Words matter. These are the best Ophelia Lovibond Quotes, and they’re great for sharing with your friends.
Growing up, I was surrounded by music by the Stones, Carole King, and the Beach Boys. I didn’t know who Michael Jackson was till I was about 13.
I’m quite nosy. Somebody will be reading a book on a train, and I’ll go: ‘How is it? Is it any good?’ and they’ll be like, ‘Yeah, now let me read it.’
The ’60s look wasn’t something I consciously chose, but in my late teens, I found myself styling my hair in a retro way and liking clothes – the shapes and silhouettes – that were from that era. They just reflected who I was.
I’ve done a lot of comedy recently, so I would really like to explore something else. I am hankering after a really meaty, dramatic role… like Natalie Portman’s part in Black Swan.’
If you asked me to sing a modern song, I wouldn’t be able to – I can’t easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
I’ve never read a self help book… the most self-help I’ve read is on a beer mat.
All the other characters are so well-rounded, and it’s just frustrating because female characters aren’t. It’s not that they’re badly written, they’re just underwritten. They have no internal monologues; they could be absolutely anyone.
I love the ’60s – that’s my comfort zone as far as dressing goes.
The most romantic thing someone did was surprise me at the airport, after being away for 3 months in Los Angeles. You always see people with signs, and you’re like, ‘Isn’t that lovely?’ and then you see your own name on one – that isn’t a taxi driver’s! I was very impressed.
You’re sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don’t have nerves because of that natural affinity.
The first thing I look at with a project isn’t who’s directing, whether it’s a big film; it’s the character and whether I want to tell her story.
When I started acting professionally, it really felt like an extension of just playing around – it was all very organic.
I don’t quite have the luxury of cherry-picking – I have to see what comes my way. But I have always been picky.
I used to sing in jazz clubs with a friend until she went another way.
I get scripts and think, ‘There’s not enough here to get my teeth stuck into.’ That’s a result of studying English, where you luxuriate in these big, lush novels.
