Words matter. These are the best Extremes Quotes from famous people such as L’Wren Scott, Roberto Aguirre-Sacasa, Owain Yeoman, Douglas Booth, Chris Avellone, and they’re great for sharing with your friends.

I don’t think I realized the extremes of my proportions until I moved to Paris. I thought I’d be ‘normal’ as a model, but actually, even in that world, I was at one end of the spectrum.
Musicals and horror movies are my two favorite genres because they’re about extremes.
I work in a business of extremes, so when you are with someone who is very calm and logical, it’s a great kind of balance to have.
I fell in love at 14 and I remember that mad, tense feeling and all the mad things you do for the person – all those extremes and all the stuff you don’t mind putting up with.
I think, actually, any morality system that rewards only the extremes is a flawed system. Players don’t approach life that way, they don’t approach games that way, and they shouldn’t be trained to approach games that way. They shouldn’t be in the ‘Star Wars’ mode where, ‘I’ve got to choose every good option.’
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
‘The Haters’ has some of the generalities of band experiences that I’ve had – the camaraderie, the grubbiness, the outsized collective ambitions and frequent painful collisions with reality – but very few of the specifics. I guess it was a way for me to take some of my experiences to their logical crazy extremes.
The most gloomy prognosis about Jewish life is that it will disappear between the two extremes of ultra-Orthodoxy on the one hand and total assimilation on the other. But those are very exaggerated scenarios.
I have an affinity towards extremes.
The extremes of who I’d love to be onstage are David Bowie, Prince, and, I don’t know, Bjork.
When I’m traveling, I like extremes. It’s nice for me to go to Canada in the mountains where it’s snowing or to Cambodia where it’s stifling.
‘Extremes meet’, as the whiting said with its tail in its mouth.
It is a world of extremes, which can be characterised most clearly in terms of exclusion. That means political exclusion, whereby the rights of citizens are marginalised by the interests of big business: George W Bush’s environmental policy, for example, is clearly formulated in the interests of U.S. energy companies.
If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
However great an evil immorality may be, we must not forget that it is not without its beneficial consequences. It is only through extremes that men can arrive at the middle path of wisdom and virtue.
We tend to paint the past only in extremes, as having been either categorically better than the present or irredeemably bad.
To shy away from human extremes and human sensuality makes for bone-dry fiction. A world parched of our sexual releases and our tumultuous daily emotional lives is deeply impoverished. It is not lifelike, at least life as I remember living it.
Although in my life the level of loss has never reached the extremes it does in ‘The Winter People,’ I certainly can identify with being both a daughter longing for her mother and being a mother who is almost scared by the intensity of her love for her daughter.
Politics is real. It has an impact on people’s lives. It’s harder to quantify the impact art has. Personally, I oscillate between two extremes. Some days I think it’s very important. Other days I think it isn’t important at all.
I think people do like extremes in cinema. There are very few films told about everyday middle-class couples, which is odd to me, as there are a lot of everyday middle-class couples.
People don’t like what’s happened to the big parties. They think they’ve been dragged off to the extremes. They think the quality of leadership is below what a country like the United Kingdom ought to have available. And they want something different.
Not a lot of people know me outside of athletics and believe it or not I am actually quite shy. The exhilaration of a win or tears after falling are the extremes. It takes me a while to get to know someone, but once I do I am very loyal to my old friends.
I did that all the more, if I may say so, because I was aware of the fact that there is an inclination to go to extremes in German people, and in the German character generally.
I like extremes.
It’s interesting because we live in a country where the obesity is so enormous. And then the reflection on the runways is girls that are so thin. So there’s two extremes that are almost like a reflection of themselves, and it’s very hard to be in the middle with girls that are just healthy.
I’m a child of extremes.
Avoid extremes: be moderate In saving and in spending; An equable and easy gait Will win an easy ending.
We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they’re thinking inside.
It is in middles that extremes clash, where ambiguity restlessly rules.
In ‘John Henry Days,’ I was taking my idea of junketeering and sort of blowing it up to absurd extremes.
As a rule, anything that is pretty you avoid when on an expedition in the polar extremes. Normally anything other than white means a hazard such as a crevasse.

I listen to anything country and anything classical. Two great extremes.
Abundant choice doesn’t force us to look for the absolute best of everything. It allows us to find the extremes in those things we really care about, whether that means great coffee, jeans cut wide across the hips, or a spouse who shares your zeal for mountaineering, Zen meditation, and science fiction.
To those who would divide us or drive us to the extremes of either political party, I remind you that Maryland has been called ‘a state of middle temperament.’ Our politics need that middle temperament as well.
I’ve often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I’m working on, like popular culture, is so present all around us that they’re hard to see. It’s like: How do you see the air you breathe? How do you see how it affects you?
The direct risks from climate change are obvious: as changing weather patterns cause extremes of flood and drought, hurricanes and typhoons. These damage the physical infrastructure of buildings and bridges roads and railways. They are violent and disruptive.
I think all the roles I’ve done have been very passionate people who go to absolute extremes to make their points.
‘In-between’ is sort of – an animator does the key poses. He’ll do extremes, you know, like a character reaching out for a glass of water and then another one of him drinking. And the in-betweener has to do all the drawings that goes between those two. You know it could be 12, 23 whatever in-betweens.
The process of writing and directing drives you to such extremes that it’s natural to feel an affinity with insanity. I approach that madness as something dangerous, and I’m afraid, but also I want to go to it, to see what’s there, to embrace it. I don’t know why, but I’m drawn.
If you take away people’s identity and their ability through the ballot box to determine their future, don’t be surprised if they turn to extremes or violence or anything else.
A few years ago, kids from poor areas in France were asked to draw items of food. For a chicken, they drew a drumstick. For a fish, they drew a fish stick. Those are extremes, but there is a lot that needs to be done to help children discover good food.
One of Dickens’ biggest influences was the growth of London as a Victorian city, and the extremes being created as it expanded.
My complaint, as an exile who once loved New York and who likes to return a half-dozen times a year, is not that it plays host to extremes of the human condition: There is grandeur in that, and necessity.
There’s no doubt that I do have extremes of mood that are greater than just about anybody else I know.
I want ‘Scars to Your Beautiful’ to reach different types of women. The girl I am talking about, it’s me, it’s you – it’s every girl who has struggled with feeling not good enough. I want to talk about all the different extremes that girls go through to feel beautiful.
People like Nick Cave – that ridiculous, over-the-top doom, taking it to extremes – I find it uplifting because it’s like someone else is feeling what you’re feeling and putting it into their music. Someone expressing extreme joy is just as valuable; it’s just the fact that they’re expressing their soul through music.
I have such an extreme attitude about work, where I can just completely be derelict of my responsibilities and then when I am not derelict, I am completely indulged in it. I swing pretty wildly from the two extremes.
I have realised I need to tone down and be easy at times. It is good to be competitive and have a fighting spirit, but one should not go to extremes.
It is my view that we cannot conduct foreign policy at the extremes.
It’s great extremes which leads to great drama and great comedy.
Pages: 1 2