Top 80 Eric Clapton Quotes

I sought my father in the world of the black musician, because it contained wisdom, experience, sadness and loneliness. I was not ever interested in the music of boys. From my youngest years, I was interested in the music of men.

I’d love to knock an audience cold with one note, but what do you do for the rest of the evening?

It is painful to relive things that have caused emotional crises or whatever and find ways to express that musically.

Yeah, I wanted to know where they got it from, what it was all about, you know, and it seemed to strike something in me that was you know rearing it’s head and I still don’t know what that is.

The toughest thing about being a celebrity, I suppose, is being polite when I don’t want to be.

I mean, it didn’t matter to me that there were people, it didn’t matter that I was shy Just the sound was so captivating that it helped me to get rid of those inhibitions.

Although they can do it all the time, you know, they’re far better than me, on a musically, on a theoretical music level. You know, they’re out of my league.

I just like the company of beautiful women. I have a weakness in that department.

Yeah, and I went straight into a fantasy world. Just stepped straight into the abyss. You know, I was gone and kids used to walk past my front room, cause I lived on the green.

I remember when I thought of singing as the bit that went between the guitar playing – something I couldn’t wait to get out of the way. Singing was originally like a chore that I didn’t really enjoy.

To sing in a lower key is harder work. You have to use your diaphragm more.

I don’t have half the nerves there that I have anywhere else.

The first one was quite cheap, but that was expensive for us. For my folks to buy on the Never Never. It was quite, you know, a rare object to have and I gained quite a lot of status by having this.

I’d love to knock an audience cold with one note, but what do you do for the rest of the evening?

Yeah, I wanted to know where they got it from, what it was all about, you know, and it seemed to strike something in me that was you know rearing it’s head and I still don’t know what that is.

I tried when I was 13, when my grandparents gave me an acoustic guitar, and I tried for a year. It hurt so much to play. I mean, the fingertips hurt so much, I gave up.

It’s taken me to be an older guy, an old man, to have an old man’s voice. Because I only liked old men’s voices. As a kid, I didn’t like pip-squeaked singers.

One of the most beneficial things I’ve ever learned is how to keep my mouth shut.

Risk is trying to control something you are powerless over.

Very much like that, and very much a loner, do you know and I didn’t fit really into sport or all kind of group activities as a kid, I couldn’t find a niche. And music was not really part of the kind of village curriculum it would, you know.

Leave bands, go back to obscurity if I choose to, without a great sense of loss of security because it’s all been based on the fact that I did it on my own or was doing, enjoying doing it on my own in the first place.

‘My Father’s Eyes’ is very personal. I realized that the closest I ever came to looking in my father’s eyes was when I looked into my son’s eyes.

I never met Johnny Rotten, and I didn’t want to meet Johnny Rotten.

The blues are what I’ve turned to, what has given me inspiration and relief in all the trials of my life.

I feel a real need to observe a level of propriety in what I’m handing out. Instead of me just venting or spilling my guts, I’ve got to consider how it’s going to affect people. How it’s going to affect me, as well. Because it’s like a cycle.

Oh yeah, I mean, it wasn’t a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that’ll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

The first guitar I ever had was a gut-string Spanish guitar, and I couldn’t really get the hang of it. I was only 13, and I talked my grandparents into buying it for me. I tried and tried and tried, but got nowhere with it.

I am, and always will be, a blues guitarist.

I just like the company of beautiful women. I have a weakness in that department.

I just like the company of beautiful women. I have a weakness in that department. And I suppose because I am fairly well off and a famous musician, I’m up for grabs. And that makes me an eligible bachelor in the press.

An obsession is where something will not leave your mind.

They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn’t seem to be that difficult a thing to do, or that inaccessible.

I think everybody has their own way of looking at their lives as some kind of pilgrimage. Some people will see their role as a pilgrim in terms of setting up a fine family, or establishing a business inheritance. Everyone’s got their own definition.

I’ve got the god given talent or the god given opportunity better put, to let that out in a harmless way you know, and I don’t know what it does to you, I don’t really know.

Yeah, it is, because it’s a real discovery of your inner resources, you know. That’s what my character is all about and what my playing is all about. But to get up there and just go inside and draw out something that makes you feel good first and foremost.

Yeah, and I went straight into a fantasy world. Just stepped straight into the abyss. You know, I was gone and kids used to walk past my front room, cause I lived on the green.

I just managed to convince my grandmother that it was a worth while that was something to do, you know, and when I did finally get the guitar, it didn’t seem that difficult to me, to be able to make a good noise out of it.

Oh yeah, I mean, it wasn’t a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that’ll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

The point of being at home is to be with my family as much as possible.

I just managed to convince my grandmother that it was a worth while that was something to do, you know, and when I did finally get the guitar, it didn’t seem that difficult to me, to be able to make a good noise out of it.

From the beginning, I knew intuitively that if nothing else, music was safe, and that nobody could tell me anything about it. Music didn’t need a middleman, whereas all the other things in school needed some kind of explanation.

One of the most beneficial things I’ve ever learned is how to keep my mouth shut.

This moment in time, on this tour, you know, I’m discovering a lot of new things. And to be 45 and doing that, it’s a mixture of pleasure and pain, I can assure you.

The blues are what I’ve turned to, what has given me inspiration and relief in all the trials of my life.

But the guitar, when you think about it, is the most versatile, really. I mean you can pick it up and take it with you wherever you go.

I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp… I listened to everything I could that came from that place that they call the blues but, in formality, isn’t necessarily the blues.

I never met Johnny Rotten, and I didn’t want to meet Johnny Rotten.

But I did go to music really early on, even when I was 4 or 5, I was responding to music probably in ways other kids were not.

I often enjoy singing in an acoustic setting more than an amplified one.

I tried when I was 13, when my grandparents gave me an acoustic guitar, and I tried for a year. It hurt so much to play. I mean, the fingertips hurt so much, I gave up.

The first band I identified with from Chicago was the Muddy Waters band.

In playing, I suppose my greatest gift was to express the way I felt or the willingness to express myself.

I feel a real need to observe a level of propriety in what I’m handing out. Instead of me just venting or spilling my guts, I’ve got to consider how it’s going to affect people. How it’s going to affect me, as well. Because it’s like a cycle.

I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me – it resonated.

But I did go to music really early on, even when I was 4 or 5, I was responding to music probably in ways other kids were not.

I mean, it didn’t matter to me that there were people, it didn’t matter that I was shy Just the sound was so captivating that it helped me to get rid of those inhibitions.

My original interests and intentions in guitar playing were primarily created on quality of tone, for instance, the way the instrument could be made to echo or simulate the human voice.

In playing, I suppose my greatest gift was to express the way I felt or the willingness to express myself.

I think I deliberately sold out a couple of times. I picked the songs that I thought would do well in the marketplace, even though I didn’t really love the song.