Blue is the male principle, stern and spiritual. Yellow the female principle, gentle, cheerful and sensual. Red is matter, brutal and heavy and always the colour which must be fought and vanquished by the other two.
There are women who are just extraordinary, who are smart and brilliant, sensual women in their 70s and even 80s!
A cat is incredibly physical, and as a performer, I’m physical. If I feel emotions, they move through my body in a way that is sensual. I’m not necessarily in control of that.
I like to wear bodysuits and things that make me feel really active and athletic and also really sensual.
Singing is a very sensual activity! You engage in it with all your senses and your heart.
I think scent is sensual. I guess evoking a mood or a spirit is key, and I think with the women’s fragrances we have evoked different types, moods or sensibilities of a woman – whether it’s Daisy with the sweetness and the innocence or Lola which is more provocative, sexy and sultry.
I don’t like perfumes that are too strong or sweet. I like a fragrance that is earthy and sensual and can be worn at any time.
I really get inspired by songs. Like, if I hear a thug ‘Want to kill ya’ song, I’m ready to go out and get crazy. Or if you hear this really sexual, sensual slow song, I want to go have sex. I’m very animalistic when it comes to stuff like that. Very basic emotions.
All bronzes are made to be touched. Bronze is a sensual ‘living’ material. The sweat and oil of your palms adds to the patination.
To people of my generation, the picture show was really another dimension – sensual, whimsical. No uniforms or collective rites, but a place where little boys like me could laugh and feel free.
Too many times you come across lyrics that sound like you’ve heard them before or you can’t really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that’s why I wanted to call the record ‘Inside Out.’
Once you know the Romance languages, singing in those languages is so sexy and sensual. I do have a global audience, so why not?
The truth is that from birth on we are, to one extent or another, a fairly sensual species.
I want to tap into different styles. Something definitely mature, sultry, sensual, easy listening that everyone can enjoy. Every one of every race and everyone that likes different styles.
I was a millionaire twice over and half again before I was twenty-one. I stole every nickel of it and blew the bulk of the bundle on fine threads, gourmet foods, luxurious lodgings, fantastic foxes, fine wheels, and other sensual goodies.
Japan was this wonderful unexplainable sensual explosion – everything about it I found fascinating. There’s a real dichotomy between the ‘Blade Runner’-esque Tokyo to visiting a Buddhist monastery in the countryside.
I think a woman’s body is so much more sensual than a man’s. I’m not saying strip off all your clothes, but there are certain photos I like people taking of me, where I’m comfortable. As long as it’s tasteful, why not?
The world we live in is not purely visual. For me it’s totally poly-sensorial so the tactile, sensual aspect of living in the work that I do is brought to the fore.
Real love is the love that sometimes arises after sensual pleasure: if it does, it is immortal; the other kind inevitably goes stale, for it lies in mere fantasy.
I do think I have an ability to record sensual and emotional facts and factoids, to construct a convincing surface of what life feels like, both physical life and emotional life.
I still miss qualities of Khmer life that are hard to quantify: the slow, sensual pace, the hovering presence of the past, the vast skies filled with terrifying and beautiful butts. And, of course, the food.
When you have those two languages – an analytic one like English and a synthetic, very sensual thing like Russian, you get almost a psychotic sense of humanity that permeates nearly everything. It can help you understand, and it can discourage you, because you see how little can be done.
If one wants another only for some self-satisfaction, usually in the form of sensual pleasure, that wrong desire takes the form of lust rather than love.
We were so fundamental that almost everything had been stripped away from the place of worship. Think of the role words can play, when all other enticements and sensual attractions are gone.
I think that childhood is innocent, but not in the way we usually believe. I think it’s a very sensual age, where emotions and feelings are so strong just for the simple fact that we are living them for the first time.
I think that childhood is innocent, but not in the way we usually believe. I think it’s a very sensual age, where emotions and feelings are so strong just for the simple fact that we are living them for the first time.
It is impossible to remain indifferent to Japanese culture. It is a different civilisation where all you have learnt must be forgotten. It is a great intellectual challenge and a gorgeous sensual experience.
On stage, I wear my ‘uniform’ – my all white and flowy suit. It makes me feel ‘in-my-body’ and sensual.
If one wants another only for some self-satisfaction, usually in the form of sensual pleasure, that wrong desire takes the form of lust rather than love.
I still miss qualities of Khmer life that are hard to quantify: the slow, sensual pace, the hovering presence of the past, the vast skies filled with terrifying and beautiful butts. And, of course, the food.
There are so many things going on in your head while shooting bold scenes. On screen it might look sensual, or hot and great. But when you’re shooting for it, you need to take care of so many things.
Work out really hard and be confident because bodies are beautiful, sensual and natural. I’ve also trained in Wushu, a form of martial arts – it’s very beautiful and flowy, and it’s predominantly used in fight scenes in movies, which is how it was introduced to me, and I just love it.
My approach has always been rather sensual.
Stereotypes, they’re sensual, cultural weapons. That’s the way that we attack people. At an artistic level, stereotypes are terrible writing.
If I have chosen the female form in particular, it is because beauty has been debased and exploited in our sensual 20th century.
I do take advantage of, you know, feeling sensual and feeling sexy. And I think that is tremendously empowering and is not diminishing in any way. I fell that any woman who is in control, who is in touch with her femininity and sensuality, is a woman that is empowered.
Miami is one of these great places that is a really sensual, physically beautiful place.
Stereotypes, they’re sensual, cultural weapons. That’s the way that we attack people. At an artistic level, stereotypes are terrible writing.
Romanian is a very beautiful, sensual, poetic language.
I sort of have a love affair with my work. Many of us work far too hard and we don’t put enough value in the epicurean, sensual part of life.
There are four Powers: memory and intellect, desire and covetousness. The two first are mental and the others sensual. The three senses: sight, hearing and smell cannot well be prevented; touch and taste not at all.
Wit as an instrument of revenge is as infamous as art is as a means of sensual titillation.
Money is sensual.
People tend to think of fairy tales as ‘archetypal.’ They are also extremely sensual, something which translates well over the ages.
Bengali women have a lot of sensual appeal.
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