Top 88 Chorus Quotes

Our demo tape we got signed on was composed of three songs, ‘Wham Rap,’ half of ‘Club Tropicana’ and a verse and the chorus of ‘Careless Whisper’ and we thought that was good enough.

As a little girl, I was in the church chorus.

With ‘Sierra,’ this mean girl had all these kids bullying me – and I wrote the first verse and chorus the night before Tae and I came to Nashville.

When you sit there, and you sing the chorus – and then you look at each other, and everybody has the hair standing up on their arms – then everybody knows you’ve stumbled onto something.

The journalistic ‘I’ is an overreliable narrator, a functionary to whom crucial tasks of narration and argument and tone have been entrusted, an ad hoc creation, like the chorus of Greek tragedy. He is an emblematic figure, an embodiment of the idea of the dispassionate observer of life.

I have just begun a work in which an important part is given to a large chorus and with it I want to use several of your instruments – augmenting their range as in those I used for my Equatorial – especially in the high range.

I first sang ‘Holding Back the Years’ in my earliest band, Frantic Elevators. When the Elevators split and I started Simply Red, I returned to the song and wrote the ‘I’ll keep holding on’ chorus.

If you don’t have a great chorus, write a good bridge first. I often do that and find I write good bridges.

In ’75, the year both A Chorus Line and Chicago hit Broadway, my head spun around and I became the ultimate theater queen for life.

Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of ‘Gypsy’ and soon after I had my first lead as Jamie Lockhart in ‘The Robber Bridegroom.’

I was in the chorus in high school, not a soloist. I was on the basketball team. I was in modern dance, part of the group. I was a cheerleader, part of the group. I played the violin, part of the orchestra. I never wanted to be out there alone. Ever.

In the summer of 2009, in the wake of a crisis in her life, my mother moved from San Diego to San Francisco to live with my 16-year-old daughter and me. My mother was 77. I was 51. Despite a chorus of skepticism from friends – who knew about my upbringing – I was determined to do what I could to help my mother.

For years, I meant to read ‘Arabian Sands’, Wilfred Thesiger’s account of two punishing camel journeys during the late 1940s across Southern Arabia’s Empty Quarter. Now that I have, I can sheepishly join the chorus of those who revere the book as one of the half dozen greatest works of modern English travel writing.

Consensus is what many people say in chorus but do not believe as individuals.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I’m playing, if that makes any sense. And I go from there.

The only band I was really over-into was Cream. And the only thing I really liked about them was their live stuff ’cause they played two verses, then go off and jam for 20 minutes, come back and do a chorus and end. And I love the live jam stuff, the improvisation.

It’s an experience I’d like to add to the chorus, that these blue-collar, macho men, like my older brother, had the capacity to say: ‘I don’t care, I love you anyway.’ There are young kids thinking: ‘I’ll never come out because it’s too hard in our communities.’ But I’m saying maybe your story can be similar to mine.

Woke Up Today’ is a number of different sections compounded together. There’s the melodica solo section which is three divisions; there’s the really funky thing in eleven before that, there’s the chorus and verse and there’s the ending which slows down and speeds up.

There were people who had sampled my voice from speeches when I was an Islamist and made them the chorus of pro-Islamist rap songs who then began talking about me as an apostate.

I had done chorus before in school, but I was only trying for an easy A. I was a bass going ‘dum dum da doo wop.’

When the bus or the plane rolled or flew through the night, they sang songs of their own composition about Mr Nixon and the Republicans in chorus with the Kennedy staff and felt that they, too, were marching like soldiers of the Lord to the New Frontier.

My father died when I was 11. He was a vaudeville comedian. He worked in one movie, ‘Ladies of the Chorus,’ as Marilyn Monroe’s father.

I guess my first professional experience was when my church choir director told my mother that I had a gift with my voice and said that I should think about auditioning, at 11 years old, for the chorus of our regional opera company.

I’d much rather fail than do something like ‘The Chorus Line’ movie, sanitized and Hollywoodized.

I’ll never forget when we played Shepherd’s Bush in London. We played ‘I Run To You’, and we put the mic out for the last chorus, and you could hear them singing the chorus with the beautiful accent that they have.

I started ninth grade a week after everybody else had started, and I didn’t know anybody. I was in a chorus class, and they asked me to bring my guitar to school one day, which I did, and all of a sudden, people knew me… in the halls, people would start saying hello.

I think often times if a guitar riff is centered around the chorus or if it follows the chorus, then it often times turns into the actual hook.

Music’s always been a big part of my life. Because of my father, I was always surrounded by music and musicians, and in school, I was in the chorus, and I played various instruments.

A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song.

I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.

I grew up in a school that had a big music program, and it was incredible. It’s what I looked forward to during the day. I had chorus, strings, band.

I would wake up really early and go into the hotel bathroom, put a towel over the toilet, and put my laptop there. I’d put my headphones on and just write. And so now when I do writing sessions, and I am stuck on a part, or I can’t figure out a chorus, I’m just like, ‘Give me a second,’ and I’ll go to that bathroom.

One of the arrangements I’m really proud of is ’21 Guns’ because the chorus has this descending bass line with a suspended type of progression that immediately screamed ‘Bach’ to me.

I love dancing; I adore salsa dancing and wish I could be in a Broadway chorus.

I was 6, and I was in the opera ‘Carmen.’ My dad sang opera and got me into the children’s chorus. I was super fat at the time and didn’t make eye contact with anyone. I knew I loved acting ever since.

I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it’s a little less. I like the kind of melodies I did with Donna Summer, or ‘Flashdance,’ where you have a verse, a chorus – a song setup.

My mom was in the chorus of ‘Hello Dolly’ and ‘The Worldly Players’; my dad would build the set.

Usually, my rhymes are just in my head. I start off with a theme, and once I start rapping and writing and singing, the chorus and all that, it just starts flowing. Then it’s done in about an hour! I write a lot of songs.

Whatever I was going into, whether it was going to be chorus or history or astronomy or whatever, do it right. Be a professional. Don’t just do a half baked job. Do everything correctly. Get down. Learn the details of what you’re going to do.

I often find myself writing little ditties I can imagine becoming rap songs. Not the actual rapping part, just the chorus.

I think the best songs are being written by the very under-stated, under-appreciated indie artists. The thing that separates them from mainstream success is they either consciously or unknowingly refuse to deliver on a big chorus.

The mystic cords of memory, stretching from every battlefield and patriot grave to every living heart and hearthstone, all over this broad land, will yet swell the chorus of the Union, when again touched, as surely they will be, by the angels of our nature.

The blues is deceptively simple. Verse and chorus. Sometimes not even a chorus. Four bars that repeat, no Auto-Tune, electricity optional. It is the most direct, bare-bones of content. There is no interference between the head and heart.

I’m definitely trying to make songs that people can sing along to and remember. If you can recognize a chorus and leave with it in your head, it’s usually a good sign. But then with the verses, I can get a little more free form. I don’t really like to copy and paste things.

A lot of people pretty much only listen to the chorus.

Sometimes I’ll have sections that I’m not quite sure how they fit in the puzzle of a tune, they’ll get moved around; what I think was originally a verse ends up becoming the chorus, or what’s an intro gets dropped as a hook, things get shifted around a lot.

One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to ‘Everybody’s Got Something to Hide Except Me and My Monkey.’ It’s three verses, bridge, end.