Top 66 Warner Quotes

You kind of look at the timeline of what has happened to me and with having a pretty good rookie year and the second year getting the injury and Kurt Warner played himself into the Hall of Fame in the last 3 years. There’s not a lot I can do about that. I battled with a Hall of Famer two training camps in a row.

Tatiana Alvarez, who also became a queen of the wheels of steel in L.A., has now sold her incredible cross-dressing, reverse ‘Tootsie’ story to Warner Bros. in Hollywood, and hotshot producers Mike Medavoy, Brian Medavoy and Erwin More have reunited to turn it into a movie.

I gave up on the big screen. The Witching Hour was at Warner Bros. for 10 years and it just didn’t work out.

When I went to Warner Bros., there was a woman named Bonnie Lee who was an executive who helped me to get to ‘Pee-wee’s Big Adventure.’

There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.

The difference between me as Brian Warner or Marilyn Manson is just words. Same personality, sensibility, sense of humor, behavior. He is me.

So many people from the West are coming into India, all the studios have come into India, and they’re making films here, whether that’s Fox, Warner Bros, Disney, everyone. That stands as testament for us, so why are we afraid of sharing our talent with the world? We must.

When I was a teenager, the biggest heartthrob was Tab Hunter. He was in every movie out of Warner Bros. until he was exposed as gay, and his career faded. That was an object lesson. I knew I must protect my sexual orientation.

When I came back to it, we amicably separated from Warner Bros. I just picked up where I left off, trying to write the rest of this record. It took awhile to get out.

I have Time Warner, and I try to relax a lot and watch television a lot and everything. I really enjoy that. Listen to the radio.

I can’t stop watching black and white movies. I live in a world of Warner Brothers movies and all of that stuff from an older era, and I love them. I still love them. When I look at them, I sometimes think I was born in the wrong time.

I love Columbus Circle. I rebelled against the construction for a while because I go back to the ’70s. There was no Time Warner building. Now I’ve started to really like it.

‘Smoke On The Water’ was ignored by everybody to begin with. We only did it in the shows because it was a filler track from ‘Machine Head.’ But then, one radio station picked up on it, and Warner Bros. edited it down to about three and a half minutes. It then started getting played by lots of different radio stations.

The new independent spirit at Warner Music is a perfect fit for a stand-alone label like Maverick.

For years, Warner Bros. was trying to get me to make a movie about Howard Hughes.

When I was approached by Warner Bros. and DC about the possibility of directing ‘The Flash,’ I was excited about the opportunity to enter this amazing world of characters that I loved growing up, and still do to this day.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.

More than anything, I want to keep working with people of talent like Craig Gillespie, Spike Lee and Clint Eastwood. But there’s also those long-dreamt-of moments: I’d love to host ‘Saturday Night Live,’ I’d love to do a Penguin stand-alone movie at Warner Bros., I’d love to do a Teddy Roosevelt biopic.

The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.

The investor world that looks at studios as part of media companies will say that the studio business is supposed to be erratic. Not at our company. Not at Time Warner.

Island Records was the first record label to… acknowledge me. After that, quickly, Republic Records, and then Atlantic Records, Sony Records and Warner Bros. It was all the labels at once. It was absolutely insane, like, knowing that this many record labels were interested in me.

My little bro Kendrick Lamar. I’ve been saying it for the times even when I was on Warner when everybody knew him as K-Dot. I used to tell people all the time, watch when K-Dot step out the box, he’s going to be a problem.

Most of the contract people at MGM stayed and stayed and stayed. Why? Because the studio looked after them. Warner Brothers wouldn’t – they were always spanking somebody or selling them down the river.

All I know is I’ve had an overall deal with Warner Brothers Television since the ‘Smallville’ pilot; that was my first pilot for Warner Brothers Television. I have to do pilots for them, but I get a chance to spend time and find the people that work best with me.

It’s interesting: John Calley at Warner Bros. helped me put ‘Alice’ together. It was very unusual back then for a studio to support an actress the way he backed and supported me. He even asked me if I wanted to direct the film, which I didn’t feel prepared to at that point.

Our goals were and are to be sure that we set up DC Entertainment to be more integrated and more cooperative within DC as well as in Warner Bros.

When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.

This ‘Pighammer’ record is supposed to be a side project. And it just so happens that at the same time I’m recording this record, our contract was up with Warner Bros., so it’s time for Static-X to re-sign.

How Hungama became the top children’s channel in India is interesting because we were up against, not just Disney, but also Time Warner’s Cartoon Network. It was an illustration of the fact that for any company that wants to grow in emerging markets, localizing content is the key.

I bumped into Mike Epps in a barber shop. I was in the Warner Brothers studios trying to find my way for an audition and director Jordan Peele was just standing talking in a corner, so I had to introduce myself.

