Top 705 Score Quotes

You may score 50 points and grab 40 rebounds and have 30 assists, but if I don’t make the free throws at the end of the game, and we lose, does that make you not a champion?

I feel at home in an orchestral score.

I was pleasantly surprised after the book came out. It was like, hey, the home team put down a nice score.

I don’t score that regularly.

Music would lose its charm were not dissonance interspersed at frequent intervals. The closer a composer can come to discord without actually entering it in the score, the more pleasing will be his composition when given life through musical instruments.

Yes, gymnasts aim for perfection, but I never thought about the score. If that’s what’s in your mind, it will probably mess you up.

I’m writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I’ve brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.

I’ve had three marriages end in disaster. Lynne knew the score when she married me. It was always just a matter of time before she became the fourth ex-Mrs. Peter Sellers.

I like to be with Aubam. He’s a good boy, a good man, and a good player, and every day, we laugh a lot, so I like to hang out with him. I hope we will score a lot of goals together, can win a lot of games and win some trophies.

As a midfielder at United, I had to pass the ball forward, and yes, it did not always work. It did not always mean putting a chance on a plate for the strikers. It was up to them to get on the ball and score goals. Was it easy? No, but we were playing for United. It was not supposed to be easy.

It’s a personal challenge for me, to give the best of myself, to win titles, to score goals for my team, and to help when needed.

I would love playing with a guy like Porzingis who can score, stretch the floor, who can do a lot, a lot of different things. But I could see myself doing some pretty good things with other teams, too.

When your teammates are telling you to score and telling you to shoot 3s, when you ain’t shot a 3 in your whole life, that’s cool. I mean, that makes you feel good. and, like, all the work you’ve put in, they are telling you to show what you have been working on.

Even if Scrabble had been invented then, I wouldn’t have wanted to play Scrabble, because the highest triple word score in the world would not have expressed how much I liked the game Natalie and I played every afternoon.

I’m a quarterback. I don’t need to score the touchdown. I just need to spot the pass.

I don’t want to score; as long as I set people up and then they get the goals, that’s all I’m bothered about.

Ronaldo can score every type of goal. He can use both feet, his head, take free kicks, finish from close range or outside the box. He has everything.

Right backs now should be the highest paid players in every team! Strikers just have to score. Midfielders, they pass. Goalkeepers make saves. Full backs have to mark, cover centre backs and midfield, get forward and cross, take shots and provide the link to strikers.

Perfect score… it should never happen! There is always room for improvement.

I hold the record now with Dixie Dean for being the only Everton player to score three Merseyside derby goals at Anfield. I still hope to better it. Things like that, the fans never forget.

I think if you score, you’ve got to have fun; otherwise, what’s the point?

I’ve always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.

When you score, you are a hero.

If you score a hundred in one game and then don’t do much in the next three or four matches, then that hundred doesn’t mean anything.

You cannot score 10 goals from 10 shots – that’s impossible – but I am trying.

It was when I met everybody on ‘The Perfect Score’ that, like, nightclubs became a thing.

As far as I am concerned I just want to play games, score as many goals as possible, wherever that may be.

You’re allowed to rip-off another score so close that it’s ridiculous. In my opinion it’s ridiculous, how closely one can just rip-off a score that happened a year or two earlier.

The performance of a music director should be judged in a holistic manner, which includes songs as well as background score.

Sometimes you surf well and still don’t win. It happens to everyone. You learn that one big score doesn’t mean much if you don’t have a backup. I guess every rookie learns that as time goes by. I took some big lessons from my losses.

Everybody wants to help the team to score. I try.

My first job is to defend, but I know I have the quality to score.

I have a good record in shoot-outs. In such moments, I’m always confident of making at least a couple of stops; I always feel the taker is under more strain. Worrying is the kicker’s job, as he’s expected to score, while I have nothing to lose.

My goals are to hit .300, score 100 runs, and stay injury-prone.

You have to write a good score that you feel good about. At least, you’re supposed to. But, if the director hates it, it ain’t going to be in the movie!

Ordinarily, the feds piggyback on the S.E.C. in complicated financial cases, but history proves that breath-holding on that score is a dangerous endeavor.

I love scoring for the fans, for the team, for myself. That’s not to say that I won’t pass if I see a teammate in a better scoring position. But I like to score.

Every time I step on the field, I’m going to give my whole heart regardless of the score.

In my living room I always used to tell my mum ‘one day I’ll score for Everton’ and when that happened it was unbelievable for me.

The score never interested me, only the game.

When I’m out and about or walking my dogs, United fans are coming up to me saying, ‘We’d rather City win the league than Liverpool.’ It’s strange to hear, but I can assure you the United players aren’t going to leave a red carpet and say, ‘Go on, City, score past us.’

A penalty is a cowardly way to score.

Both parties are so entrenched in their ideologies and a desire to score political points and hold on to power that we never seem to agree on a problem, much less find solutions.

It’s important what you can do for your team. Even if you score 30-40, if it contributes to team’s victory, then it is always memorable.

We can’t always assume that we’ll score two or three goals.

You are there to score goals, and doing so shows respect for your opponent, it demonstrates that you are taking him seriously.

Every time I touch the ball, I think I’m going to go all the way. I think I’m going to score a touchdown. I’m the runner I am because I think that I’m going to go all the way every single time I touch the ball.

You learn to understand it, but if you step back, you do think it is either strange or unfair. But I know that if you don’t score, play well or win, you are wrong to have a helicopter and fly home each week to see your kids. You are wrong to have a business outside of football.

No matter what’s going on, on the leaderboard, you have to know that par is a very, very good score and just keep playing.

Obviously, people say offense wins games, defenses win championships. But I think, at the end of the day, if you score more points than the other team, you’re going to win.

I became the unnatural son of a few score of beaten men.

Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.

I really believe that what happens one day affects the next, and I think that came from that experience of learning that if I told the score inning by inning, play by play, it built up to its natural climax.

I’m writing a musical. I am. I was able to buy the rights to ‘The Preacher’s Wife,’ which starred Whitney Houston… I’m writing a whole new score and all the lyrics for it.

Every time I score the passion comes out and I try to relay that back to the fans and to the players and the staff how grateful I am to be playing for such a good football club. The fans have taken well to me. I am part of the furniture at Everton, but I don’t take it for granted.

Inzaghi was one that I really liked to watch because he was completely different to how I played, but he gave me something I didn’t have and actually helped me out a lot. Probably a lot of the goals I score now have come from him.

The most difficult quality is to make the right decision. Because you can be quick, you can be strong, you can jump incredibly, you can have the best shots and you can be able to score goals from 50 yards, but if you don’t know when to shoot, when to run or when to jump, you’re lost.

In this new world where art is willfully misinterpreted to score points and to distract, simply doing the work of an artist has become a political act.

‘Sinister’ is the first score I’ve done in which there’s no orchestra in it whatsoever. There are traditional instruments I sampled, then manipulated, so you don’t even recognize the source anymore.