Top 70 Collaborating Quotes

I love collaborating with strong women.

Part of what I enjoy about writing classical music is communicating through the score and collaborating with such amazing musicians.

I don’t often meet with strangers and feel okay about collaborating with them.

I love collaborating with different people.

Pakistan never valued Nusrat Fateh Ali Khan saab until English songwriter Peter Gabriel started collaborating with him. After that, the country suddenly realised that they have an amazing talent. This is the story of a lot of artistes there.

All my achievements have been great achievements. I have been collaborating with big names and making hits – like my song ‘Yosemite’ with Travis Scott.

A large part of my work has been collaborating with composers; I think we’ve commissioned about 140 pieces now, a lot of them percussion concertos.

I never thought I’d enjoy collaborating so much, but turns out it feels like a super power if you collab with the right people.

I love getting into a studio with a bunch of friends. When the day’s done, we’ve made something. We recognize that we’re from different walks of the music industry, and there’s no reason we shouldn’t be collaborating. That’s what I’m trying to create with thenewno2 – a sense of community.

I wasn’t really actively trying to pursue music, so I was really just allowed to create freely without any pressure or outside influences like, ‘Oh, I should be making this’ or ‘I should be collaborating with this person.’ It was just kind of like whatever I wanted to do. I was just having fun with it.

Collaborating on ‘Tusa’ with Nicki Minaj came into my life unexpectedly and I wanted to keep it like that for my fans.

Bill Condon, I must say, may have been one of the best professional experiences of my life, collaborating with him. He, himself, is an Academy Award winning screenwriter. He is a storyteller first and foremost, so we speak the same language. We approach things always from the story.

When I write on ‘SNL,’ I’ve found I’m most productive while collaborating and joking with friends and not being firmly attached to any one idea.

The biggest neurological turn-on for people is other people. This is what really excites us. In reward terms, it’s not money; it’s not being given cash – that’s nice – it’s doing stuff with our peers, watching us, collaborating with us.

Early on, after gay liberation, there was an almost Stalinist pressure from gay critics and even gay readers to write about positive role models. We were never supposed to write negative things about gays, or else we were seen as collaborating with the enemy.

I’ve always been very comfortable in a set environment. All the collaborating going on, seeing how actors work – it all excites me.

I love fashion, and I love clothes, and so collaborating and putting pieces together is a passion that I have.

I’m great at working with people and collaborating. And if my biggest gift of all is that I’m really good at pulling things from people and helping them become better at what they’re doing, I’m here, as I believe all of us are, to be of service.

Some people work very closely with a director or a producer on something, and from the get go, they’re collaborating. But typically, it’s just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that’s great.

One of the most interesting aspects of the film project was collaborating with so many people – directors, filmmakers, and writers – over a five-year period. I learned that there are two components to this.

I started out as an actor, where you seek to understand yourself using the words of great writers and collaborating with other creative people. Then I slid into show business, where you seek only an audience’s approval whether you deserve it or not.

There’s a joy I get from collaborating with other artists, and there’s a joy I get from making songs on my own.

If you want to release your own single, there cannot be a better launch than going to Los Angeles and collaborating with a renowned artist.

I love sitting and collaborating with people and just being creative and we are all throwing out ideas and next thing you know some magic is being made in the ring that I had a small little part in.

People always say, ‘Oh, I’d love to work with my sibling,’ or ‘My God, I could never work with my sibling.’ It was just a natural process for us. We started collaborating on our first films and it evolved. We have a passion for film that we shared as we were growing up.

I love the company of women. I love collaborating creatively with women. I feel like in general, women get stuff done.

I love the process – collaborating with the photographers, traveling, and seeing different cultures. My mother always said I would regret it if I didn’t do it. And I think she was right.

I don’t do press for the sake of press. I tend to only be in the press when I’m introducing something or collaborating on something or whatever it may be, as opposed to inviting someone into my home to photograph my closet for no particular reason.

When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.

When I was producing ‘Formula Vol. 2,’ I knew I needed to come hard with the features and do something I hadn’t done with Aventura. Collaborating with Drake was definitely one of those big steps that helped bachata go to the next level.

The idea of collaborating with anyone else was quite daunting. If Battles had any trepidation in asking me, I can assure you I had more after agreeing to do it.

From collaborating with other people, you make concessions, and those concessions are great because sometimes you are definitely wrong.

I’m always up for collaborating with people who are slightly leftfield.

I don’t see females in the industry collaborating as much as guys d,o so I really would love to entertain more of that.

I dream of collaborating with Q-Tip and Timbaland – it’s all producers. I’d really like to work with Drake and DRAM. The Weeknd would be dope. The list goes on and on. If Michael Jackson were alive, I’d love to collaborate with him.

I love the process of collaborating on music, mostly for the creativity that comes out of it.

I’m always up for collaborating with brands and people who actually design, but doing your own line is a whole other beast. I don’t think I could deal with the criticism.

That’s what’s so wonderful about collaborating: your idea can explode and become something else.

I’ve always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it’s good for me to immerse myself in somebody else’s work.

I absolutely love collaborating with other people, but I think it’s so important to always be able to rely on yourself because there are ups and downs in this industry.

We’re living in an age where we should be collaborating. Because it’s the Internet now. It’s hard to say who owns what.

I love collaborating because I come from the world of being in bands.

I love collaborating with people, but I also really love working by myself.

I’m super excited to be collaborating with JCPenney to create my first-ever capsule collection for that plus-size woman who needs that confidence and wants to be fabulous every day.

You know, I really love 360. He’s super positive and he’s always collaborative, and collaborating with Aussie artists.

I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.

The best part of making music, for me, is collaborating and working with new people and fresh sounds and all those things that gets people excited to continue in this business that we all love so much.

Philanthropy is all about sharing. If there’s an opportunity to collaborate, we will. Collaborating just for finance is pointless. It has to be like a business collaboration.

By collaborating, you can do very interesting things.

I don’t think I ever got the hang of the writers’ room. I love collaborating with people, but I really do my best work alone, and I think I would want to – if I did something again, I think I’d want to take total ownership the way Aaron Sorkin or David Kelley does.

A lot of my peers don’t think about collaborating the way I do. My approach is to imagine my world. The Jason Wu woman isn’t just floating around in a beautiful dress. I like to know where she’s going, what she likes. I’m not just in the fashion business. I’m in the lifestyle business.

When you look at my life, I spent a lot of time communicating and collaborating and co-ordinating.

I never would have thought I would be able to learn as much as I did from Blake Shelton, so I want to open up the doors to working with people that might not make sense on paper, collaborating with different artists like that, because you can never stop learning. That’s the most important thing.

I just like collaborating.