I grew up with all kinds ofmusic, but my heart was particularly drawn to Country Music because of the guitar playing, the lyrics and of artists like Steve Warner and Vince Gill.

We didn’t have that big-label push. We weren’t the kind of band that our label Warner Bros. Records was going to throw all this money at. Their idea was to support us on the road and see what happens. It was a very slow building process.

That’s a powerful lucky rabbit’s foot. I got the part in Gone With the Wind because of it. I got my Warner contract, thanks to it.

As my other obligations are beginning to take an inordinate amount of time, I have asked to step down as WMG’s board chairman, effective January 31, 2012. However, I will remain a director of the company and in that way, continue my association with Warner Music and its extraordinary people.

I was a Charles Schulz kind of guy. I didn’t read comics books. The Warner Bros. guys were great – Chuck Jones and Friz Freleng.

I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much to revisit. ‘Ingrid Caven,’ by Jean-Jacques Schuhl, is always in rotation. I used to read ‘Morvern Callar,’ by Alan Warner, every year – I adored that book.

And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there’s the Warner Bros. stuff and the stuff that we have control over, we’re gradually re-releasing it. Some stuff we don’t have control over.

For me, David Warner isn’t just the future of Australian batting, he’s the future for cricket in general because he can excel in any form of the game. I’m excited just watching him.

Our intent is to operate Time Warner as it operates today, with autonomy in its divisions, including the world-class creative talent and journalists that make Time Warner a leader in entertainment and news.

When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.

I was really disappointed that Warner Bros. didn’t think highly enough of my film or my filmmaking to ask me to make the new Superman.

I’m a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.

I was on Warner Bros. for a minute.

For most of the Latinos in our nation, merger between Comcast and Time Warner Cable would mean one company controlling their window to the world of culture and entertainment.

Our publicist at Warner Brothers is a young guy who has worked so hard for seven years with us and when we saw him backstage he broke down and cried. He couldn’t believe it happened. It was seeing him so overcome when we realised how much it really meant.

Players like Ravindra Jadeja, Yusuf Pathan, Warner, Glenn Maxwell were noticed at IPL first. It is a platform for players all over the world.

I was lucky enough to play with some great batsman – Matthew Hayden, Steve Smith, David Warner, Adam Gilchrist, Damien Martyn who was a genius.

My connection to ‘Aquaman’ came out through the Sony hack. It had no relationship to reality. I was not on that film. I was not hired to work on that film. I had been talking to Warner Bros. about it.

I think back to having had the good fortune of being at Warner Bros. when we were doing ‘Lois & Clark.’ The chemistry between Dean Cain and Teri Hatcher was really wonderful.

If you are going to describe the history of animation, you’d look at the early Disney work, then ‘Bugs Bunny,’ ‘Road Runner’ and other Warner Brothers theatrical productions. But when you got to ‘Rocky and Bullwinkle,’ you’d see they were unique: They assumed you had a brain in your head.

I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.

I actually re-signed with Warner Bros. on my own. They’ve been really good to us and all the people over there are great; they love me and I love them. So I’m just sticking with them.

America stopped making vinyl and phased out the single but Germany held out and refused. Warner’s never phased out vinyl in Germany. Now America imports it!

I’m so lucky that ‘The Vampire Diaries’ happened. I’m so lucky that Warner Bros. pays me money. You have no idea. I should be on a fishing boat with my dad.

You see a Clint Eastwood movie, and you might not know if it’s from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you’d just look at a movie and think, ‘Oh, that’s a Warner Bros. film.’

I remember the screen test for ‘Gossip Girl’ was on the Warner Bros. lot in Burbank. I was about 17 or 18 years old at the time. I remember driving onto the lot and going, ‘Oh my God. This is surreal.’

We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.

I think Warner Bros. are probably some of the best people in marketing films in the world.

We make sure we have total artistic control with our albums. We were working with Interscope Records, and they had a hard time with us having all the control. So when we signed with Warner Bros., we told them we would be working hands-on with our producer, and they were cool with it.

For my very first movie, ‘Roger and Me,’ I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house – would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.

I remember telling the head of Warner Brothers that if they’d just make a video for ‘Ol’ Red’… and if it didn’t work, they could drop me from the label.

Revolt is my new – cable music network. It’s distributed through Time Warner and Comcast. And to put it simply, it is the ESPN of music.

AOL-Time Warner didn’t want a WCW property on their platforms – being TNT or TBS or anything else – in any way, shape, or form, and that was the death nail.

‘Batman Beyond’ started because we were tossed a curve, because the higher ups at Warner Bros. wanted a different take on him.

I’ve been through the entire gamut of the music industry – I’ve been playing in clubs since I was 14, and I’ve been on Warner Bros, on Sony – I’ve had lots of successes and some serious times of struggle.

My first year playing Pop Warner football, my mom had to change my birth certificate because I was too young. I was 5, I think, and you were supposed to be 6.