Authors by the hundreds can tell you stories by the thousands of those rejection slips before they found a publisher who was willing to ‘gamble’ on an unknown.
I was accepted into Cornell in 1979 and went there to follow a finance and business path. I ended up pursuing marketing and sales because I was selected by Procter & Gamble as an undergraduate candidate to go into its brand management program, which is typically available only to M.B.A. candidates.
I live in Las Vegas and I like my money, but I don’t gamble, but I said to my wife I want to put a $100,000 on Shogun.
If I gamble, I’ll play roulette. My wife and I will play roulette, and that’s about it. I’m not a heavy gambler.
Sometimes when you gamble, you get up from the table with a fortune.
Most of the time common stocks are subject to irrational and excessive price fluctuations in both directions as the consequence of the ingrained tendency of most people to speculate or gamble… to give way to hope, fear and greed.
‘Kraken’ is a very undisciplined book. That’s a gamble. If it doesn’t come off, it’s disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can’t get the other way, and vice versa.
It was a melting pot in Las Vegas. You got every age level, every ethnic background, every social aura – it was an absolute Americana audience… people who were there to celebrate occasions; people who were there to gamble; people who were there because they were awed by the whole Vegas operation. Tourists.
I think there’s a difference between a gamble and a calculated risk.
People ‘demand’ the opportunity to gamble away money they do not have, just like people ‘demand’ money from loan sharks at extortionate interest rates. This is a warped, empty type of freedom, in which the powerful are free to exploit the vulnerable.
I know it’s a big gamble, but I want to do good films.
I think with ‘Tangerine’ we were taking that gamble – it was a risk – that we could tell the story in a comedic fashion to attract an audience and shed light on an issue.
After 12 years as an Air Force officer, I turned in my wings for a notebook, earned a law degree and went to work for Proctor & Gamble.
I took a gamble in becoming an actor and my dream job has been realised.
Financing for ‘Shotgun Stories’ was initiated with money from close friends and family. This is where the money to go into production came from. After production, a company called ‘Upload Films’ came on board and provided post-production funds and services. In both instances, people were taking a gamble on us.
To be a manager, you’ve got to gamble. Be brave, be bold, but be humble in everything that you do, and from the kit man to the physio to your best player to your youngest player, make sure you treat everybody the same.
Gamble until you die. I do not really care.
I took a gamble to exercise leadership without losing my feminine nature.
I know what winning and losing is when you gamble.
I say let’s not gamble with American jobs and America’s future.
I wanted to be a great producer so I studied great hip-hop producers, but also stuff beyond that: Phil Spector, David Axelrod, Gamble and Huff. They’re equally as influential to me as Dilla, Premier, and Pete Rock.
Yes, prudently invested contributions to the Social Security fund may bring greater dividends, but those contributions would also face a greater risk. It would be like gambling. We should not gamble with the investments and the future of the citizens of this land.
It is a significant gamble to assume that troops in our U.K. Armed Forces would volunteer for a Scottish Defence Force.
My parents have a pawnshop in Downtown Las Vegas for quite awhile. I grew up seeing people come in and want – need – money so they could go and gamble again or so they could pay their bills or whatever reason, and try and sell items that were of value to them.
Don’t gamble the future of your children and Malaysia; think and contemplate because your vote will determine not only the future of the country but also your grandchildren.
I drive every day. I like to gamble.
We record in the spirit of the Berry Gordy camp and Gamble & Huff, where people were writing up to a dozen quality songs within a day because the competition was that hard.
You’ve got to gamble on yourself. If you don’t, no one else is going to. It’s very hard when you’re poor to turn down money. When you’ve got money, it’s easy. When you’re poor, you need money today. People take advantage of poor people.
I came to Los Angeles to be an actor, which is, at best, a gamble.
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