Top 100 Jonathan Groff Quotes

If someone pitches me a really great idea for an album, I would do it.

I think the first Broadway show that I saw was ‘Beauty and the Beast,’ and that was in 5th or 6th grade. Our school would take bus trips up to see shows, and so it was on one of their bus trips that I got to see ‘Beauty and the Beast.’

I can’t think of a better bonding experience than to be able to sit on stage and to watch your fellow performers perform on stage every night.

I loved traditional musical comedy. That was my passion. Then ‘Spring Awakening’ happened, and it took that rock n’ roll and pop music to change gears for me.

For me, there’s nothing more valuable as an actor, or better way to learn, than getting to perform in front of a live audience, no matter where you are. Whether it’s on Broadway, in Florida, or doing a tour.

I feel like certainly there are people expecting ‘Looking’ to be representative of everyone that’s gay, the entire gay community. And it’s a dangerous expectation to come in watching the show expecting that. Expecting that out of any show.

I feel like loyalty is such a rare quality in this world, particularly the entertainment world.

Ultimately, we’re actors: I’m putting on a costume, so we’re playing pretend.

Make sure that you always follow your heart and your gut, and let yourself be who you want to be, and who you know you are. And don’t let anyone steal your joy.

It’s one thing to experience your Broadway debut alone, but to share it with an entire company was like summer camp or a college experience, where you were really growing up together.

Coming out, for me, was slightly painful. It was a relief, but it was also painful.

I’d moved to New York to pursue a career in theatre, and it’s very practical how you do it – I just went to every open call going.

Just follow your joy. Always. I think that if you do that, life will take you on the course that it’s meant to take you.

When you get to really involve yourself with a piece and the other people, and you get to feel like it’s a community and you’re all building something together, it helps me to produce better work, I think.

Trying to sound good at 10 A.M. is the worst.

I did have AOL Instant Messenger when I was in middle school.

I’d rather be a working actor and not hiding anything in my personal life.

I’d moved to New York to pursue a career in theatre, and it’s very practical how you do it – I just went to every open call going.

If someone pitches me a really great idea for an album, I would do it.

I was definitely planning to go to college, but I deferred my admission to Carnegie Mellon to be in a non-equity tour of ‘The Sound of Music.’ But I made very little money in the tour, and college is really expensive, and I thought I’d never be able to pay off those loans.

Alfred Molina is one of the nicest people on the planet and a complete master.

In a play, you can adjust your performance to audience reaction, but in a film, it’s like you’re trapped in a bad dream watching yourself act, and you’re in the audience.

Once I came out of the closet, it was sort of that thing of ‘The truth will set you free.’

I feel like loyalty is such a rare quality in this world, particularly the entertainment world.

I remember telling my mom, ‘Mom, I’m gay, but I’m not going to march in a parade or anything.’ That’s what I was telling my parents and all my friends and everything. I’m gay, but I’m not going to be on a float or something. Cut to five years later, and I was the grand marshal of the gay pride parade.

It’s so awesome to be a part of something that is successful not because there’s a famous person in it or because it’s a revival of something, but because it’s so fresh and original.

Just follow your joy. Always. I think that if you do that, life will take you on the course that it’s meant to take you.

Coming out, for me, was slightly painful. It was a relief, but it was also painful.

I would say ‘Looking’ and ‘Spring Awakening’ are the most important and personal projects I’ve ever been apart of.

As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. ‘Spring Awakening’ kind of answered all of my questions and fulfilled all of my dreams – beyond my wildest dreams.

If I’ve had roadblocks along the way for being gay, I’m not aware of them.

I feel like, with a television show, you’re always biting your nails hoping you’re going to get that next season.

We didn’t have a glee club at my school. It depends on what area of the States you’re from. It’s more in the Midwest.

I’d always done musicals, and so living in the world of straight plays and working with off-Broadway actors and living in that community was a completely life-changing experience.

When I moved to New York, I wanted to be in the ensemble of ‘Hairspray.’ That was my goal.

As an actor, I have these tics that I don’t even know exist.

I would say ‘Looking’ and ‘Spring Awakening’ are the most important and personal projects I’ve ever been apart of.

Maybe someday I’ll have a job where it haunts me or it’s hard to move on.

I’d rather be a working actor and not hiding anything in my personal life.

The idea of faking empathy to take a step forward to understanding – it’s a really powerful idea.

After ‘Spring Awakening,’ I wanted to do things that are really challenging and outside my comfort zone: things that scare me a little and make me grow.

It’s so easy to get the joy sucked out of you.

‘Spring Awakening’ was a discovery for all involved. None of us will ever have that specific sense of revelation in the same way – that is probably the thing I miss the most.

I’ve never had trouble sleeping in my life.

Once I came out of the closet, it was sort of that thing of ‘The truth will set you free.’

I went to a local high school in Lancaster. Not much I can say about it; it was pretty much your typical public high school back in Pennsylvania.

I ended up doing three very complicated off-Broadway plays that, in certain ways, were not successes in that they were received in a complicated way. But for me they were successes because they forced me to act without singing, which I’d never done before.

When I was 20 years old, I got cast in ‘Spring Awakening’ and got swept up in this experience where it was kind of tunnel vision. We were working – it was nonstop.

Musical auditions are always the worst because you have to sing and act, and that’s so stressful.

Playing King George, for me, was a lesson in stillness and timing.

I left ‘Spring Awakening,’ and within a month of leaving the show, I came out to my parents and to my friends and broke up with my boyfriend and moved into an apartment of my own and completely changed my life.

I remember telling my mom, ‘Mom, I’m gay, but I’m not going to march in a parade or anything.’ That’s what I was telling my parents and all my friends and everything. I’m gay, but I’m not going to be on a float or something. Cut to five years later, and I was the grand marshal of the gay pride parade.

There’s kind of a gift in being gay because, if you come out, you’re forced to express yourself.

‘Spring Awakening’ was a discovery for all involved. None of us will ever have that specific sense of revelation in the same way – that is probably the thing I miss the most.

I did ‘How to Succeed in Business… ,’ ‘Kiss Me Kate,’ ‘Godspell,’ and ‘You’re a Good Man, Charlie Brown’ in high school, all of which were fun.

The difference between being in the closet and out of the closet as a gay man is such a huge shift. I feel so connected still to that 22-year-old, but the idea that I was not open with that part of my life – which I am now so open about – is sort of surreal.

I did ‘Spring Awakening’ on Broadway for about three years, and I did over 500 performances.

When a piece of art gets really specific is usually when anybody can relate to it.

People create from different places. Some love to create from a tortured place, some from a joyful place. And when I feel like I’m a 5-year-old kid in my backyard playing pretend, that’s when I’m happiest.

I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just ‘watching’ the Tony Awards on TV – I would record them on a VHS tape and bring them in to school and show them to the other kids.

I got cast for ‘Spring Awakening’ when I was 20. Every dream I had came true in that moment.

I was journaling in Florence, and I was like, ‘Oh, I have to come out of the closet. I have to break up with this guy’ – he was my ‘roommate.’ So that was my awakening moment, when I stepped into my own skin while in a foreign country by myself and had a very stereotypical moment of revelation.

Don’t let the world define you. In the world of acting, and I think in any profession, really, people are really eager to put you in a box and categorize you as one particular thing.

I bought the VHS of ‘Into the Woods’ at the Suncoast in the Park City Mall and watched it in the basement when I got home. And when it was over, I rewound it and immediately watched it again.