Words matter. These are the best John Van Hamersveld Quotes, and they’re great for sharing with your friends.
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built the drawing’s identity to serve as a graphic identity. After a number of sketches, I went into my own abstract vernacular of drawn lines and shapes to create the composition for the poster design.
For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took a photo from a book cover and abstracted the photo image into a drawing. This drawing was laminated onto a surfboard and auctioned to a buyer.
In 1971, I put together the ‘Johnny Face’ drawing as a concept, with the words as part of an image in a circle. Combining my abstract drawing with the headline ‘Crazy World Ain’t It’ created an emblem and became a button.
Meeting everyone you wanted to know in the small surf industry, I saw how the surf trade was made up of characters that not only surfed, but were able to develop a business out of their relationship with their product and the ocean.
I’m working on my own work, my own publishing company.
I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.
In 2008, ‘Surfer’s Journal’ published ‘The Next Wave’ image with an article.
In this century of hyper-postmodern ideals, with the digital future, we’re segmented into different people, places, and things in a constant state of change.
While ‘The Endless Summer’ poster was designed at the Art Center College of Design in the contemporary style of its time, the image grew out of my relationship with Rick Griffin and our deep relationship to surf images.
‘The Next Wave’ started as a drawing for a new silkscreen fine art print. I ended up doing the prints digitally because the water-based inks were better for the environment than the oil based inks. So, I learned about the Epson digital printers to get the image I wanted.
The drawing of a ‘Pipeline Wave’ started with Billabong as a commission for their 2009 Pipeline Masters campaign. My ‘Pipeline Wave’ drawing later became the start of my ‘Waterworks Collection’ for gallery prints.
