And it was the idea that you can do a play – like a Shakespeare play, or any well-written play, Arthur Miller, whatever – and say things you could never imagine saying, never imagine thinking in your own life.
Miller is not really a writer but a non-stop talker to whom someone has given a typewriter.
I walk into a restaurant in Westwood now, and people know it’s Reggie Miller. I used to be always Cheryl’s little brother.
I got to know Australians well working on the ‘Mad Max’ franchise with director George Miller.
I remember Glenn Miller coming to me once, before he had his own band, saying, How do you do it? How do you get started? It’s so difficult. I told him, I don’t know but whatever you do don’t stop. Just keep on going.
I was into Alan Moore and Frank Miller. I was a teenager when all those books where coming out for the first time – ‘Watchmen,’ ‘V for Vendetta.’ It was a great time to get into comics.
‘Barney Miller’ was a lot of fun. I’m very fond of Abe Vigoda. Most – a lot of people on that cast – I really liked.
Henry Miller, Jack Kerouac, Albert Camus, Graham Greene – they influenced my life to a profound extent.
Coming into the league, everyone said I was going to be fat, I was the next Oliver Miller. I had all these red flags. I just feel I was never given a fair chance coming in.
I think once you meet me, you realize I’m not necessarily some soft yoga guy. I’ve been on the picket line. I’ve been in the union halls. I’ll drink a Miller Lite with you.
I think Janeane Garofalo is incredibly funny, and I love Dennis Miller.
Everyone has a different interpretation of characters we know and love from Shakespeare, from ‘Miller’. There’s specific things about them that are written that are kind of the fingerprints of the first person who played that role, and so I like to think of it as a road map.
I really love the Frank Miller ‘Year One’ stuff.
I came across ‘The Song of Achilles’ by Madeline Miller in one of the most romantic ways one can find a story. I was digging through a pile of used books at my local library when my hand gravitated toward its brilliant teal and glistening gold cover.
I’ve been writing on my own. It’s like Roger Miller used to say, every now and then, like a dog having puppies, you have to crawl under the house and do it yourself.
The society in ‘The Handmaid’s Tale’ is a throwback to the early Puritans whom I studied extensively at Harvard under Perry Miller, to whom the book is dedicated.
When I met Miller, for me it wasn’t a question of wanting to meet him because it was Arthur Miller; it was a kind of astonishment that I could meet someone who was so deeply embedded in the psyche of my artistic development.
I sat in the barber’s chair in David Miller’s makeup shop, hours and hours of trial and error. While David poked at me with his crusty brushes, I grew more and more profane. That’s how I started to find the voice of Freddy.
I used to read a lot of Steinbeck, and I admired Roger Miller and Bob Dylan.
I think the only thing that happened when I fought Jim Miller is that I was a just kid, he had way more experience. I was winning the fight, landing punches and trying to get 10 submissions at the same time, and Jim Miller went for one attack only, a kneebar, and got it. His experience made the difference.
I’m not a natural writer like, let’s say – I’m not talking about Arthur Miller; that’s a whole other thing – but let’s say Woody Allen. But the more I’ve written, the more I’ve found that there is a deep well in me somewhere that wants to express things that I’m not going to find unless I write them myself.
Jessica Alba’s very beautiful; so is Sienna Miller.
Frank Miller and David Mack are incredible artists.
In 1986, I was asked by the then-Dean of Science at the University of British Columbia, Dr. R.C. Miller, Jr., to establish a new interdisciplinary institute, the Biotechnology Laboratory. I decided that it was time for me to start paying back for the thirty years of fun that I had been able to have in research.
Miller didn’t write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That’s the measure of its merit.
I lived in Indiana, and Reggie Miller was everywhere.
The person whose work introduced me to the craft was Lorraine Hansberry. The person who taught me to love the craft was Tennessee Williams. The person who really taught me the power of the craft was August Wilson, and the person who taught me the political heft of the craft was Arthur Miller.
Judy Miller is the most innocent person in this case. I really thought that was outrageous that she was jailed and we needed as journalists to draw a line in the sand in a strong but thoughtful way.
The thing is, Mac Miller wrote all of ‘Divine Feminine.’ That was a great album.
I love Catherine Maladrino, Angela Dean and Nicole Miller. Catherine Maladrino designs that beautiful, high-class red carpet stuff. Nicole Miller makes beautiful dresses you can wear every day. And when you just want to go and shut it down, you turn to Angela Dean.
I listen to top 40, old country, blues… I’m really into Roger Miller.
I don’t think it’s ever changed, whether its Frank Sinatra, Glenn Miller, Zeppelin, Guns n’ Roses or anyone today, the reason why you get into music is because you love it, and if you’re good at it, that’s a plus.
Tim Miller is a very good friend of ours. We’d love to see ‘Deadpool’ jump into the MCU.
I kind of love Cole Miller.
I loved Roger Miller.
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