Words matter. These are the best Love Stories Quotes from famous people such as Nithiin, Brett Goldstein, Nimrat Kaur, Ram Charan, Andrew Stanton, and they’re great for sharing with your friends.
Because I was happy in my space, I was doing commercials, masala films, love stories… But somewhere as an actor I wanted to push myself to reach a large audience and play a different role.
Most love stories that we see on screen end at them getting together. It’s the will they or won’t they, and then they do and then we end.
I like the idea of not having a definition of love and romance. The greatest love stories have been about people who haven’t come together. More stories like that need to be explored.
Life is one big love story with hundreds of little love stories within it.
We’re all going to keep telling love stories, we’re all going to tell hero stories. It’s all a question of what your own thumbprint, your own DNA, is, and what it brings to the table that makes it unique.
In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.
For me personally, I feel that a film that doesn’t end with a happy ending has a far bigger reach. It lingers on far more. Unrequited love stories have much more impact on the audiences. If ‘Romeo and Juliet’ had been happily married and had kids and dogs, I don’t think it would have been a classic.
I love stories, and as I got older, I realized how important what happened yesterday is to how you try to make your present better.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
There are a lot of love stories in ‘Maggie’s Plan,’ but the deepest, truly romantic one is between Maggie and her daughter.
I don’t think you can write – at least not well – if you don’t love stories, love the written word.
I love stories about misfits and underdogs.
Human beings love stories because they safely show us beginnings, middles and ends.
It’s true that love stories are my comfort zone, and the result that ‘Premam’ got has only boosted my confidence in trying films of this genre.
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
Love stories are probably all I’ve ever been able to write or want to write.
I love stories that give me a perspective on how easy American life has become in the 21st century.
While I think love is a beautiful emotion, I can’t make simple love stories any more. In the time that I have, I would like to make films about things that move and bother me.
True love stories never have endings.
I love stories like ‘The Terminator’ movies and ‘The Matrix,’ where our machines become self-aware and turn on us.
We’re all going to keep telling love stories, we’re all going to tell hero stories. It’s all a question of what your own thumbprint, your own DNA, is, and what it brings to the table that makes it unique.
We love stories about identity and acceptance because they’re so universal.
The silver screen offers much in the way of over-the-top rom-coms, long lost love, saddening love stories and heart warming optimism that can spark feelings in anyone.
I remember, when I was at school, we would have a 10-minute storytelling session where we’d all sit on the floor cross-legged, and the teacher would read. It became something we all really looked forward to. That was part of the reason I grew to love stories.
I love stories. When I’m writing, what I pretend subconsciously is that we’re cavemen, we’re sitting around the fire, and I’m telling you stories. If I bore you, you’re probably going to pick up a big club and hit me over the head.
I think there is an insatiable appetite for romance and for love stories, which is partly why these books and movies do so well.
People love stories; they use stories to make sense of the world.
Many actors are not willing to wait and take the risk. They get restless sitting at home and, eventually, take up anything that comes their way. It’s not that I wasn’t offered supernatural shows and love stories again, but I chose to wait for the right opportunity. I deserve variety, or I will feel stagnant.
I like to see love stories: romantic comedy or romantic drama.
At the end of the day, as cheesy as this sounds, people love love stories and Bachelor Nation truly wants to root for somebody and have people find their love stories.
If you scroll through all the movies I’ve worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I’m no specialist, because I’ve done everything. I’m a specialist in music.
I love stories about underdogs.
There are so many forms of love. Spending time with friends, love stories. I enjoy showing my love by baking a cake for somebody and writing his or her name on it, and seeing his or her reaction. I love to offer flowers, too!
I can’t seem to help writing love stories. I definitely crave romance. When I was young, I craved romance in books, but I didn’t want to read just romance – love plays such a big part in our lives, it shouldn’t be cut out and restricted to its own fiction.
I would love to do Tammi Terrell’s story. I love stories of the underdog coming out on top and stories of survival.
Most love stories that we see on screen end at them getting together. It’s the will they or won’t they, and then they do and then we end.
I like fiction. I love all sorts of love stories, I think. I even watched ’17 Again.’
I just love stories, and I love movies, learning and seeing the world. Growing up in Iowa, it was like, you wanna see the world? Movies can help you do that.
People just love stories.
We yearn for the desire to triumph, and it almost never does in the greatest love stories because we’re left yearning for it more in the end, and we wish the world were different as a result. I do love that.
I just love stories, and I love movies, learning and seeing the world. Growing up in Iowa, it was like, you wanna see the world? Movies can help you do that.
Sirkian films really aren’t – at least the way I see them, they’re not about identification. They don’t have voiceover. A lot of the love stories that are rooted, classic love stories rooted in point of view, use voiceover as a mechanism for locating you there.
Films which often preach Hindu-Muslim unity have deliberately steered clear of Hindu-Muslim love stories.
I love stories. But I don’t distinguish so much between a short story and a novel. Personally, when I sit down to read a novel or a Chekhov story, I’m seeking the same thing: I’m seeking that same rich portrayal of life in words.
All through my life what I’ve loved doing is watching movies. I love the escapism of film, I love stories. So it is incredible to be able to be in them as much as I am, to see them from the first stitch in a costume to the end product.
Love stories happen in communities outside of just the Upper West Side of Manhattan.
I love stories that give me a perspective on how easy American life has become in the 21st century.
Life is one big love story with hundreds of little love stories within it.
I have been involved in lots of crossover and event books, and the truth is, I dearly love them. I love stories that actually take advantage of the huge DC library and catalog – that stuff thrills me.
Love stories thrive on hope.
In all love stories the theme is love and tragedy, so by writing these types of stories, I have to include tragedy.
I do what I love and what I always dreamed of doing for a living. I write love stories, and I have always had a publisher willing to publish them. I have a sizable and loyal audience. I have made best-seller lists and won awards. What more could anyone ask for?
I love stories about women, and I think stories about women are generally pretty underrepresented.
‘Comfort Me with Apples’ is a love story, or better, two love stories. And since it deals with a later period in my life, most of the people who appear in it are living.
I think women love to read love stories.
For reasons which I can’t logically explain, in all of the films I’ve done, I’ve ended up doing love stories of one kind or another, and it seems to me that love stories are extremely dependent on the obstacles you can place between the lovers. There is no love story without it.
My favorite movies are love stories.
I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.
I am not chocolate and definitely not a boy. I am a man, and I have no clue how this image has stuck to me despite all these years. I think, maybe, in spite of trying to shell off my chocolate boy image, love stories excite me, and somehow I land up in such roles.
I simply love to believe in love stories. They are so cute and mushy.
If you scroll through all the movies I’ve worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies, and so on. So in other words, I’m no specialist, because I’ve done everything. I’m a specialist in music.
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