Words matter. These are the best Sketches Quotes from famous people such as Ryuichi Sakamoto, Chevy Chase, Rob Riggle, Jeff Kinney, Joel Hodgson, and they’re great for sharing with your friends.
I have a lot of sketches and ideas, but when you don’t use them, they get stale.
The idea of trying to write sketches the same way we did on Saturday Night Live every day would be damn near impossible.
I took classes and performed and did improv and sketch and wrote sketches and did lights and sound for other people’s shows just so I could be around the theater. That was about seven nights a week for seven years.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn’t start cartooning until I was in college.
Then we tried to come up with ideas for the sketches, and then, when we actually shot the movie, we really just sat down – never previewed the movie – we just really winged it.
The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year.
I did sketches and had the best time of my life because people were laughing. I was not self-conscious, because they laughed when I wanted them to.
Cheryl’s artistically inclined. She draws and sketches, but I don’t know about acting.
I have no idea how to do sketches, believe it or not.
A man who fails is funny… if my sketches teach anything, it is that, for the male, sex is a snare and a delusion. What’s so corrupting about that?
People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and… It’s not like that.
My books were always full of ink blots, always stained and covered with smeared sketches and pictures, which one draws idly when his attention wanders from his task.
My university degree is in art and, yes, I do a lot of drawing for all my books. I have a big drafting table set up in a spare bedroom and I cover it with maps and house plans and sketches that I use in the books. Also, I truly love architecture, so that plays a big part in all my books.
As I got farther and farther along in the series I did less and less preparation. I didn’t use outlines or sketches. I just had a vague idea of what I wanted to tell and then the dialogue just came to me as I was inking the page.
Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I’ve been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I’m usually in some goofy head space. It feels natural to me.
I was doing sketches that were funny but socially irresponsible. I felt I was deliberately being encouraged and I was overwhelmed.
Dysfunctional co-dependent relationships always appeal to me. I don’t know exactly how it started. I start writing sketches of characters and little scene-lets, and then it builds.
I never really set out to be a comedian, but as a kid, I loved doing sketches and playing characters. And then a great friend kept telling me I should be a comedian, so I followed her advice and gave it a shot.
We were the best of friends. We monkeyed around recording sketches and jingles in George’s bedroom. On November 5, 1979, I phoned George and said ‘It’s now or never.’ Then we formed our first band.
Some of these sketches were done at the very beginning of the Pirates project, when I was trying to find a direction for myself. That was the early sixties… maybe 61 or 62.
I call ‘Community’ the best day job in the world, because between takes, I get to write music. I get to write sketches. I get to write movies. It’s the best job ever.
I love Benny Hill. He one of my favourites of aaall time. Like, the way Benny did it, he was just amazing. Just seeing how he put songs together and comedy and the timing and the sketches. He was way ahead of his time.
Simon Critchley’s ‘The Book of Dead Philosophers’ – it’s a quick thumbnail sketches of philosophers through the ages.
I was always doodling house sketches.
It’s way more fun to tell jokes for an hour than it is to sit in a room and bash your head against the wall trying to think of sketches.
I never go anywhere. I do sketches and make phone calls, and people visit. It’s more fun to come to Paris.
You can’t do sketches enough. Sketch everything and keep your curiosity fresh.
I used to write sketches. I loved David Letterman in the ’80s. I used to write Top 10 lists for him, and I faxed them in anonymously. I’m sure they threw them away.
My dad would write these sketches for me while I was at ‘SNL.’
I acted at school but got very bad parts – things that they’d made up in Shakespeare plays like ‘Guard 17’ – so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
Some films really do take years to get going, but I’d say that most of the films I want to do are slightly smaller projects. Some could be sketches. They’re not all oil paintings.
I grew up on ‘S.N.L.,’ doing all the sketches on the playground.
I don’t believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky.
With ‘Puddle Cruiser,’ the first 15 minutes are the weakest. When you’re total unknowns and you have a weak opening, it’s a real problem. At some screenings, we’d see the odd walkout before the movie even got going. But to counteract that, we’d do sketches before the show to introduce the film.
When I travel, I draw and paint sketches which is great fun. And as long as you are fully aware that it has nothing to do with actual art, I think that’s all right.
I definitely knew I wanted to be an actor in high school. I was doing plays and musicals, and I loved ‘Saturday Night Live’ and thought that was what I wanted to do – funny sketches and comedies. So I knew then, but I didn’t know how to go about it, but I found my way.
I have a million funny ideas for sketches, but I don’t want to spend tens of thousands of dollars shooting them.
I spent a lot of time on my own working out the physical vocabulary for how Gollum moved. As I say, I drew on a lot of Tolkein’s descriptions of how he moves, but also the conceptual artist sketches.
When I’m stopped in the street, people want to talk about ‘The Two Ronnies’ and the sketches we did.
In the past, so many of my records, really, have been sketches for records that never really got made.
I tend to think that there is a sophistication to everything at ‘Saturday Night Live,’ including the sketches.
My first improv was Second City in Chicago. Before that, I worked at – with a partner, doing comedy sketches.
I think the Mama people remember is from ‘Mama’s Family.’ She really turned into a pretty cool character. The sketches from the ‘Burnett’ show, if people are old enough to remember, were written by writers who all hated their mothers.
I recently discovered that Karl Lagerfeld sketches every single design in the Chanel collections. This made me so happy. I know it seems obvious, that the head of a fashion house such as Chanel would do this, but it isn’t always the way.
I started out in comedy gigging and scraping a living together, and eventually worked up to doing shows at the Comedy Store in London in 1979. That led on to me presenting a show in the early days of Channel 4 called ‘Whatever You Want,’ which had live music and sketches.
All the drawings and sketches and clothes of Yves Saint Laurent in the ’70s were so colorful, so bright.
Remember that film ‘Sliding Doors,’ when John Hannah woos Gwyneth Paltrow by reciting Monty Python sketches? I can tell you now that doesn’t work, so that film’s wrong.
I created DonorsChoose by putting pencil to paper – literally – and sketching out each screen of the web site and how it would work. Then I paid a programmer from Poland $1,500 to turn my sketches and common-sense rules into a functioning website.
If you look at any successful skit comedy show, ever, there is that format of introducing you to the player in the beginning, and then going on to see those sketches.
I just use all the skills that I learned in film school, and I just incorporate them into my sketches. People don’t realize that, with a story, there has to be a beginning, middle and end. There has to be a problem and a resolution. Just because it’s six seconds doesn’t mean it’s not a story.
As far as my sketches, I’ve always loved ‘What’s Up With That.’ It’s just a whole lot of fun, and I love ‘Black Jeopardy,’ too. Any kind of host capacity, I’m usually pretty good at.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you’re in this emotional space and then all of the sudden something happens.
I am always making sketches of how information should look or mapping out a marketing campaign. When I present my notes, people start responding to them. Desktop publishing makes everything look slick. When you present sketches, it helps start the dialogue and collaboration.
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