds you of Dehradun.

If the United States is the melting pot of the world, you need entertainment – you need visuals that represent that.

I’ve always been super into photography and the visuals that support my music.

People like Little Mix… they’ve got a big lot of choreography that they need to do so it’s difficult to sing and dance at the same time. I think if they’ve got to do a big performance with loads of visuals behind, they need to possibly mime at some point.

I generally wear a lot of black clothes, and I think that comes from wanting to be as neutral as possible. We use a lot of visuals on stage, so I kind of hope people are watching those and not looking at me.

My son was so excited about me doing three roles, and Jo and my parents loved the craft work and visuals, and I think ’24’ will be the most favourite movie of mine at home, and they are all waiting to watch the film in theaters.

I’ve written all of my songs, I directed all my videos. Every part of what I’ve done for music, from the visuals to the business, I did it. And I’m really proud of that.

I view myself as a musician and I focus on music – other people may try to focus on the music, but the emphasis is heavily on visuals and performance. They’re both equally valid, but different.

I’ve always put a lot of stock in aesthetics and visuals. I truly believe a picture is worth a thousand words and that fashion and glamour have the power to transport and transform someone.

I’d always want to decorate my bedroom. I needed visuals and to be stimulated by things. I’m still like that. It’s the way I see the world.

Visuals are important, as listeners like to ‘see’ the song.

I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, ‘Hey I wanted to film it in Mississippi.’ It would seem like it was a hometown boy just wanting to be home.

It’s a visual world and people respond to visuals.

I was always creative with the artwork. Always creative with the visuals. That’s what made me standout.

Making the visuals photo-realistic lets us do things we were never able to do before. The voice acting, the facial expressions, are all that much deeper.

I think comics is a really good way to talk about skepticism and atheism and things like that… it was easy to tell those stories and, I think, helpful to some people to tell them in comic form. Using visuals makes it easier to break stuff down and makes it somewhat easier to understand.