I think I did experimental roles too early in my career.
When I went to university in Colorado, I was encouraged to write very innovative, experimental things, and some of the short stories in ‘Bearded Ladies’ are a little bit experimental.
In ‘Demon’s Souls,’ we tried to implement some features in a kind of experimental way, not being sure whether or not it would be popular, but we did it anyway so that we could see how people reacted.
People will often take an interesting experimental study which has been done in the world, perhaps at small scale, and then it’s touted as some big solution.
‘Snowpiercer’ is a little bit more experimental, I think, and crafted for a slightly different audience. ‘The Giver’ is more about teen angst.
Traditional songwriting, to us, is where the experimental nature comes in. We’re all involved with so much outside activity with really hardcore, experimental music-making.
When I look at my life and the lives of my female friends these days – with our dizzying number of opportunities and talents – I sometimes feel as though we are all mice in a giant experimental maze, scurrying around frantically, trying to find our way through.
One thing I love about Kollywood is that, here, filmmakers are more experimental, and the audience is welcoming of it, too.
Eliminator’ was a big, experimental thing.
It’s been said that horror films are experimental forms of art, and I agree. As an actress, you’re put in positions and have to experience emotions that are way beyond reality, whether fighting in a post-apocalyptic world or being possessed by the Devil.
I’m also very impressed with the best people in experimental electronic world, like Peta and Eckart Aillers and Finez and Jim O’Rourke and Oren Umbarci and Francesco Lopez. Most of them use the computer as their main instrument.
Experimental film by the ’70s had become much more mainstream after ‘Bonnie and Clyde’ and stuff in the late ’60s, when you were seeing bigger movies where people were exploring the medium a lot more.
‘Alemaari’ is an experimental cinema of sorts. If audiences don’t understand it, the film will fall flat.
I come from a background of experimental music which mingled real sounds together with musical sounds.
